SKU: 21443348367
bugaboo buffalo bassinet dimensions

bugaboo buffalo bassinet dimensions Bugaboo 2015 Buffalo Base

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Description

bugaboo buffalo bassinet dimensions Bugaboo 2015 Buffalo BaseWhat's NEW for 2015? NEW Comfort Harness Easily adjustable straps that can grow with your child Easy in with no more closed loops Hassle free out with just one click Like all Bugaboo strollers, the Bugaboo Buffalo is known for its high quality, smart design, innovative functionalities, smooth ride and its ease of use. Designed specifically for all terrain performance, the Bugaboo Buffalo is a must for parents who love to discover. Whether thats

What's NEW for 2015?
  • NEW Comfort Harness
    • Easily adjustable straps that can grow with your child
    • Easy in with no more closed loops
    • Hassle-free out with just one click
Like all Bugaboo strollers, the Bugaboo Buffalo is known for its high quality, smart design, innovative functionalities, smooth ride and its ease of use. Designed specifically for all-terrain performance, the Bugaboo Buffalo is a must for parents who love to discover. Whether that’s blazing a trail through the urban jungle or cross-country. Bugaboo’s latest stroller is at home in the city as it is on tougher trails. Versatile, robust and spacious, the one-piece fold Bugaboo Buffalo has multiple luggage options (up to 35 lbs), a high and spacious seat (up to 50 lbs), and an extendable sun canopy for extra protection against the elements. So no matter how rough your expedition, it will always be a smooth ride. The Bugaboo Buffalo’s most important characteristics are:

VERSATILE

The Bugaboo Buffalo offers all the functionality you need, and more. Have a look at the optimized foam filled tires which let you discover any terrain, the rotating carry handle for those scooping-up-kid moments, the one-piece-fold self standing chassis that makes it easy to store the stroller or take it with you wherever you go, or the included rain cover that protects your child from head to toe. You can of course also try out one of the accessories to further customize the Bugaboo Buffalo. This all-new, all-terrain stroller is suitable from infant to toddler with both the bassinet as well as the seat able to be used separately from the chassis. What’s more, the modularity of the Bugaboo Buffalo allows you to take with you only what you need. So no need to pack to the max for those outdoor weekend trips!

ROBUST

The Bugaboo Buffalo is strong and durable enough to travel all terrains and carry an 86 lb load. It not only allows a seat load of up to 50 lbs, but also carries 35 lbs of luggage for you. In fact, the Bugaboo Buffalo is the first stroller worldwide to offer the possibility to hang a bag of up to 13 lbs on the handlebar as certified by renowned international test houses. In short, the Bugaboo Buffalo is truly a robust stroller.

SPACIOUS

The Bugaboo Buffalo has a large accessible underseat bag to store whatever you need. But that’s not the only thing that makes this stroller spacious. The high positioned seat and bassinet make it more convenient for you to lift your child in and out of the stroller and thanks to its smart geometry, the Bugaboo Buffalo makes walking behind the stroller more comfortable, allowing more space for taller parents.

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SKU: 21443348367

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4.4 ★★★★★
Based on 29 reviews
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T
Verified Purchase
Tahoeman
Battle Creek, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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Verified Purchase
David R. Papke
Cuba, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Dallas, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Bozeman, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lexington, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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