SKU: 55079933566
spherical plant pot

spherical plant pot Large Sphere Planter for Small Trees 207L Round Pot

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Description

spherical plant pot Large Sphere Planter for Small Trees 207L Round PotExtra Large Sphere Planter Ideal for Statement Shrubs, Small Trees & Bold Planting Schemes Elevate your garden, terrace, or commercial space with the architectural beauty of the Orbello 70cm planter a sculptural vessel that offers both strength and elegance in equal measure. With its smooth spherical form and soft White Mist colouring, the Orbello planter creates a commanding yet calming presence. The 217L internal volume makes it ideal for growing

Extra Large Sphere Planter – Ideal for Statement Shrubs, Small Trees & Bold Planting Schemes

Elevate your garden, terrace, or commercial space with the architectural beauty of the Orbello 70cm planter — a sculptural vessel that offers both strength and elegance in equal measure.

With its smooth spherical form and soft White Mist colouring, the Orbello planter creates a commanding yet calming presence. The 217L internal volume makes it ideal for growing compact trees, large ornamental grasses, or lush mixed arrangements, offering a bold focal point in both residential and professional landscapes.


  • 217L capacity – ample space to support deep root systems for feature planting
  • 70cm H × 70cm W – striking scale suitable for open terraces, entrances, and layered garden designs
  • 57cm planting opening – wide access for larger root balls and easy planting
  • Premium pigmented concrete – White Mist tone runs through the body, eliminating fading, flaking, or peeling
  • Indoor & outdoor safe – internally sealed, frost-resistant and UV-stable for year-round versatility
  • Drainage holes included – ensures proper water flow, protecting roots from waterlogging
  • Reinforced with steel – 38kg weight and internal steel provide structural integrity and long-term durability
  • Low-maintenance – simply wipe clean; no resealing or treatments needed
  • Flat base – provides reliable placement on any level surface, from patios to tiled floors

Why Choose the Orbello Planter?

  • Sculptural design – bold spherical silhouette creates visual interest in any setting
  • Hand-finished surface – organic pitting and subtle variations give each piece its own character
  • Refined White Mist finish – soft white-grey blend complements all foliage and architectural styles
  • Engineered for performance – reinforced and weatherproof for use in exposed or high-traffic areas
  • Timeless yet contemporary – works beautifully in both modern and classic garden schemes
  • Sustainably made – crafted by hand using low-waste techniques and durable materials

Full Description

The Orbello 70cm concrete sphere planter brings scale, simplicity, and impact together in a single, elegant form. With its generous 217L volume and smooth, globe-like silhouette, it’s a go-to choice for those looking to create standout displays with small trees, large grasses, or expressive architectural planting.

Poured by hand using premium pigmented concrete, the planter’s colour is not a surface treatment — it’s embedded throughout the structure. This ensures it stays true to its White Mist tone over time, even with outdoor exposure. The exterior features subtle texture and natural variation, giving each planter a distinctive artisanal look.

Thanks to its sealed interior and pre-drilled drainage holes, the Orbello supports healthy plant growth in both interior and exterior spaces. Its 38kg weight and steel-reinforced design make it robust enough for wind-exposed areas, public spaces, and year-round use without shifting or cracking.

Whether placed alone for maximum impact or combined with other Orbello sizes, the 70cm version offers effortless sophistication and practical performance — built to enhance your space for years to come.

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SKU: 55079933566

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4.4 ★★★★★
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Bobo
Houston, US
★★★★★ 3
Very interesting reading.
Very interesting reading. He gives a very different picture (and more accurate picture, I'm sure) of the Indians in North and South Americas than what we've been told in our history books. They could very well be the lost tribes of Israel.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 23, 2021
S
Verified Purchase
Sister Kana
Battle Creek, US
★★★★★ 5
Five Stars
great book
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 8, 2016
J
Verified Purchase
J
Grantham, US
★★★★★ 2
No page numbers
Format: Paperback
This book doesn't have ANY page numbers, NONE
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 3, 2025
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Divan
Fort Morgan, US
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022
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David Bankston
Waukegan, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
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Reviewed in the United States on November 3, 2000

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