SKU: 15071532414
long plant pot holders

long plant pot holders Hangapot™ Space Saving 5' Plant Stand on Wheels - Handcrafted Douglas Fir/ 16 Clay Pot Hangers

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Description

long plant pot holders Hangapot™ Space Saving 5' Plant Stand on Wheels - Handcrafted Douglas Fir/ 16 Clay Pot HangersHangapot Handcrafted 5' Plant Stand on Wheels. Securely supports 16 20 clay, terra cotta flower and orchid pots. a versatile and stylish solution of solid design to enrich any indoor or outdoor space with greenery and life. Crafted from robust Douglas Fir wood, this plant stand consists of a five foot pole with legs,wheels, decorative cap and comes with 16 of the acclaimed hangapot flower pot hangers. The wood is finished to furniture quality

Hangapot™ Handcrafted 5' Plant Stand on Wheels. Securely supports 16 -20 clay, terra cotta flower and orchid pots. a versatile and stylish solution of solid design to enrich any indoor or outdoor space with greenery and life.

 Crafted from robust Douglas Fir wood, this plant stand consists of a five foot pole with legs,wheels, decorative cap and comes with 16 of the acclaimed hangapot™ flower pot hangers. The wood is finished to furniture quality providing functionality with a rustic charm It is perfect for showcasing orchids, herbs, African violets, bromeliads, seasonal plants, and various indoor houseplants. each pole can accomodate 16-20 clay, terra cotta or ceramic  pots creating a mobile hanging garden

The pole is shipped in a kit that includes, legs, wheels, cap, screws and 16 hangapot™ flower pot hangers with stainless steel screws. The legs are predrilled as well as matching holes in the base. Just grab your power screw driver, screw the legs into the base, attach the plant hangers, hang the plants and you have a stunning vertical garden on wheels. The finished pole stands at 5'4 inches. The wood is stainable, paintable. To preserve its natural beauty you may choose to use a clear matte varnish, lacquer or polyurethane.

Ideal for hanging orchids, bromeliads, succulents, herbs, hoyas, desert roses, miniature roses, African violets even edibles like strawberries, peppers, tomatoes, etc. Some customers like to do a seasonal  look from pansies in the spring to mums and poinsettias.

Key Features:

  1. Enhanced Plant Display: The 4x4 pole on legs with wheels offers generous vertical  space to exhibit multiple clay/ceramic pots, accommodating plants of different sizes and types. A vertical garden for small spaces like condo and apartment patios, decks or indoor plant displays.  This stand is an ideal accent piece for dull areas on decks, patios, and city apartment balcony gardens, transforming them into vibrant green sanctuaries.

  2 Quality Craftsmanship: Crafted with attention to detail and quality craftsmanship. Our craftsmen are members of the Chickasaw Nation American Native Tribe. These plant poles not only serve as a functional piece but also as a decorative accent that complements various decor styles. It offers a stable and attractive platform for displaying your favorite plants, enriching your home with natural beauty.

         3 .Mobility and Stability: Designed with sturdy legs and smooth-rolling wheels, this plant stand offers easy mobility, allowing you to optimize sunlight exposure or rearrange your outdoor or indoor garden effortlessly. The wheels come with locking mechanisms, providing stability and security once positioned. Can be stored easily in the winter or brought inside and used for houseplant collections.

         4 Easy Assembly. The legs are predrilled and have corresponding holes in the base for simple assembly. Attach the legs, attach the flower pot hangers and hang your plants

         5  Featuring the innovative Hangapot™ hidden flower pot hanger, as seen in Country Living and Better Homes and Gardens Do It Yourself magazines, this stand effortlessly suspends clay ceramic pots with a traditional shape—a lip and taper design. Country. The pots appear suspended effortlessly, enhancing the beauty of your plants without visible hooks or hangers

          6  Durable Construction Crafted from durable Douglas Fir wood, renowned for its strength and weather-resistant properties, this stand is built to withstand outdoor elements while maintaining its natural beauty. The wood's rich grain and warm tones add a touch of rustic elegance to any environment.

       Versatile Use: Perfect for small spaces like city apartments or urban balconies, as well as larger outdoor areas such as decks, screened,enclosures and patios, this stand maximizes vertical gardening space. It creates room for expanding your plant collection, enhancing your living space with lush foliage and botanical charm.

