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lavender lantana plant trailing

lavender lantana plant trailing Purple Trailing Lantana AZ | Lantana montevidensis

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lavender lantana plant trailing Purple Trailing Lantana AZ | Lantana montevidensisPhoenix's Best Trailing Groundcover for Slopes, Borders & Cascading Color Purple Trailing Lantana (Lantana montevidensis) is Phoenix's most reliable low water trailing groundcover for season long color. Its cascading stems spill over walls, blanket slopes, and fill borders with vivid lavender purple blooms from spring through falland often into winter in the warmest Phoenix microclimates. Whether you're covering a hot slope in Scottsdale, softening a

Phoenix's Best Trailing Groundcover for Slopes, Borders & Cascading Color

Purple Trailing Lantana (Lantana montevidensis) is Phoenix's most reliable low-water trailing groundcover for season-long color. Its cascading stems spill over walls, blanket slopes, and fill borders with vivid lavender-purple blooms from spring through fall—and often into winter in the warmest Phoenix microclimates. Whether you're covering a hot slope in Scottsdale, softening a retaining wall in Chandler, or creating a colorful groundcover bed in Peoria, Purple Trailing Lantana delivers effortless, butterfly-attracting color with virtually no irrigation once established.

Purple Trailing Lantana Plant Details

Attribute Detail
Scientific Name Lantana montevidensis
Common Names Purple Trailing Lantana, Weeping Lantana, Purple Lantana
Mature Height 1–2 ft
Mature Width 4–6 ft (trailing spread)
Growth Rate Fast — 3–5 ft spread per season in Phoenix
Sun Full sun (6+ hrs). Handles reflected heat from walls and pavement.
Water Low once established. Highly drought-tolerant.
USDA Zones 9–11 (Phoenix is Zone 9b–10a)
Soil Well-draining. Adapts to Arizona caliche soils with minimal amendment.
Foliage Semi-evergreen — holds leaves year-round in warm microclimates
Bloom Color Lavender-purple, continuous spring through fall
Wildlife Value Attracts butterflies, bees, and hummingbirds

Purple Trailing Lantana Uses in Phoenix Landscapes

Slope Coverage & Erosion Control

Purple Trailing Lantana's vigorous trailing habit makes it one of the best plants for stabilizing slopes in the Phoenix Valley. Its spreading stems root as they go, binding soil and preventing erosion on grades that are difficult to maintain. Once established, it requires no supplemental irrigation and covers large areas quickly — plant 3–4 feet apart for full slope coverage within one growing season.

Retaining Walls & Spilling Borders

Few plants create a more dramatic effect than Purple Trailing Lantana cascading over a retaining wall or raised planter edge. The long, arching stems spill beautifully over stone, block, and concrete edges, softening hard landscape lines with a continuous curtain of purple blooms. Plant at the top of walls 3–4 feet apart; trails will cascade down naturally within the first season.

Low-Water Groundcover Beds

As a flat groundcover, Purple Trailing Lantana suppresses weeds and creates a dense flowering carpet that requires virtually no care once established. It pairs beautifully with Desert Spoon, Texas Sage, and Ruellia (Mexican Petunia) for a layered, all-season desert landscape design. For a groundcover bed, plant 3 feet apart on center for coverage within 1–2 seasons.

Butterfly & Pollinator Gardens

Purple Trailing Lantana is one of the best butterfly-attracting plants available in the Phoenix Valley. Its continuous blooms provide nectar from spring through fall, supporting monarch, swallowtail, and painted lady butterflies alongside native bees and hummingbirds. Mass plantings of 5–10 plants create spectacular wildlife habitat while delivering bold color with zero summer irrigation once established.

Best Time to Plant Purple Trailing Lantana in Phoenix

Fall planting (October–November) is ideal — soil is still warm for fast root establishment, cooler air reduces transplant stress, and the plant gets 6–8 months to establish before its first Phoenix summer. Spring planting (February–April) is the second-best window. Avoid planting in peak summer (June–August) as newly planted lantana needs consistent moisture that can be hard to maintain without daily watering.

How to Plant Purple Trailing Lantana

  1. Dig wide, not deep — 2–3x the root ball width, same depth. Lantana roots spread outward, not deep.
  2. Check for caliche — break through any hardpan layer with a breaker bar or pick to ensure drainage. Lantana will not thrive in waterlogged soil.
  3. Backfill with native soil — a light 20% organic compost blend is fine. Avoid over-amending; lantana prefers lean, well-draining soils.
  4. Spacing — 3–4 ft apart for slopes and groundcover; 3 ft apart for wall cascades where faster coverage is desired.
  5. Water basin — build a 3–4 inch ring of soil around the plant to direct irrigation water to the root zone during establishment.
  6. Mulch — 2–3 inches of gravel or decomposed granite mulch around the base to retain moisture and moderate summer soil temperatures.

