SKU: 45969698507
planting pollinator seeds

planting pollinator seeds Pollinator Prize Native Nebraska Flower Seed Mix | 2.03 oz

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Description

planting pollinator seeds Pollinator Prize Native Nebraska Flower Seed Mix | 2.03 ozAll seeds are packaged with born on dates based on the year of purchase. Product images are for reference only and may not reflect the exact packaging, label details, or born on date of the item received. The Pollinator Prize Seed Mix is one of our most diverse native wildflower blends, featuring more than 65 species selected for their exceptional value to pollinating insects. Developed using species recognized by both the Natural Resources

All seeds are packaged with born-on dates based on the year of purchase. Product images are for reference only and may not reflect the exact packaging, label details, or born-on date of the item received.

The Pollinator Prize Seed Mix is one of our most diverse native wildflower blends, featuring more than 65 species selected for their exceptional value to pollinating insects. Developed using species recognized by both the Natural Resources Conservation Service (NRCS) and the Xerces Society, this mix contains plants rated as having high or very high pollinator value.

With blooms spanning from early spring through late fall, this mix provides a continuous source of nectar and pollen throughout the growing season. The blend includes a wide variety of native wildflowers, including several uncommon species, creating a vibrant and ecologically rich habitat for bees, butterflies, moths, and other beneficial pollinators.

Some species will germinate and bloom during the first growing season, while others may require additional time to establish. Patience is essential when creating a native pollinator planting, with optimum establishment typically occurring within two to three years.

This mix contains approximately 160 seeds per square foot, providing twice the recommended broadcast seeding rate for quicker and denser establishment. Minimum seeding rates are 40 seeds per square foot when drilling and 80 seeds per square foot when broadcasting.

Key Features:

  • Contains 65+ native species of high or very high pollinator value
  • Based on NRCS and Xerces Society pollinator plant recommendations
  • Bloom period from early spring through late fall
  • Includes a greater number of uncommon native species
  • Supports a wide diversity of pollinators and beneficial insects
  • Optimum establishment typically occurs within 2–3 years

Coverage: Up to 500 Square Feet
Seeding Density: Approximately 160 Seeds per Square Foot

Disclaimer: While every effort is made to include the species listed, substitutions of comparable native species may be necessary due to seed availability.

Common Name Scientific Name % by Weight
sideoats grama Bouteloua curtipendula 24.92
showy partridge-pea Chamaecrista fasciculata 9.97
blue grama Bouteloua gracilis 6.23
Virginia wild-rye Elymus virginicus 6.23
easter white prairie-clover Dalea candida 4.98
Canada milk-vetch Astragalus canadensis 3.74
purple prairie-clover Dalea purpurea 3.74
tall dropseed Sporobolus compositus 2.49
Slimflower scurfpea Pediomelum tenuifolium 2.49
gray-prairie-coneflower Ratibida pinnata 2.49
pale purple coneflower Echinacea pallida 1.99
hoary vervain Verbena stricta 1.50
plains coreopsis Coreopsis tinctoria 1.25
wild licorice Glycyrrhiza lepidota 1.25
wild prairie rose Rosa arkansana 1.25
narrow-leaf coneflower Echinacea angustifolia 1.06
purple poppymallow Callirhoe involucrata 1.00
New Jersey tea Ceanothus americanus 1.00
redroot New Jersey tea Ceanothus herbaceus 1.00
sawtooth sunflower Helianthus grosseserratus 1.00
sensitive brier Mimosa nuttallii 1.00
cobaea penstemon Penstemon cobaea 1.00
pitcher sage Salvia azurea 1.00
rosinweed Silphium integrifolium 1.00
western ironweed Vernonia baldwinii 1.00
tall boneset Eupatorium altissimum 0.87
Lemon beebalm Monarda citriodora 0.78
Sullivant's milkweed Asclepias sullivantii 0.75
butterfly milkweed Asclepias tuberosa 0.75
Canada tick-clover Desmodium canadense 0.75
rough gayfeather Liatris aspera 0.75
wild-bergamot Monarda fistulosa 0.75
long-beak sedge Carex sprengelii 0.62
purple lovegrass Eragrostis spectabilis 0.62
Junegrass Koeleria macrantha 0.62
spider milkweed Asclepias viridis 0.62
thick-spike gayfeather Liatris pycnostachya 0.62
false boneset Brickellia eupatorioides 0.50
Illinois tick-clover Desmodium illinoense 0.50
dotted gayfeather Liatris punctata 0.50
shell-leaf penstemon Penstemon grandiflorus 0.50
tube penstemon Penstemon tubaeflorus 0.50
prairie phlox Phlox pilosa 0.50
American germander Teucrium canadense 0.50
western spiderwort Tradescantia bracteata 0.37
Missouri goldenrod Solidago missouriensis 0.31
candle anemone Anemone cylindrica 0.25
Joe Pye weed Eutrochium purpureum 0.25
Virginia mountain mint Pycnanthemum virginianum 0.25
New England aster Symphyotrichum novae-angliae 0.25
grey goldenrod Solidago nemoralis 0.20
showy-wand goldenrod Solidago speciosa 0.20
bushy seedbox Ludwigia alternifolia 0.15
meadow anemone Anemone canadensis 0.12
ground-plum Astragalus crassicarpus 0.12
tall cinquefoil Drymocallis arguta 0.12
Curly cup gumweed Grindelia squarrosa 0.12
everlasting Pseudognaphalium obtusifolium 0.12
heath aster Symphyotrichum ericoides 0.12
silky aster Symphyotrichum sericeum 0.12
plains wild indigo Baptisia leucophaea 0.10
Culver's root Veronicastrum virginicum 0.10
golden alexander Zizia aurea 0.10
plains evening primrose Oenothera serrulatus 0.06


Prairie Legacy dedicated to preserving and restoring native plant communities through exceptional botanical and environmental consulting services. Owner Kay Kottas has provided botanical education for more than 20 years, leaving a lasting legacy through university teaching, research projects, and professional collaboration with public and private agencies. Through Prairie Legacy Inc., Kay shares her deep expertise in native plants with clients and communities alike. Based in Western, Nebraska.

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SKU: 45969698507

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Maekar's Mark
Port Orchard, US
★★★★★ 5
Answers a lot of questions
Format: Kindle
I enjoyed this story. This fills in a lot of gaps left open from the sequel trilogy, and the artwork was pretty cool. Excellent coloring and layout.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 26, 2023
G
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Gabriel Cruz
New York, US
★★★★★ 5
The perspective of Darth Vader between Star Wars and Empire Strikes Back.
Format: Paperback, Format: Paperback
So basically this tells the story of what is going on with Darth Vader after the first Death Star is blown up. He wants to know who it was. Emperor Palpatine is pretty ticked off as it is, and he hasn't said anything but he's already looking to replace Vader in case he fails. Along the way we see still that Vader has some decency still left inside of him, as we meet Doctor Aphra and her droids, and he has a chance to kill her off several times but spares her life for certain reasons. This book collects Star Wars: Darth Vader (2015 Marvel) #1-12, #1 Director's Cut, and Star Wars: Darth Vader (2015 Marvel) Annual #1. The story is written by Kieron Gillen. Art by Salvador Larroca and Leinil Francis Yu
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Reviewed in the United States on March 13, 2025
R
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Ryan of the East Coast
Carnegie, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
K
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Kris
Boise, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
A
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Alex Lamberd
Dallas, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014

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