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heartleaf philodendron lemon lime

heartleaf philodendron lemon lime Philodendron hederaceum 'Lime' ('Neon') – Foliage Factory

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Description

heartleaf philodendron lemon lime Philodendron hederaceum 'Lime' ('Neon') – Foliage FactoryPhilodendron hederaceum Lime (Neon) Philodendron hederaceum Lime (Neon) is a bright chartreuse heartleaf Philodendron with slim vining stems and vivid yellow green leaves. New growth opens in fresh lime tones, then matures into softer green. The leaves are heart shaped, with a cordate base, pointed tip and smooth surface. Young plants usually make smaller leaves on longer, flexible vines; stems given a pole, plank or trellis can sit flatter and size

Philodendron hederaceum ‘Lime’ (‘Neon’)

Philodendron hederaceum ‘Lime’ (‘Neon’) is a bright chartreuse heartleaf Philodendron with slim vining stems and vivid yellow-green leaves. New growth opens in fresh lime tones, then matures into softer green.

The leaves are heart-shaped, with a cordate base, pointed tip and smooth surface. Young plants usually make smaller leaves on longer, flexible vines; stems given a pole, plank or trellis can sit flatter and size up more evenly as aerial roots find contact.

Chartreuse heart leaves on slim vining stems

  • Young leaves open bright lime before maturing into softer green.
  • Slender stems can trail from a pot or be guided upward on a pole, plank or trellis.
  • Heart-shaped leaves stay thin, soft and flexible on the vine.
  • Visible nodes make pruning and stem cuttings straightforward.
  • Several rooted cuttings in one pot give the vine denser early growth.

Compact early growth and climbing behaviour

Philodendron hederaceum belongs to Araceae, the aroid family. The species is native from Mexico through Tropical America and grows as an epiphyte in the wet tropical biome, where stems can attach to tree trunks and continue upward through humid forest vegetation.

Indoors, aerial-root nubs can grip a pole, plank or trellis, helping the vine hold position and keep leaves closer together. While the stems are short, ‘Lime’ (‘Neon’) stays neat in a smaller pot; as the vines lengthen, rotate the pot occasionally for even growth and prune stretched stems above a node to encourage new side shoots.

Keeping Philodendron ‘Lime’ bright and evenly spaced

  • Light: Give bright indirect light for compact growth; harsh direct sun can mark the thinner leaves.
  • Watering: Water when the upper part of the mix has dried and the pot feels lighter; the fleshy roots dislike staying wet in dense soil.
  • Substrate: Use an airy aroid mix with bark, perlite or pumice and a moisture-holding base so oxygen reaches the roots between waterings.
  • Temperature: Keep it warm, ideally above 18 °C, and avoid cold windowsills or draughty shelves.
  • Humidity: Moderate indoor humidity is usually suitable; steadier humidity can help new leaves open cleanly on longer vines.
  • Repotting: Repot when roots have filled the pot, using a container with drainage and only a modest size increase.
  • Fertilizing: Feed lightly during active growth; excess fertilizer can stress the root zone and mark soft new growth.
  • Propagation: Stem cuttings root from nodes, especially when each cutting has at least one healthy leaf and one visible node.
  • Semi-hydroponics: The plant can adapt to inert or mineral substrates if roots are transitioned carefully and kept oxygenated.
  • Placement: Place it where vines have room to trail or climb, away from harsh direct sun and cold air movement.
  • Training and pruning: Pinch or cut above a node to encourage side shoots; guide selected vines upward if larger, flatter leaves are preferred.
  • Growth rate: Growth is usually moderate to fast in warmth, bright indirect light and a loose, evenly managed root zone.

Lime leaves, long internodes and root-zone checks

  • Long gaps between leaves: Usually caused by low light or unsupported trailing stems; move the plant brighter or train the vine upward.
  • Soft yellowing leaves: Check for a wet lower pot and compacted mix before watering again.
  • Brown patches on lime leaves: Direct sun, dry roots or fertilizer buildup can show quickly on pale tissue; flush the mix and adjust placement.
  • Small new leaves: Check root health, warmth and whether older vines need pruning or climbing support.
  • Pests on new tips: Inspect the soft new growth and petiole bases for thrips, mealybugs or mites if leaves emerge distorted.

Safety

Philodendron hederaceum ‘Lime’ (‘Neon’) contains insoluble calcium oxalate crystals. Keep it away from pets that chew plants, and wash hands after pruning if the sap contacts sensitive skin.

Botanical name and lime form

Philodendron hederaceum was published by Heinrich Wilhelm Schott as Philodendron hederaceum (Jacq.) Schott in Wiener Zeitschrift für Kunst, Litteratur, Theater und Mode 1829(3): 780, published 6 August 1829. Philodendron comes from Greek roots for tree-loving growth, and hederaceum comes from Latin for ivy-like, matching the species’ climbing stems.

Philodendron hederaceum ‘Lime’ (‘Neon’) brings vivid chartreuse heart leaves to a flexible vine that can stay compact when young, trail softly from a pot or climb into broader, more mature growth.

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SKU: 26180664949

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David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Lexington, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Boise, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Louisville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Bozeman, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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