SKU: 5776849460
maxi cosi swift mattress

maxi cosi swift mattress Maxi Cosi Swift Playard

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Description

maxi cosi swift mattress Maxi Cosi Swift PlayardOverview Play. Sleep. Repeat. When it comes to family, its all about routine. Play time, nap time. Then do it all again. 3 stylish products in 1 Introducing the new Swift. A multi use, stylish 3 in 1 travel play yard that can be used as a newborn bassinet, toddler sleep space and safe, sturdy play yard, from newborn to toddler. At about 18 lbs., its the lightest of its kind. With a lightning fast fold, Swift is easily the quickest travel play yard

Overview

Play. Sleep. Repeat.
When it comes to family, it’s all about routine. Play time, nap time. Then do it all again.

3 stylish products in 1
Introducing the new Swift. A multi-use, stylish 3-in-1 travel play yard that can be used as a newborn bassinet, toddler sleep space and safe, sturdy play yard, from newborn to toddler. At about 18 lbs., it’s the lightest of its kind. With a lightning-fast fold, Swift is easily the quickest travel play yard you’ll ever put up, down and up again – at home or on the road.

Adjusts with the greatest of ease
Everything about Swift is designed for speed and ease of use. Its smooth one-step fold is so quick and easy, you can even do it one-handed. One swift action and you can simply get on with your busy day. Swift grows with your baby from newborn to toddler. So instead of buying three separate portable products (a bassinet, travel sleep space and play yard), the Swift is all three, stylishly rolled into one.

Extra-comfy 2-stage mattress
The Swift has a unique 2-stage mattress that unzips to perfectly fit the bassinet, providing a smaller, cozier mattress that's ideal for newborns. As your baby grows, the mattress zips back together to create a larger, super-comfy space for playtime or a well-deserved nap.

The lightest of its kind
So light it almost floats, the Swift packs into a handy carry bag, so it’s ideal for taking with you on days out visiting friends and family or for weekends away.

Swift is designed to make everyday family life quicker and easier – a lifesaver for parents who are always on the go.

Play. Sleep. Repeat.

Features

  • 3-in-1 Play Yard: Featuring a newborn bassinet, toddler sleep space and space to play all-in-one.
  • Modern Design: Sleek styling details along with high-quality materials compliment any home décor.
  • Stage Mattress: This unique and comfortable mattress unzips to fit the bassinet and zips back together to create a larger mattress for the play yard.
  • Breathable Mesh: Breathable mesh sides allows airflow and to stay connected with your little one.
  • Ultra Lightweight: The Swift's sturdy yet lightweight frame weighs about 18lbs making it the lightest of its kind.
  • Quick Compact Fold: With a smooth one-step fold it's so easy you can do it one-handed and comes with a travel bag for easy carry and take on-the-go.

More Information

  • Assembled Dimensions: 33.86" L x 30.71" W x 41.73" H
  • Assembled Product Weight: 17.73lbs
  • Bassinet mode - Do not use this product for a child who can roll over or reaches manufacturer’s recommended maximum weight of 15 lbs. (6.8 kg), or whichever comes first.
  • Playard mode - Discontinue use of the product when child is able to climb out or reaches the height of 35-in. (89- cm).
  • Product Material: 100% polyester, plastic, aluminum
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 5776849460

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4.8 ★★★★★
Based on 8 reviews
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Verified Purchase
Tahoeman
Omaha, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Belleville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Charlottesville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Boise, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Chelsea, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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