SKU: 41487592699
pothos manjula plant

pothos manjula plant Epipremnum 'Manjula'

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Description

pothos manjula plant Epipremnum 'Manjula'Epipremnum aureum 'Happy Leaf' ('Manjula') Epipremnum aureum 'Happy Leaf' ('Manjula') is a variegated pothos with broad, softly rippled leaves patterned in cream, pale green, mid green, and deeper green. The leaves often look full and rounded, with marbling that moves in patches, splashes, and curved sectors across each blade. The plant grows as a compact climbing or trailing aroid vine. Indoors it stays in the juvenile leaf stage, forming flexible

Epipremnum aureum 'Happy Leaf' ('Manjula')

Epipremnum aureum 'Happy Leaf' ('Manjula') is a variegated pothos with broad, softly rippled leaves patterned in cream, pale green, mid green, and deeper green. The leaves often look full and rounded, with marbling that moves in patches, splashes, and curved sectors across each blade.

The plant grows as a compact climbing or trailing aroid vine. Indoors it stays in the juvenile leaf stage, forming flexible stems with nodes and aerial roots. It can spill from a pot or climb a support, with pruning helping the plant branch and keep a denser shape.

As a selection of Epipremnum aureum, it belongs to a wet-tropical climbing species from Mo‘orea in the Society Islands, where stems climb through humid forest using aerial roots.

Broad marbled foliage in quick view

  • Broad heart-shaped leaves with softly waved margins.
  • Cream, green, and yellow-green marbling with variable patterning from leaf to leaf.
  • Compact vine growth with relatively close leaf spacing.
  • Flexible stems that can trail, climb, or be pruned for a fuller pot.
  • Softly rippled leaves with cream and green patterning across each blade.

Leaf pattern and compact vine behaviour

'Manjula' has broad ovate to deltate leaves and compact internodes. The visible pattern can shift between leaves, with some blades carrying large cream sectors and others showing more green tissue.

The pale areas contain less chlorophyll than the green tissue, so heavily variegated leaves can be more sensitive to harsh sun, salt build-up, and dry stress. Green shoots can become dominant on mixed vines; selective pruning removes dominant green shoots from the plant.

Care for broad variegated leaves

  • Light: Give bright indirect light. This helps keep internodes shorter while protecting pale tissue from sun scorch.
  • Water: Water once the upper 25–35% of the potting mix has dried. Avoid repeated drought followed by saturation, as this can mark the thicker variegated leaves.
  • Substrate: Use a loose aroid mix with bark, perlite, coco chips, and a moisture-retentive base. The roots need moisture pockets and air space at the same time.
  • Temperature: Keep warm at 18–27 °C. Growth slows quickly in cold rooms, especially if the substrate stays damp.
  • Humidity: Moderate to higher indoor humidity helps new leaves open with fewer dry edges. Dry heat can mark the pale leaf sections first.
  • Feeding: Feed lightly during active growth. Use a diluted balanced fertiliser so salts do not build up around sensitive roots.
  • Pruning: Trim greener or stretched stems back to a node if they begin to dominate. Root healthy cuttings to refresh the pot or build a fuller plant.

Pattern and leaf-edge warning signs

  • Crisping on pale sectors: Check for strong sun, dry heat, salt build-up, or inconsistent watering. Move the plant into softer light and review the substrate moisture.
  • Smaller new leaves: Increase light gradually and check whether the roots have filled the pot. Very low light and cramped roots both reduce leaf size.
  • Greener shoots taking over: Prune dominant green stems above a node so patterned vines remain visible in the pot.
  • Yellowing leaves near the base: Check moisture deeper in the pot. A compact vine in a dense mix can stay wet below the surface.
  • Deformed new growth: Inspect the rolled leaves and stem tips for thrips or mites, especially if new leaves emerge marked or distorted.

Safety for cut stems and chewed leaves

Epipremnum aureum 'Happy Leaf' ('Manjula') contains insoluble calcium oxalate crystals. Leaves and cuttings should stay away from pets and small children, and hands should be washed after pruning if sap gets on the skin.

Botanical and cultivar background

The genus name Epipremnum refers to the way these aroids climb on trunks and supports. Aureum means “golden,” a reference to the yellow variegation of the species. This broad, cream-green marbled pothos selection grows with compact vine structure.

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SKU: 41487592699

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Clare Quilty
West Palm Beach, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
Los Angeles, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
Carnegie, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007
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Chelsea, US
★★★★★ 5
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Reviewed in the United States on May 24, 2026
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Keith J Murphy
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★★★★★ 5
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