SKU: 25669935127
futura sansevieria

futura sansevieria Futura Robusta Snake Plant – Plant Detectives

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Description

futura sansevieria Futura Robusta Snake Plant – Plant DetectivesFutura Robusta Snake Plant (Sansevieria trifasciata 'Futura Robusta') Futura Robusta Snake Plant is a tough, compact houseplant that brings bold structure to indoor spaces with very little maintenance. Its thick, upright leaves tolerate missed waterings and adapt well to a wide range of indoor light, making it a reliable choice for busy homes and offices. The broader leaf shape gives a fuller, more grounded look than many snake plants, so it reads

Futura Robusta Snake Plant (Sansevieria trifasciata 'Futura Robusta')

Futura Robusta Snake Plant is a tough, compact houseplant that brings bold structure to indoor spaces with very little maintenance. Its thick, upright leaves tolerate missed waterings and adapt well to a wide range of indoor light, making it a reliable choice for busy homes and offices. The broader leaf shape gives a fuller, more grounded look than many snake plants, so it reads substantial even in smaller pots. Once established, it stays attractive with simple care and minimal day-to-day attention.

Distinctive Features

This snake plant forms a dense clump of short to medium height, broad leaves with strong horizontal banding in deep green and lighter green tones. Leaves are thick and moisture-storing, which helps the plant handle dry indoor air and irregular watering without losing its clean form. The growth habit is upright and compact, creating a sturdy, architectural silhouette that fits neatly on floors, shelves, and tabletops. Mature size is typically about 12 to 18 inches tall and 12 to 18 inches wide.

Growing Conditions

  • Light: Bright indirect light is ideal, but it tolerates low light and can handle some direct sun when acclimated.
  • Soil: Use a well-draining potting mix, such as a cactus or succulent blend, in a pot with drainage.
  • Water: Water only when the soil has dried out, since overwatering is the most common problem.
  • Temperature: Prefers typical indoor temperatures and should be protected from cold drafts and frost.
  • Mature Size: About 12 to 18 inches tall and 12 to 18 inches wide.
  • Humidity: Average indoor humidity is fine, and no special humidity support is needed.

Ideal Uses

  • Focal Point: Use as a focal point on a console or shelf where the compact, upright clump can add clean structure and a modern look.
  • Small Spaces: Place on desks, nightstands, and windowsills where you want a sturdy plant that stays contained.
  • Office Plants: Keep at work for a durable, low-maintenance plant that stays neat with minimal care.
  • Low-Light Rooms: Use in spaces with less natural light where many houseplants struggle.
  • Grouped Displays: Pair with trailing plants to create contrast and make arrangements look more designed.

Low Maintenance Care

  • Watering: Let the pot dry between waterings, then water thoroughly and drain excess water.
  • Light Adjustment: Rotate the pot occasionally to keep growth even, especially in lower light.
  • Cleaning: Wipe leaves with a dry or lightly damp cloth to remove dust and keep the banding crisp.
  • Repotting: Repot every few years when crowded, using fresh, well-draining mix and a stable pot.
  • Feeding: Fertilize lightly in spring and summer, and avoid feeding during low-light winter months.

Why Choose Futura Robusta Snake Plant?

  • Compact Strength: Broad, upright leaves create a full, sturdy look in a smaller footprint.
  • Low Water Needs: Thick leaves store moisture and tolerate missed waterings.
  • Light Flexibility: Adapts well to a wide range of indoor light levels.
  • Clean Patterning: Strong green banding adds texture without looking busy.
  • Easy Care: Minimal grooming and straightforward watering make it ideal for beginners.

Futura Robusta Snake Plant is an easy way to add dependable greenery and bold structure without complicating your routine. Give it well-drained soil, let it dry between waterings, and place it in steady indoor light for best performance. With its compact habit and durable nature, it stays looking polished day after day.

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SKU: 25669935127

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4.6 ★★★★★
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T
Verified Purchase
Tahoeman
Cuba, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Draper, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Bozeman, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Grantham, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
West Palm Beach, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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