SKU: 54763415773
uppababy cruz 2 weight

uppababy cruz 2 weight UPPAbaby Cruz V3 + Aria V2 Travel System Bundle

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Description

uppababy cruz 2 weight UPPAbaby Cruz V3 + Aria V2 Travel System BundleThe Cruz V3 combines a sleek, streamlined design with versatile functionality, offering effortless maneuverability from newborn to toddler. The perfect solution for families seeking a single, full size stroller thats smooth and easy to use, without weighing you down. Features Sleek, streamlined design with full size Toddler Seat Integrated foot barrier & Infant Insert for carriage mode Simple triggers for an ultra compact fold Enhanced FlexRide

The Cruz® V3 combines a sleek, streamlined design with versatile functionality, offering effortless maneuverability from newborn to toddler. The perfect solution for families seeking a single, full-size stroller that’s smooth and easy to use, without weighing you down.

Features

  • Sleek, streamlined design with full-size
  • Toddler Seat Integrated foot barrier & Infant Insert for carriage mode
  • Simple triggers for an ultra-compact fold
  • Enhanced FlexRide Suspension for smooth strolls
  • Bassinet, Mesa®, and Aria™ Infant Car Seats attach directly to stroller without adapters
  • One-hand adjustable leg rest and recline to cater to your child’s comfort at every stage
  • Reflective trims on wheels to enhance visibility while strolling
  • Integrated sun shield in canopy for extra sunny days
  • Never-flat tires with front wheel lock option offers enhanced control
  • Extra-large storage basket that offers ample room without compromising the compact fold
  • One-hand, adjustable handlebar to better accommodate different heights
  • Premium fabrics and full-grain, REACH-certified leather details

Specifications

  • Suitable from birth to 50 lbs and maximum height of 40”
  • Frame + Seat Weight: 26.5 lbs
  • Frame Weight: 17 lbs
  • Seat: 9.5 lbs
  • Unfolded: 37.5” L x 22.5” W x 41.8” H
  • Folded with seat attached: 17” L x 22.5” W x 32.4” H
  • Folded without seat attached: 13.5” L x 22.5” W x 30.3” H

What's In The Box

  • Stroller
  • Infant Insert
  • Toddler Seat Bug Shield
  • Toddler Seat Rain Shield

UPPAbaby Aria V2 Infant Car Seat

The UPPAbaby Aria V2 is the lightest infant car seat on the market, weighing just 6 lbs. It is engineered to simplify life for busy parents by combining an incredibly light carrier with a full suite of premium safety features. The Aria V2 ensures you can move from car to stroller with ease, offering a secure and comfortable ride for your baby. This seat is the ideal choice if you prioritize a seamless, lightweight travel system without compromising on safety or convenience.

The Perfect Fit for Life on the Go

You need a car seat that adapts to your active lifestyle. The UPPAbaby Aria V2 excels in portability and ease of use, making every outing less stressful. Its unique combination of features makes it an ideal travel solution for families who frequently use ride-shares, travel by air, or simply want to lighten their load.

Ultra-Lightweight Design for Effortless Portability

At just 6 lbs, the Aria V2 sets a new standard for infant car seat weight. This feather-light design makes it easy to carry your baby from the car to a coffee shop, into a store, or up a flight of stairs. The ergonomic aluminum carry-handle provides both comfort and stability, ensuring you can manage your baby's weight and the carrier's weight with ease.

Enhanced Safety Features for Peace of Mind

You never have to compromise on safety with the Aria V2. This car seat comes with a suite of advanced safety features to protect your child from all angles.

  • Load Leg: The included base has an adjustable load leg that extends to the vehicle floor, providing increased stability and absorbing crash forces.

  • Anti-Rebound+ Panel: An additional safety panel on the base helps to reduce rotation and rebound in the event of a frontal or rear-impact collision.

  • Side Impact Protection: The carrier's shell is lined with energy-absorbing EPP foam for advanced side impact protection.

  • European Belt Routing: For baseless installations, the European Belt Routing method provides a more secure fit, which is especially useful for travel or when using ride-shares.

