SKU: 48738245280
thyme seeds planting

thyme seeds planting Thyme for a Change

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Description

thyme seeds planting Thyme for a ChangeIMPORTANT: Due to extreme demand for this seed it may take up to 3 weeks to arrive. Fragrant Groundcover releases pleasant aroma when walked on Dense, Low Growing forms a soft, carpet like lawn alternative Drought Tolerant thrives with minimal irrigation Eco Friendly & Natural no chemicals, low maintenance Pet & Family Safe safe and non toxic Pollinator Friendly flowers attract bees and butterflies Sun Loving best performance in full sun Why You'll

IMPORTANT:  Due to extreme demand for this seed it may take up to 3 weeks to arrive.  
🌿 Fragrant Groundcover – releases pleasant aroma when walked on
🍃 Dense, Low-Growing – forms a soft, carpet-like lawn alternative
💧 Drought-Tolerant – thrives with minimal irrigation
🌎 Eco-Friendly & Natural – no chemicals, low maintenance
🐾 Pet & Family Safe – safe and non-toxic
🦋 Pollinator Friendly – flowers attract bees and butterflies
☀️ Sun-Loving – best performance in full sun

Why You'll Love It

"Thyme for a Change" from Earthwise Seed Company is your premier choice for a luxurious yet eco-conscious ground cover. This top-tier Red Creeping Thyme Seed is perfect for those seeking to enhance their gardens while supporting sustainable, eco-friendly practices.

Key Features:

  • Eco-Friendly Ground Cover: Perfectly integrates with existing Earthwise mixes or can stand alone for a unique lawn.
  • Attracts Pollinators: Ideal for inviting butterflies and bees with its natural lemon scent.
  • Drought and Heat Tolerance: Excellently adapted to thrive with minimal water in tough conditions.
  • Rapid Establishment: Quickly fills in sparse areas, making it ideal for rock gardens and front yard beautification.
  • Low Maintenance: Demands very little care after establishment, offering effortless beauty.
  • USDA Hardiness Zones: Thrives in Zones 4 - 9, adaptable as a perennial or annual depending on the climate.

Detailed Description: Thyme for a Change seeds come from the robust species Thymus Serpyllum also known as Dwarf Creeping Thyme. Native to Northern Europe, this herbaceous perennial forms a thick mat that seldom exceeds 6-8 inches in height, displaying charming pink flowers through late spring to mid-summer.

Suited for warmer climates, and in northern locales it performs well as an annual. It flourishes under full sun to partial shade conditions and is an exemplary choice for spaces that require a charming, low-growing visual impact.

The Red Creeping Thyme is notably drought and heat resistant, making it an ideal selection for sustainable landscaping. It also exhibits remarkable resistance to deer, enhancing its suitability for varied garden settings.

Ideal Regions (See Map)
2,3,4,5,6,7

Cultural and Planting Instructions

Creeping Thyme Planting Guide

  • Planting Season: Optimal in mid-spring to early summer.
  • Soil Requirements: Prefers moist, well-drained, loamy to slightly alkaline soil.
  • Seeding Rate: Use 1 oz to cover up to 500 sq ft.
  • Planting Depth: Seeds should be sown 1/4 to 1/2 inch deep.

Care and Maintenance:

  • Initial Watering: Ensure regular watering in dry conditions to aid germination.
  • Weed Management: Effective weed control prior to planting promotes faster establishment.
  • Germination and Growth: Seeds typically germinate in 7-14 days and establish quickly with proper care.

Committed to ecological stewardship, Earthwise Seed Company provides seeds that are 100% organic, non-GMO, and devoid of any pesticides or synthetic chemicals.

Invest in "Thyme for a Change" for your garden to support a sustainable future while enjoying a beautifully verdant, low-maintenance landscape.

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SKU: 48738245280

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4.1 ★★★★★
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T
Verified Purchase
Tahoeman
Birmingham, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Charlottesville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Lake Worth, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Natrona Heights, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Chelsea, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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