Watering Purple Trailing Lantana in Phoenix

First Year Watering Schedule

  • Weeks 1–2: Every 1–2 days, deep and slow (20–30 min drip)
  • Month 1–2: Every 3–4 days
  • Month 3–6: Every 7–10 days (every 5–7 days in peak summer heat)
  • After Year 1: Every 10–14 days in summer; every 3–4 weeks in winter. Established plants are highly drought-tolerant.

Drip Irrigation

Place drip emitters 18–24 inches from the crown. Use 1 GPH emitters for 1-gallon plants; 2 GPH for 3/5-gallon plants. Once established (typically 6–8 months in Phoenix), Purple Trailing Lantana rarely needs supplemental water beyond summer heat spikes.

How fast does Purple Trailing Lantana grow in Phoenix?
Very fast. In Phoenix's long warm season, established plants spread 3–5 feet per year and bloom continuously from spring through fall. First-year plants focused on root establishment may bloom lighter, but second-year plants are prolific.

Is it drought tolerant once established?
Yes — one of the most drought-tolerant flowering groundcovers available for Zone 9b–10a. Once established, Purple Trailing Lantana thrives on minimal supplemental irrigation and tolerates weeks without water in summer.

Does it come back after a freeze?
In Zone 9b–10a (greater Phoenix), Purple Trailing Lantana is semi-evergreen and rarely dies back completely. In colder spots or in unusual freeze events, it may die to the crown but re-sprouts vigorously in spring. Cut back frost-damaged stems to 6 inches in late February.

Can I plant it near a pool?
Purple Trailing Lantana is relatively pool-friendly — it produces minimal litter and is not a messy bloomer. Keep it trimmed back from the water's edge and it works well as a surrounding groundcover or border.

What's the difference between Purple Trailing Lantana and other lantana varieties?
Purple Trailing Lantana stays lower (1–2 ft) and spreads wider than shrub lantana varieties. Its trailing, cascading habit makes it ideal for groundcover and wall plantings where upright lantana varieties would be too tall and bushy.

You May Also Like

  • Radiation Lantana — Vivid orange-red trailing lantana; same low-water habit, hot sunset colors
  • New Gold Lantana — Compact golden-yellow lantana for borders and mass plantings
  • Dallas Red Lantana — Bold red and orange shrub lantana for height and color in desert landscapes
  • White Trailing Lantana — Clean white-flowering trailing variety; pairs beautifully with purple and gold lantanas
  • Moss Verbena — Fine-textured purple groundcover for the same slope and border applications

How Many Purple Trailing Lantana Do I Need?

This is a wide spreader: 1 to 2 feet tall and 4 to 6 feet across. For slopes and groundcover beds, plant on 3-foot centers so plants knit together within a season or two. At 3-foot spacing one plant covers roughly 8 square feet once filled in.

Area to Cover Plants Needed (3 ft spacing)
50 sq ft about 6 plants
100 sq ft about 12 plants
200 sq ft about 24 plants
400 sq ft about 48 plants

On a hot slope where you want fast erosion control, tighten to 2.5-foot spacing (about one plant per 5 to 6 square feet).

Purple Trailing Lantana Season-by-Season in Phoenix

  • Spring (Feb to Apr): After a late-February cutback, fresh growth flushes out and the first lavender-purple blooms open. Best spring planting window.
  • Summer (May to Sep): Peak season. Blooms nonstop through extreme and reflected heat off walls and pavement, and monsoon rains (Jul to Sep) drive an extra surge of growth and color. Virtually no irrigation needed once established.
  • Fall (Oct to Nov): Prime planting season and heavy continued bloom as nights cool.
  • Winter (Dec to Jan): Semi-evergreen and rarely fully dormant in greater Phoenix. In a hard freeze it may die to the crown, then re-sprouts vigorously in spring. Cut frost-nipped stems back to about 6 inches in late February.

At a Glance

✔ Pollinator-Friendly   ✔ Hummingbird-Friendly   ✔ Heat-Loving (Reflected-Heat Tolerant)   ✔ Drought-Tolerant   ✔ Pool-Friendly (Low-Litter)   ✔ Low-Maintenance   ✔ Deer & Rabbit-Resistant   ✔ Cold-Hardy to 20°F (recovers from roots)

Plant It With

  • Radiation Lantana: hot orange-red trailing color to play against the purple on a big slope.
  • New Gold Lantana: golden blooms for a classic purple-and-gold groundcover sweep.
  • Dallas Red Lantana: a taller shrub lantana to add height behind the trailing carpet.
  • Moss Verbena: fine-textured purple groundcover that blends seamlessly for the same slope and border use.

