SKU: 27920472300
chestnut plant indoor

chestnut plant indoor Money Tree, Pachira aquatica, water chestnut, very large bonsai plant, Perfect Houseplant, Guiana Malabar, in a 4 inch pot ready for 6 inch

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Description

chestnut plant indoor Money Tree, Pachira aquatica, water chestnut, very large bonsai plant, Perfect Houseplant, Guiana Malabar, in a 4 inch pot ready for 6 inchMoney Tree, Pachira aquatica, water chestnut, very large bonsai plant, Perfect Houseplant, Guiana Malabar, in a 4 inch pot ready for 6 inch This plant comes in a plastic 4 inch pot. [GROWN AND PLANTED IN THE USA] Bringing the quality and price of local nurseries to you. [WORRY FREE PLANT SHOPPING] Experience our stellar customer service. [FREE SHIPPING] On all orders over $35. [PRODUCT DETAILS] You will receive plant(s) similar to the listing photos.

Money Tree, Pachira aquatica, water chestnut, very large bonsai plant, Perfect Houseplant, Guiana Malabar, in a 4 inch pot ready for 6 inch
This plant comes in a plastic 4 inch pot.


[GROWN AND PLANTED IN THE USA] - Bringing the quality and price of local nurseries to you.
[WORRY-FREE PLANT SHOPPING] - Experience our stellar customer service.
[FREE SHIPPING] - On all orders over $35.


[PRODUCT DETAILS]
You will receive plant(s) similar to the listing photos. All plants come potted with soil in a plastic pot. A general plant care tip guide will be given with every order.


[100% SATISFACTION GUARANTEE]
Keep in mind that fallen, dried, and yellowing of leaves are a natural occurrence. We try to contain the soil as much as possible within the packaging, but some soil may find its way out of the pot and onto the plant. If plants have soil over the leaves, it can easily be rinsed off with water. If plant is slightly wilted and the soil is dry, we recommend that you give the plant a watering as soon as you can to revive the plant.


[WE WANT EVERYONE TO BE HAPPY]
Feel free to message us if you have any questions. We want everyone to be happy with their purchase and will work with you on finding a resolution for all issues as soon as possible.


[ADDITIONAL GUIDES]
REPOTTING OR TRANSPLANTING YOUR PLANT

- Try to avoid touching the roots as much as possible when repotting. It's not necessary to remove all the old soil. This step is important in determining how long it will take for your plant to settle in its new pot.
- Once transplanted in new soil, do not water for 2-3 days. During this time, the plant might wither a little, but is necessary in the establishment and growth of roots in the new potting container.
- While the plant gets adjusted to its new pot, do not place under direct sunlight. Keep it in a bright shady spot where it can avoid sunburn.

PLANT CARE TIPS | Our Expert Advice for a Healthy Plant

- Don't place plants under direct sunlight. Long hours under the sun may result in sunburn.
- Keep plants out of extreme weather. Keep indoors until weather conditions improve.
- Perfect spots to keep your plants are at bright windows and shady sunny areas.
- Pieces that break off from the plant such as live stem parts, can be replanted into the soil and regrown. This works if the piece has a decent amount of viable live tissue. Some leafy plants can be grown through node cuttings.

We love our plants, and are excited to share the feeling with you too.


Are we a registered Nursery?
Yes we are! Our credentials are the following:

We operate under Florida House Plants LLC and BubbleBlooms is our registered trademark name.

General Nursery Stock Inspection Certificate Number: 48028193
Nematode Certificate Number: 3675
Certified Under Applicable Federal or State Cooperative Domestic Plant Quarantines FL-2591
Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 27920472300

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4.0 ★★★★★
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Verified Purchase
David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Louisville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lake Worth, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Natrona Heights, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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