SKU: 46437549881
dracaena leaves

dracaena leaves Kiwi Dragon Tree – Dracaena ‘kiwi Cane’ 10" Pot / Self Watering / With Pot

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dracaena leaves Kiwi Dragon Tree – Dracaena ‘kiwi Cane’ 10" Pot / Self Watering / With PotThe Kiwi Dragon Tree, known as Dracaena marginata Kiwi, is a striking and vibrant cultivar admired for its colorful foliage and easygoing nature, making it a favorite among indoor plant enthusiasts. Its gracefully arching leaves and dynamic color palette set it apart from other houseplants, while its ability to adapt to a range of indoor conditions adds to its widespread appeal. This variety offers all the hardiness of the classic Dracaena marginata

The Kiwi Dragon Tree, known as Dracaena marginata ‘Kiwi, is a striking and vibrant cultivar admired for its colorful foliage and easygoing nature, making it a favorite among indoor plant enthusiasts. Its gracefully arching leaves and dynamic color palette set it apart from other houseplants, while its ability to adapt to a range of indoor conditions adds to its widespread appeal.  

This variety offers all the hardiness of the classic Dracaena marginata with an extra splash of color, making it an excellent choice for home and office décor. 

Native to Madagascar, the “Kiwi” name comes from its tri-colored leaves that resemble the vibrant shades of a kiwi fruit—lime green centers, creamy yellow margins, and thin pink to red edging that intensifies with proper lighting.

The Kiwi Dragon Tree is primarily grown for its foliage, which is long, narrow, and sword-shaped, forming elegant tufts at the top of tall, slender stems.

The colorful leaf pattern creates a vivid display year-round, with the variegation appearing more pronounced in bright, indirect light.

New growth emerges from the crown, and older leaves naturally shed from the bottom, giving the plant its distinctive tree-like appearance.

When mature, the Kiwi Dragon Tree can grow up to 8 feet tall indoors, although growth is slow and controlled, especially in containers. It tends to grow upright, with the option to prune or braid stems for visual interest. In its native habitat or in ideal tropical outdoor environments, it may grow even taller, but it remains compact enough for most indoor settings. 

The Kiwi Dragon Tree may produce small, white to pale pink fragrant flowers, typically followed by orange or red berries. These flowers emerge on tall stalks and can be an unexpected bonus for long-time plant owners. However, most growers value the plant for its year-round ornamental foliage rather than its blooms. 

When it comes to Dracaena marginata kiwi care, use a well-draining potting mix, opens in a new tab, such as a blend made for palms or indoor tropical plants. Water deeply but infrequently, allow the top 1–2 inches of soil to dry between waterings, and reduce watering during winter.

Indoors, keep the temperature between 65°F and 80°F with humidity above 40%, and place it in bright, indirect light.

Outdoors, it grows well in USDA Zones 10–12, where temperatures remain above 50°F. Provide dappled sunlight or light shade to prevent leaf scorching.

Prune leggy stems or brown leaves as needed to maintain shape, and fertilize once a year during the growing season in spring with a diluted balanced houseplant fertilizer. 

One of the most unique aspects of the ‘Kiwi’ cultivar is its foliage coloration, which requires just the right balance of light and care to maintain vibrancy. In low light, the variegation can fade, while in too much direct sun, the leaves may burn. Its drought tolerance, ease of pruning, and low pest issues make it a low-maintenance plant despite its colorful appearance. It is also known to filter indoor air pollutants, making it as functional as it is beautiful. 

Final Thoughts

Overall, the Kiwi Dragon Tree (Dracaena marginata ‘Kiwi’) offers a perfect combination of visual appeal, resilience, and versatility. Its vivid foliage makes it a standout among variegated houseplants, while its slow growth and upright form make it suitable for small spaces. Whether placed in a bright corner of a living room or a softly lit office, the Kiwi Dragon Tree adds a tropical touch and a splash of color without demanding much in return. 

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Tahoeman
Houston, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
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David R. Papke
Bozeman, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Alexandria, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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Verified Purchase
J. Christian
Whiting, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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