SKU: 4457415092
uppababy aria vs mesa v2

uppababy aria vs mesa v2 UPPAbaby Aria V2 Infant Car Seat - Evelyn

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Description

uppababy aria vs mesa v2 UPPAbaby Aria V2 Infant Car Seat - EvelynThe UPPAbaby Aria V2 is the lightest infant car seat on the market at 6 lbs without the canopy and insert, which is a meaningful difference from the 9 to 13 lb range of most competing infant seats when you are carrying a baby in it across a parking lot, up stairs, or through an airport multiple times a day. The weight reduction does not come at the expense of the structural features that matter most for crash protection. The base includes an Anti

The UPPAbaby Aria V2 is the lightest infant car seat on the market at 6 lbs without the canopy and insert, which is a meaningful difference from the 9 to 13 lb range of most competing infant seats when you are carrying a baby in it across a parking lot, up stairs, or through an airport multiple times a day. The weight reduction does not come at the expense of the structural features that matter most for crash protection. The base includes an Anti-Rebound+ Panel that limits seat rotation during a frontal crash and a load leg that creates a third point of contact with the vehicle floor, both of which are the most documented crash energy management features in the infant car seat category.

The SmartSecure system uses a red-to-green visual indicator on the base that confirms correct installation without requiring the parent to interpret a wiggle test or estimate belt tightness by feel. Auto-retracting LATCH eliminates the step of manually storing the connectors and the adjustable base foot accommodates four angle positions to level the seat correctly across different vehicle seat contours. Dual bubble level indicators provide a second confirmation of correct alignment. The carrier releases from the base with a single button press and attaches to the Vista V3 and Cruz V3 strollers directly without adapters. The Minu V3 and Ridge require adapters sold separately.

The Aria V2 covers from 4 lbs at birth through 30 lbs and 30 inches, with a two-piece infant insert that supports proper positioning for preemies from approximately 4 lbs through about 4 months. The 25-position adjustable headrest with no-rethread harness adjusts height without removing or rethreading straps. The extra-large UPF 50+ canopy with pop-out sunshade and back panel ventilation is one of the most generously sized canopies in the infant seat category, providing coverage that extends well past the shoulder in the extended position. The included All-Weather FootCover protects the baby's legs in cooler weather without adding bulk that interferes with the harness.

All fabrics are DualTech fire-retardant free and GREENGUARD Gold Certified. The seat cover and canopy are both machine washable and removable. European belt routing allows secure baseless installation for rideshare and air travel use, and the seat is FAA certified for aircraft. ANB Baby carries the full UPPAbaby collection including the Mesa V3 if you are comparing the two models, and all orders over $45 ship free.

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SKU: 4457415092

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4.6 ★★★★★
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Verified Purchase
Joanne Hale
Houston, US
★★★★★ 2
The hype it did not live up to
Format: Paperback
I guess I expected more. I found it kind of boring and un inspiring. I enjoyed the food twist and even the characters, but it was very underwhelming. and I'm sorry about this review, because I really really wanted to love it.
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Reviewed in the United States on March 30, 2025
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Verified Purchase
John J. Shea
Carnegie, US
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information. The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog. Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath." At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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Reviewed in the United States on December 26, 2025
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Salvatore P. Vasta
Lowell, US
★★★★★ 5
Masterpiece
Format: Kindle
It has been said that any work of literature should be gauged upon how much the work makes the reader think. Ben Wickey has certainly achieved this - in spades - as one of the “civilised” world’s most frightening episodes is revisited with respect and thoughtfulness on the human condition.
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Reviewed in the United States on January 12, 2026
J
Verified Purchase
Jessica Richart
Houston, US
★★★★★ 5
Books
Format: Paperback
I bought this book for my husband as a Christmas present and he enjoyed the book!
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Reviewed in the United States on February 17, 2026
M
Molly H
Draper, US
★★★★★ 4
The Tale of Salem
Format: Paperback
If you’re not familiar with the history of Salem and its witch trials, this graphic novel is a solid entry point. The author, while not a historian, clearly put in the work—spending time in Salem, connecting with residents, and striving to honor both the historical record and the modern-day sentiments of those who live with that legacy. His goal was to get the facts right while also capturing how the people of Salem view their own history, and I think he succeeded in that respect. The artwork fits the subject matter well. We often imagine people of that time as living hard, joyless lives, and the art conveys that sense of austerity. The mix of black-and-white and color panels is sometimes striking—there are moments where the color really enhances the impact of a scene—but other times I wasn’t sure what it added. Still, the black-and-white aesthetic ties neatly into the grim tone of the era. That said, the book is quite long, and if you’re already well-versed in the Salem Witch Trials, you may not learn much new in terms of facts. But if you enjoy studying the trials or want to explore the story through a different medium, this graphic novel is definitely worth picking up. For me, it landed at a 3.5 stars, which I’ll round up to 4 (since I usually do that when posting on review sites).
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Reviewed in the United States on November 6, 2025

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