SKU: 17328725615
dieffenbachia asst

dieffenbachia asst Dumbcane Panther - Dieffenbachia 'Panther'

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Description

dieffenbachia asst Dumbcane Panther - Dieffenbachia 'Panther'Presenting the captivating Dieffenbachia 'Panther', more commonly known as Dumbcane. This tropical perennial stands out with its large, lustrous leaves splashed with varying shades of green, making it a favorite for both indoor and outdoor plant enthusiasts. How to Grow The Dumbcane thrives in bright, indirect light but can tolerate lower light conditions, making it a versatile choice for many spaces. It's best cultivated in well draining soil and,

Presenting the captivating Dieffenbachia 'Panther', more commonly known as Dumbcane. This tropical perennial stands out with its large, lustrous leaves splashed with varying shades of green, making it a favorite for both indoor and outdoor plant enthusiasts.

How to Grow

The Dumbcane thrives in bright, indirect light but can tolerate lower light conditions, making it a versatile choice for many spaces. It's best cultivated in well-draining soil and, when potting, ensure the container has proper drainage holes. While it's primarily an indoor plant, it can be grown outdoors in USDA zones 10-12.

Care Tips

Water the Dumbcane when the top inch of soil feels dry to the touch. It's vital to avoid over-watering, as this can lead to root rot. For optimal growth and leaf vibrancy, maintain a humid environment, especially if the plant is indoors. Misting or placing on a humidity tray can help achieve this.

Uses

With its striking foliage, the Dieffenbachia 'Panther' serves as an excellent focal point or background plant in home decor. Its tall growth habit and lush leaves make it an ideal choice for hallways, living rooms, or offices.

Planting Tips

When potting, choose a container slightly larger than its current one to accommodate growth. Mix in some perlite or sand with potting soil to enhance drainage. If planting outdoors, ensure it's in a shaded or semi-shaded spot protected from direct afternoon sun.

Maintenance

Periodically clean the leaves with a damp cloth to remove dust. This not only keeps the plant looking fresh but also allows for better photosynthesis. Prune away any yellow or damaged leaves to encourage new growth.

Pests and Diseases

Keep an eye out for pests like aphids, mealybugs, and spider mites. These can be managed with insecticidal soaps or by introducing natural predators like ladybugs. Ensure the plant isn't sitting in water and has good air circulation to minimize the risk of fungal diseases.

Note: Dieffenbachia contains a toxin that can cause mouth and throat irritation if ingested. It's advisable to keep it away from pets and children and handle with care.

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SKU: 17328725615

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David R. Papke
Boise, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Boise, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Grantham, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
San Leandro, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Whiting, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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