Engineered for a Simple and Secure Installation

A car seat is only safe when it's installed correctly. The UPPAbaby Aria V2 simplifies installation with intuitive technology that provides visual confirmation and a secure fit every time.

  • SmartSecure® System: This system features a red-to-green visual indicator that tells you when the base is correctly installed in seconds.

  • Auto-Retracting LATCH: The base's LATCH connectors automatically retract, making it easy to achieve a tight, secure installation.

  • Built-in Lock-off: For seatbelt installations, the built-in lock-off ensures the vehicle seatbelt is securely locked into place.

  • Dual Bubble Levels: The base includes dual bubble level indicators to confirm you have the correct alignment for a safe installation.

Designed for Comfort, Convenience, and a Long-Term Fit

The Aria V2 is built to be a comfortable space for your baby and a convenient tool for you.

  • From Preemie to Toddler: The two-piece Robust Infant Insert ensures a proper fit for preemies starting at 4 lbs and can be used for babies up to 4 months old. The carrier is suitable for children up to 30 lbs and 30 inches.

  • No-Rethread Harness: The effortless no-rethread 5-point harness and 25 preset headrest positions allow you to adjust the fit as your baby grows without the hassle of re-threading straps.

  • All-Weather Comfort: The extra-large, UPF 50+ canopy with a pop-out sunshade and ventilation offers excellent protection from the sun and elements. An included All-Weather FootCover keeps your baby cozy in all seasons.

  • Machine-Washable Fabrics: Messes are inevitable. The seat and canopy fabrics are removable and machine-washable, making cleanup simple. All fabrics are Fire Retardant Free through UPPAbaby's DualTech™ fabrics and are GREENGUARD® Gold Certified for healthier air quality.

  • Travel System Compatibility: The Aria V2 offers a direct attachment to UPPAbaby Vista® and Cruz® strollers, creating a seamless travel system. You can also use convenient adapters for the Minu® and Ridge® strollers. The carrier is also FAA certified for aircraft use, making it ideal for air travel.

Key Features and Specifications

  • Age/Weight Range: Approximately 0–1 years, or 4 lbs - 30 lbs and up to 30” in height.

  • Carrier Weight: 6 lbs (without canopy and insert).

  • Base Weight: 12.6 lbs.

  • Carrier Dimensions: 24.5” L x 17” W x 18.5” H.

  • Base Dimensions: 23.9” L x 14” W x 15.2” H.

  • Frame: The narrow 17” wide footprint of the base helps maximize space in your backseat, especially when you need to fit multiple car seats.

  • What's Included: Carrier, Base, Two-Piece Robust Infant Insert, All-Weather FootCover, and Product Lifetime Warranty.

Frequently Asked Questions (FAQ)

Q: How does the UPPAbaby Aria V2 compare to the UPPAbaby Mesa V2? A: The Aria V2 is significantly lighter than the Mesa V2, weighing just 6 lbs compared to the Mesa V2's 9.9 lbs. While both seats offer premium safety and ease of use, the Aria V2 is the better choice if your primary goal is portability and lightweight travel.

Q: Can I install the Aria V2 without the base? A: Yes, you can install the Aria V2 carrier without its base. It includes European Belt Routing for a secure installation using your vehicle's seat belt, which is an excellent option for travel or ride-shares.

Q: Is the UPPAbaby Aria V2 car seat FAA approved for air travel? A: Yes, the UPPAbaby Aria V2 carrier is FAA certified for aircraft use when used according to the instruction manual. The base is not approved for aircraft use.

Q: What is the benefit of the SmartSecure® System? A: The SmartSecure® System simplifies installation by providing a red-to-green visual indicator that confirms when you have achieved a secure and correct fit in your vehicle. This eliminates guesswork and gives you peace of mind.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 54763415773

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4.2 ★★★★★
Based on 28 reviews
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M
Verified Purchase
MB
Louisville, US
★★★★★ 5
Hydrating
New fav. My teenager loves it
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 10, 2026
R
Verified Purchase
Ruth
Lowell, US
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
L
Verified Purchase
Lana
Boise, US
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
D
Verified Purchase
dra
Natrona Heights, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2014
J
Verified Purchase
J. H. Haley
New York, US
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2007

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