Pay in installments of $7.09 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Aug 8 - Aug 13
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
herbicide skid sprayer V-100 ST, 100-Gallon Skid SprayerThe V 100 ST skid sprayer fits well in medium and full sized pickup trucks. The smaller foot print also makes this sprayer perfect for vans and enclosed body vehicles when assembled van style. Configuration includes the 100 gallon tank frame assembly, oversized suction strainer with quick flush feature, Honda GX160 pull start engine, Kappa 43 diaphragm pump, Hannay E1530 electric hose reel with truck wiring harness, 300 feet of 1 2" 600 PSI spray
The V-100 ST skid sprayer fits well in medium and full sized pickup trucks. The smaller foot print also makes this sprayer perfect for vans and enclosed body vehicles when assembled van style.
Configuration includes the 100-gallon tank/frame assembly, oversized suction strainer with quick flush feature, Honda GX160 pull start engine, Kappa-43 diaphragm pump, Hannay E1530 electric hose reel with truck wiring harness, 300 feet of 1/2" 600 PSI spray hose, Chemlawn spray gun and gun holder.
The V-100 ST can be customized to best fit your business needs. Many component upgrades and accessories are available.
Shipping and Delivery
All Gregson-Clark sprayers are crated and shipped by common carrier, typically to a commercial address as a forklift is required to unload. Liftgate delivery to a residential address is possible in most areas for an additional charge. We can also arrange for you to pick up your sprayer at the freight terminal. For a shipping quote and to discuss the best option for your delivery call our shipping department at 800-706-9530.
Specifications
Weight: Empty – 370 lbs; Full – 1,203 lbs
Overall Dimensions: (W x D x H) Pickup Style—75.5" x 36.5" x 41"; Van Style—58 x 36.5 x 41
Frame: Welded steel, powdercoat finish, gloss black
Tank: 100-Gallon medium-density polyethylene with UV stabilizers, 8" lid
Strainer: Arag 1-½" suction strainer with built-in shut off valve, 16 mesh screen
Engine: Honda GX160 with oil alert. Air-cooled 4 stroke OHV
Pump: Udor Kappa-43/GR-LP. Three diaphragm pump with control unit with adjustable pressure regulator, Manual dump lever, dual ball valve outlets and pressure gauge. (10.5 GPM 350 PSI)
Hose Reel: Hannay electric E1530-17-18. Max capacity of 400' of ½" hose. A 6-gauge truck wiring assembly with circuit breaker and quick disconnect is also included
Hose: 300 feet of ½" ID yellow PVC/polyurethane blended 600 PSI, yellow w/black stripe
Gun: Chemlawn spray gun with yellow, 2 GPM nozzle
Recommended Vehicle: 1/2 Ton truck or van with a payload of at least 1,203 lbs
Warranty
Gregson-Clark Sprayers are warranted by the manufacturer to the original purchaser to be free from defects in materials and workmanship for a period of two years. The pump elastomers and hoses are considered normal wear items and carry a 90-day warranty against defects in materials and workmanship.
Additional Accessories
High Pressure Strainer
The high pressure strainer is mounted between the pump and the reel. It is easily cleaned by means of a flush valve mounted on the bottom of the strainer body. The strainer eliminates the need for repeated cleaning of your gun nozzle by removing contaminants before they reach the spray gun.
Strainer Bags
Strainer bags are ideal for mixing dry fertilizers and chemicals in jet agitation sprayers. The strainer bag can hold a full bag of urea, saving mixing times and preventing potential plugging of the system strainer or pump. The lid may be closed when the bag is in place. The size of the bag corresponds to the diameter of the fill well. (8", 10", 12" and 16" available).
Hose Roller Guides
Roller guides can be easily added to the sprayer to assist in pay-out and rewinding of hose. Hose roller guides help keep the hose off the side of the vehicle.
Air Gap Fill Systems
Required in many states, the air gap fill line prevents accidental back-flow contamination when filling your tank. Air gaps are available from 3/4" harden hose to 2".
Modular Tanks
An inexpensive way to increase capacity and/or provide for a second spray solution. Available in 35-,50-,100-, 150-, and 300-gallon capacities. The modular tanks come complete with suction and agitation lines, 3-way ball valves, hose and clamps.
Recommended Stocking Items
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.9 ★★★★★
Based on 7 reviews
Sort
Product Reviews
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2007
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt)
Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others.
The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it.
The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange).
The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble.
For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 26, 2014
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows.
Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring.
Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters.
In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies.
At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn.
The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 17, 2025
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do.
As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable.
In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 1, 2011
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD.
It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank."
The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released?
It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex.
This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film).
I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 1, 2005
recommand products
Plant Shelf, Plant Holder, Wall Shelf, Plants
24.39
Small Teardrop Plant Shelf Cubby | Wall Shelf | Wall Hanging | Plant Hanger Indoor | Wall Display Shelf | Modern Wall Shelf
23.97
Acacia Wood Planter Box | Planter
27.99
Systemic Granules Insect Control Bonide 1 lb
29.74
Infuse Systemic Disease Control Bonide 16 oz
20.19