SKU: 20644524717
cybex t cloud

cybex t cloud CYBEX CLOUD T I-Size Car Seat

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Ships within 48 hours · Estimated delivery Aug 5 - Aug 10

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Description

cybex t cloud CYBEX CLOUD T I-Size Car SeatPlease note: this item is not stocked in store and will be delivered in 3 5 working days. The Cloud T i Size infant car seat lasts from birth to 87cm approx. 24 months, it is the ultimate all rounder for comfortable and exible journeys with your child, both inside and outside the car. It oers an in car recline position when used with the ISOFIX Base T (sold separately), providing a comfortable and safe ride. When used as part of a travel system the

Please note: this item is not stocked in store and will be delivered in 3-5 working days.

The Cloud T i-Size infant car seat lasts from birth to 87cm approx. 24 months, it is the ultimate all-rounder for comfortable and flexible journeys with your child, both inside and outside the car. It offers an in-car recline position when used with the ISOFIX Base T (sold separately), providing a comfortable and safe ride. When used as part of a travel system the Cloud T i-Size gives you full flexibility by offering an outstanding, ergonomic lie-flat position, meaning your baby has unrestricted breathing and is at a safer reclined angle whilst their lungs are still developing.

The Cloud T i-Size features Stretch & Lie-Flat Technology outside of the car, the recline hinges at the hip area to create a longer and more spacious seating position, as well as offering additional leg support. This makes the Cloud T i-Size one of the longest infant carriers on the market.

With its all-round air ventilation, the infant car seat maintains a consistently pleasant seating temperature throughout the seasons. When used on the Base T, the 180° rotation allows you to turn the infant car seat towards the car door to effortlessly on and off-board your child. The Cloud T i-Size is the perfect companion for every step of the way.

Features:

Stretch & Lie-flat Technology

When used outside of the car, the Cloud T i-Size features an innovative Stretch & Lie-Flat Technology, that has set new standards for ergonomic comfort. Its recline hinge, situated in the hip area, allows for a simultaneously flattened back and leg rest extension, creating an optimal lying position for your baby.

Use on your pushchair and the Cloud T i-Size can be fully reclined to a lie-flat position that provides ergonomic comfort on the go , the Stretch & Lie-Flat Technology, prevents your baby's head from falling forward, allowing for unrestricted breathing and vital lung development.

In-car Recline

With the Cloud series CYBEX developed an ergonomic lie-flat position for outside of the car. Building on this innovation the newest Cloud T i-Size can also be placed in a reclined position while in the car. This feature allows greater comfort for the child without compromising on safety while on the road.

New All-round Air Ventilation System - For Optimal Breathability

The Plus fabric also features mesh inserts for even better air circulation and comfort, proper circulation of air not only reduces humidity, but also prevents any excess moisture. Its specially designed 3D mesh structure improves breathability by up to six times*, ensuring that your child stays cool and comfortable no matter the weather.

180° Rotation For Easy On- And Off-boarding

CYBEX has been manufacturing rotating infant car seats since 2018 - the Cloud T i-Size is next generation in technology.

When used with the ISOFIX Base T, the Cloud T i-Size infant car seat is easily rotatable towards the car door, for effortless on and off-boarding. Smaller babies can sleep soundly in the Cloud T i-Size while getting smoothly clicked directly onto the base. Thanks to the 180° rotation, you can make sure your baby sits properly in the seat and is securely strapped in before setting off, say goodbye to any awkward reaching or twisting.

The smooth 180° rotation allows parents to turn the seat towards the door, and in a single movement by simply using the one hand release mechanism and carry handle, lift their little one out of the car without any additional bending or strain on their backs.

Full Sun Protection

The XXL Sun Canopy is made from UPF50+ fabric**, offering excellent sun protection as well as shielding your child from wind and the busy surroundings like a cosy cocoon. When not in use, it can be easily stowed away. For hot days, the sun canopy now features a new mesh window that not only improves air ventilation but also makes it easier to check on your child without moving the Sun Canopy.

25% More Side Impact Protection

The Cloud T i-Size is equipped with the proven Linear Side-impact Protection (L.S.P.) System which enhances safety in the event of an accident. Together with the energy-absorbing shell of the seat the extended side protection reduces the initial impact forces by up to 25%. If needed, the L.S.P. System can be easily stored away in case of limited space in the car.

Travel System Ready

The Cloud T i-Size's travel system compatibility allows for easy attachment to a variety of strollers and pushchairs from CYBEX with the intuitive use of adapters. While being a versatile infant car seat, it also offers an incomparably flat recline position, nearly as flat as a carrycot, setting it apart from other reclining car seats.

Grows With The Child

The Cloud T i-Size's Height-adjustable Headrest provides 12 different positions, allowing for a personalised and secure fit for your growing child. With the integrated harness guide, adjustments can be made effortlessly and within seconds while ensuring that the safety features of the seat are properly positioned. The Cloud T i-Size grows with your child from birth to approximately 24 months old (45-87cm) and harness automatically adjust as you move the headrest or recline the seat.

Safe Travel For Smaller Babies

The Cloud T i-Size comes with a removable Newborn Inlay that provides a near-flat lying position for newborns or smaller premature babies. The inlay minimises the risk of the baby's head tipping forward while sleeping, which encourages a safer sleeping position and reduces any breathing difficulties. As your baby grows, the Newborn Inlay can be removed once your little one is taller than 60 cm.

One Base - Two Seats

The ISOFIX Base T serves as a secure base for the CYBEX T Line Modular System, offering maximum protection and versatility, allowing the Cloud T i-Size to rotate 180° to either side of the car door. Additionally, it's a long-lasting solution that can continue to be used with a CYBEX Sirona T i-Size as your child grows.

Intuitive Isofix Tech

The Base T comes equipped with optimised and user-friendly ISOFIX-Release buttons, making the installation of the base in the car even more intuitive and easy. The handy green and red indicators featured on the ISOFIX Tech Release buttons and the base load leg reassure parents that they have correctly installed their seat.

Specifications:

  • Dimensions: 64.5 cm / 44 cm / 38 - 60 cm
  • Weight: 4.5 kg
  • Age - From birth to approx. 24 months
  • Child weight - 13kg
  • Box Size: Depth/ Length: 75cm
  • Box Size: Width: 46cm
  • Box Size: Height: 37.8cm
  • Box Size: Gross Weight: 8.2kg
  • Net Weight: 4.9kg
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 20644524717

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4.8 ★★★★★
Based on 7 reviews
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Product Reviews
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Sarah Pettingill
Grantham, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
J
Verified Purchase
Jessica Martin
Boise, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Draper, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Verified Purchase
Terry Seale
Omaha, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
S
Verified Purchase
Smrz
Louisville, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 15, 2011

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