Is Purple Trailing Lantana Right for Your Yard?

This is the go-to plant for hot, sunny slopes, wall tops, and wide low-water beds in full sun and reflected heat, on well-draining soil. It is not a fit for shade or small tidy borders (it wants room to run), and lantana foliage and berries are toxic if eaten, so keep it away from spots where pets or small children graze.

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fernando pedernera
Lexington, US
★★★★★ 5
Have no fear!, or The writer's Victorinox.
Format: Kindle
You can't praise this book enough. There are a ton of how-to books out there, but this one really made a difference for me. Think of writing as a journey through the woods: You set up, you get in the muddle, and you come out (hopefully) on the other side. When doing this, we try to use as many tools and resources as we can to make it to the other side, but most of the time you fail (or tools fail on you) and you end up starving or being eaten by some wild animal in the muddle of the story. What James Scott Bell wants you to have in clear is that the most useful tool you can have out there is YOU. And all of his tips, advice and excercises are aimed to one thing and one thing only: how to unleash and harness the power of your story (and survive). It provides clear, straight-forward tools and tips, adressing many aspects of the writing process you won't find in many of them. It is a must-read for anyone interested in the study of plots and storytelling. Relevant examples that take in consideration a wide array of writer profiles, and Bell does not abuse with film examples (and most of the movies it references are also books i.e.: the maltesse falcon, the godfather, etc.). It contains useful excercises at the end of each chapter to help you put the tehcniques in practice and bring the best out of your learning experience. It really helped me overcome several issues I had with my novel-writing and opened my mind to a new scope on plot and str.. This is a wonderful book, written in the same gripping style that the author suggests to use, and with great success. I think this is a wonderful book because it does not give infalible advice. To me that is very important. Let me ilustrate how I felt by giving you the following example: (after developing content) -Regular book: so just do This (and fail, miserably). -Bell's book: Many writers had this problem before and by doing This you might also find a solution for it. In case That doesn't work, you could maybe try This, or come back at it again later on with a fresh view and give it another try.
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Reviewed in the United States on August 18, 2017
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Nancy C. Beck
Lake Worth, US
★★★★★ 5
Excellent resource
Format: Paperback
Two novel ideas ago, I had to put that one aside because I stuffed it to the point where the story made no sense. I intend to go back to it at some point, but for now, it's collecting dust. Also collecting dust is my more recent idea. I started with an outline (of sorts), wrote and rewrote it a few times...only to get stuck on Chapter 8 or so. I didn't know where to take the story. This one will probably never get resurrected...but you never know. Which leads me to one of the best things in this book: outlining with index cards. There's at least one other book touting this, but I'm sure there are others that do. What sets this one apart, in my mind, is his suggestions on how to set it up. This doesn't comprise a huge part of the book, but it made enough sense to me that I decided to give it a whirl. Almost 50,000 words later, I'm still chugging along, taking into mind his ideas (I'd never heard it put quite this way) about doorways of no return (more on that in a moment). Sure, I've made some changes, throwing out cards, rearranging cards, adding cards. That's the beauty of this system: it's not set in granite. If your muse takes you in a way that's different from what you originally wrote, go for it! Mr. Bell explains the doorways simply, at first, as transitions - from beginning to middle and then middle to ending. The first doorway gets your Main Character from beginning to middle; the idea is to create a scene where the MC is thrust into conflict in a way that keeps him/her there. With the second doorway (middle to ending), something has to happen to set up the final confrontation. It's usually a huge clue, a big piece of information, or a major crisis that sends the MC hurtling towards the conclusion. Mr. Bell explains these in greater detail, and I found his explanations quite understandable. But there's more to this book than that. Mr. Bell gets into how to come up with plot ideas, character arcs, revising, plot problems and cures, scenes, and tips and tools. I wasn't bothered by his reusing some of the same good writing examples, but it may make you cringe or roll your eyes. Other than that minor quibble, I think everything else about this book makes it shine as a writer's resource.
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Reviewed in the United States on December 1, 2006
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Corwin
Alexandria, US
★★★★★ 5
Most Helpful Book I've Read on Plot and Structure
Format: Paperback