Conclusion:

Whether you're looking to brighten up a city apartment balcony or transform a dull patio into a green oasis, the Hangapot™  Mobile Plant Stand is the perfect choice. With its strength and durable construction and  ability to securely hold 16-20 fully potted plants,  it provides a stylish and practical solution for hanging clay ceramic pots and expanding your plant collection. Elevate your outdoor or indoor space with this versatile and beautifully crafted plant stand, enhancing your surroundings with the beauty of nature.

Shipping Notes
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SKU: 15071532414

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4.3 ★★★★★
Based on 23 reviews
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Paul Frandano
Massapequa, US
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
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Ritesh Laud
Phoenix, US
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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Diogenes
West Palm Beach, US
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing. The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it. Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013
J
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J. W. Kennedy
West Palm Beach, US
★★★★★ 4
Mixed Bag
Everyone should know, first off, that the Dover thrift edition is NOT a graphic adaptation. For some reason, Amazon has attached editorial reviews from the hardcover edition of the graphic novel version to this page. Now, the book itself offers a range of experiences from delightfully hilarious to annoyingly tedious. Lots of the "funny" parts depend on an understanding of 18th-century social mores. I'm sure some of it went over my head but I'm enough of a nerd to have enjoyed most of the drollery. I think... The story is whimsical, told all out of order by a scatterbrained, easily-distracted narrator. Tristram Shandy himself is hardly in the novel at all; aside from narrating it, he only appears momentarily as a newborn infant and then as a boy about 6 years old - and his role in both incidents seems peripheral to the carryings-on of the other characters. Each turn in the story reminds the author of something else, and he turns aside to tell stories inside of stories, each of which are necessary to give the reader some vital "background information" .. with the result that the main story hardly moves forward at all. It takes nearly 200 pages just for Tristram to be born! and even then the reader isn't quite sure it has happened since the conversations and minute actions of the other characters are magnified to such an importance that the narrator's own birth is hardly observed. For the most part this rambling comes across as "quirky and delightful" and the novel flows along quite pleasingly in spite (or perhaps because) of it. The digressions add layers to the story. Except when they don't. The "chapter upon noses" which is a translation of a fictitious(?) Latin work by the great Slwakenbergius, has little bearing on the story. Like most of the book, it builds up to a climax and then stops short of resolution, leaving you to wonder what was the point. It leads nowhere, but at least it was interesting. The same cannot be said of Book VII, which is a sort of travel diary of Tristram (in the novel's "present" time) touring France by post-chaise. Although this is the only significant appearance of Tristram himself as a character in the book, it has absolutely nothing to do with the story/stories he was telling, and it is neither very interesting nor very funny. It serves as nothing but a pointless interruption, delaying the reader for 50 pages before getting to the part we were waiting for: Toby's courtship of the widow Wadman. This last section goes along nicely for a while, and then the book stops. It doesn't end; it just stops right in the middle of a conversation, with the courtship unresolved and most of the reader's questions unanswered. This is perfectly in keeping with the spirit of the entire novel, but I have to admit it's frustrating. I had trouble deciding whether to give this book 3 or 4 stars but I think it entertained me more than it exasperated me, so I'll give it the benefit of the doubt ... and round up from 3.5. It's worth reading once, just for the experience - there's no other book quite like it - and the price of the Dover Thrift Edition can't be beat.
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Reviewed in the United States on September 23, 2010
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Lawrentius Verifer
Pawtucket, US
★★★★★ 5
An extraordinary tale of an 18th Century family
Have you wanted to read a book where the author decides to "rip out" one of the chapters, or leaves a blank page for you to 'draw' one of the characters? Would you enjoy a story which takes many chapters before the hero manages to be born? This 18th-Century tale is touchingly told. The characters are real, and fascinating. It's not their fault that their story is frequently and impishly interrupted by outlandish "digressions" on the part of an author so creative that his modern descendants are considered to be Joyce and Beckett, as well as many others. Would you enjoy a chapter on Chapters? About buttonholes? About whether parents and their children are kin to each other? A chapter on curses? Poor Laurence Sterne has so much trouble getting two of his characters down the stairs that he finally calls in a "critic" to help! Advice on reading such an unusual, even unique, book: read the first several chapters, then stop and reread them. Continue that process and soon the book will feel quite familiar, and that's when the fun really starts. The Oxford World's Classics edition follows the first edition of the book, and is preferred. Amazon also offers the fully-annotated edition, the "Florida" edition, in three volumes. A caution about the Everyman hardcover edition: they reprinted a later edition which groups Tristram Shandy into three volumes, not nine. And then they renumbered all the chapters! That's OK unless you read secondary sources that refer you to Book VII, Chap 4: good luck ever finding it.
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Reviewed in the United States on June 4, 2000

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