SKU: 12495215559
gorilla strawberry seeds

gorilla strawberry seeds Strawberry Gorilla Auto

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Description

gorilla strawberry seeds Strawberry Gorilla AutoATTENTION ALL! Due to our continuous efforts in evolving our breeding process, we are proud to confirm that our Strawberry Gorilla Auto has now become one of the most potent autoflowers in the world! Paving the way to our recent success where she ranked on top & brought home the gold at the very first American Autoflower Cup in California. Moreover, she proved that not only modern autoflowers can compete with photoperiods, but they can even beat them

ATTENTION ALL! Due to our continuous efforts in evolving our breeding process, we are proud to confirm that our Strawberry Gorilla Auto has now become one of the most potent autoflowers in the world! Paving the way to our recent success where she ranked on top & brought home the gold at the very first American Autoflower Cup in California. Moreover, she proved that not only modern autoflowers can compete with photoperiods, but they can even beat them in their field. At the most recent edition of the Farmer’s Cup and competing against various photoperiodic strains, Strawberry Gorilla Auto took home the title of 'Highest Combined Terpenes' in the highly sought-after 'Home Grow Hash' category, with an impressive 97.163 mg/g total terpene content! Our exceptional genetic selection's crowning Strawberry Gorilla Auto strain is a spectacular hybrid known for producing yields of up to 600 gr/m2 in 70 days. This is a very manageable grow that can reach heights of up to 150 cm - due to its magnitude we recommend it for more experienced growers, as a huge plant may be a little overwhelming for first-timers. This show stopping sativa heavy hybrid is perfect as an all day smoke, producing a taste bud tingling, pungent berry and diesel terpene-rich flavor combo that leaves you with a grin from ear to ear, a perfect choice for those looking for a day-and-night autoflower!

Bud description

 

Strawberry Gorilla Auto nugs are extremely frosty, a true work of art. This variety produces lime-green buds with oversized spade-shaped tips and bright-orange hairs that add beautiful fuzzy streaks of golden throughout the buds. This strain reeks of a gassy strawberry lollipop aroma that only gets stronger as you break the buds open, so expect flowers that are as rich in terpenes as they’re heavy in resin. 

Smoke report

 

This autoflower offers a powerful hybrid high. Strawberry Gorilla Auto effects start in the head as an intense feeling of happiness that boosts creativity and It'll have you as deep in your thoughts as you can be.

After a couple of minutes, the strong effect slowly moves to the rest of the body and anchors you down, leaving your mind and body deeply relaxed. It’s an all-day strain for those looking to get the best of both worlds as this variety is strong and hits you with a strong pulsating wave on the mind and body without being too heavy, a great variety that can open up the mind artistically.

Plant appearance

 

Expect extremely vigorous plants with chunky resin-coated buds. Strawberry Gorilla Auto develops medium-sized fan leaves and a typical Christmas tree structure, with a tall main cola and several long side branches that can handle the huge buds effortlessly. Thanks to the exquisite genetic selection, the buds produce very small sugar leaves, making your trimming as easy as possible while leaving resin to grow where it really matters: the buds.

Sealed to ensure authenticity
Waterproof Coating
Aluminium interior lining
Protective sticker
QR code
Scratchable serial number

Grow tips

 

We recommend using a light and well-draining soil for our Strawberry Gorilla Auto. A soil mixed with perlite and vermiculite can help improve drainage and prevent root rot. This strain prefers a temperature range of 20-26°C, with a slight drop in temperature during the dark period. In this stage it's best to monitor the temperature in your grow space and adjust as necessary. This girl is known to respond well to high-intensity lighting, however it's important to avoid stressing the plants excessive light - we recommend a daily light cycle of 18-20 hours for optimal growth!A balanced nutrient regimen is essential for the growth and health of your Strawberry Gorilla Auto plants, and a combination of a grow and bloom nutrient formula is recommended, focusing on phosphorous and potassium during the flowering stage.Training techniques, such as topping and fimming, can also help you improve yields and structure in this strain. However taking into consideration that you do not want to overstress the plant.Additionally this strain is known to be relatively resistant to pests and diseases, but it's still important to regularly check your plants and pay special attention to it checking for any signs of infestation or infection.

Flavor

 

Strawberry Gorilla Auto is a 2023 cup-winning hybrid that is highly prized for its sweet and fruity aroma. This strain has won numerous awards for its unique and delicious flavor, which is reminiscent of freshly picked strawberries. Its balanced genetics deliver both a relaxing body high and a euphoric mental uplift, making it a popular choice among recreational as well as medical users. We genuinely appreciate this terpene profile so much and consider it to be one of the finest on the market. Its fast flowering time and ease of cultivation make it a favorite among indoor growers. If you achieve a well done cure and clean white ash, it will be your "must have" flavor forever. The key to unlocking the full potential of Strawberry Gorilla Auto lies in the curing and storage process, and when done correctly, it will reward you with a smooth, flavorful smoke that will keep you coming back for more.

Characteristics
SKU FB-STRGOR-AUTO-FEM

Brand/breeder

 Fast Buds

Variety

 Indica / Sativa hybrid

Flowering type

 Autoflowering

Sex

 Feminised

THC content

 High THC (16-24%)

CBD content

 Low CBD (0-1%)

Suitable climates

 Cool | Dry | Hot | Temperate | Warm | Wet
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Exchange/Return Notes
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SKU: 12495215559

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4.3 ★★★★★
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Product Reviews
M
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Mr. Watkins
Lowell, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Louisville, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Alexandria, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Belleville, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
Phoenix, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2016

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