This is a well-organized, easy-to-read guide to techniques used to develop plots and sound story structure. It includes 14 chapters and two appendices. They cover such topics as what a plot is, how structure holds plot together, how to get ideas, and how to handle/interweave plot into all the levels of a novel (from whole sections such as the Beginning or middle of the work, down to the micro level of individual scenes). He includes discussion of different "plotting systems" (from writing by "the seat of your pants" to types/methods of creating outlines of various levels of "thoroughness" for those interested in mild outlining to someone with full-blown OCD). It discusses complex plots and sub plots, character arcs in relation to plot, common problems and solutions, revision, and more. Every chapter ends with a few exercises to reinforce the topic covered. The two appendices are a checklist for reminding you of major plot components as you write, and how to create "back cover" (aka the blurbs on the back of your book, or the summaries on the inside flap of dust jackets). As a writer, I am a "seat of the pants" guy, who's reluctantly recognized it isn't working for me (a major motivation for getting this book). Bell's discussion of different styles of outlining, though brief, gave me ideas of how to proceed. While I've often read books that include exercises, I confess to rarely doing them -- Bell is an exception (no, I didn't do *all* of them, but.... :) ). His text uses plenty of examples, drawn from movies and well-known novels. I've read other works on plot and structure (both general books and at least two dedicated to these topics), and have found this one to be by far the most readable, instructive, easy-to-digest, and *helpful.*
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Reviewed in the United States on June 17, 2017
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Cora L. Foerstner
San Leandro, US
★★★★★ 5
I have a few instructional writing books I reread; this is one of them.
Format: Paperback
Plot & Structure: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish by James Scott Bell may be the best book for plotting and creating structure in fiction stories that I’ve read. I have a few instructional writing books I reread; this is one of them. Plot & Structure works for writers who don’t use outlines and for those who do. Throughout Bell acknowledges and addresses how his ideas about plot and structure can be used by all writers. This isn’t a “my way or the highway” kind of book. Bell gives practical advice for all writers. What’s so great about Plot & Structure? The biggest plus is Bell’s practical and down to earth strategies and clear explanations. Here are the other greats: Bell’s approach isn’t a how-to formula; it’s more of a guide. His genre is thrillers, but he addresses the needs of other genres as well as those of literary fiction. He provides many strategies writers can use to approach plot and structure; plus, he encourages readers to find their own way of working. The exercises at the end of the chapters are practical. If you try some of them, you’ll discover that they aren’t busywork but helpful approaches to solving writing issues. Unless you’re a pro with so many publications behind you that you don’t need help, this isn’t a book to read once and put away. It’s a book you’ll come back to and get more out of with a second or third reading. If you want a formula or step-by-step program, this isn’t a book for you. He gives choices so you can find you own style and way of working. Which is one of the things like I about the book. It’s like going to a writer buffet and choose the strategies that work for you. If you are someone who writes without an outline, you are going to be surprised because Bell doesn’t leave you out of any of the equations. He has strategies for all writers.
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Reviewed in the United States on November 13, 2014
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Mel Bridges
Lake Worth, US
★★★★★ 5
Great advice, guidelines, and suggestions: Bell writes with a contagiously inspiring attitude
Format: Paperback
I admire good organization when it comes to most things, especially in a book that purports to teach about structure. The organization of the book makes it easy to go back and reread a part; for example, if you are working on a beginning, middle, or end section in your fictional story, there are corresponding chapters for what you need. Each chapter has ending exercises that I imagine to be helpful, but I haven't actually worked them through although I've read them. You will read about elements that you need to know to how to do to write an appealing story, like characterization, settings, dialogue, and scene selection. It is recommended that you get a book with these elements as the main focus for a more detailed, expansive treatment (if you haven't done so already). Bell is most helpful on how to construct a scene. However, he does not have much to say about description, other than that it has a tendency to slow the plot and you should give details as needed but not more than that (on the line of a need-to-know-type of basis). Bell also has sections on how to brainstorm plot ideas and test whether the ideas are worthy of attention. This was something I needed to do with my last story idea that burned and crashed. Furthermore he tells of "plotting systems" used by many writers, which are the-strict-only-by-the-outline group (OPs) or the free-rein-no-outline group (NOPs) and writers using a little of both. The suggestions and tips are conveyed in a way that you can take and adapt them to your style. The chapter on common plot problems was very helpful. He even tells of how he squeezes in his writing time. Bell's way doesn't work for me, but you can take it and suit it to your own circumstances. What I like about Bell is that he writes in a non-demeaning way to new writers. There are some writing books which take punches at new writers, be it ever so subtly or blatantly (I would rather not name any names), even though these books may contain invaluable writing advice and tools. It is just refreshing to have Bell's attitude. He motivates me to write and be true to myself, especially in his introduction. So far it is one of the books I keep going back and rereading parts that are pertinent to what I am writing.
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Reviewed in the United States on February 8, 2006

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