SKU: 62370309238
colorado wildflower seeds

colorado wildflower seeds Southwest Wildflower Mix – Dry Climate Adapted for AZ, NM, CA

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Description

colorado wildflower seeds Southwest Wildflower Mix – Dry Climate Adapted for AZ, NM, CASouthwest Wildflower Seed Mix for Hot, Dry, Low Elevation Gardens Bring rugged, living color to the toughest corners of a Southwest landscape. We formulated this wildflower seed mix for hot, dry, low elevation plantings below 7,000 feet across Arizona, New Mexico, Utah, Southern California, and Southern Nevada, where long, hot summers ask a lot of a garden. The blend pairs fast annuals with hardy perennials, so you get bold first year blooms and a

🌼 Southwest Wildflower Seed Mix for Hot, Dry, Low-Elevation Gardens

Bring rugged, living color to the toughest corners of a Southwest landscape. We formulated this wildflower seed mix for hot, dry, low-elevation plantings below 7,000 feet across Arizona, New Mexico, Utah, Southern California, and Southern Nevada, where long, hot summers ask a lot of a garden. The blend pairs fast annuals with hardy perennials, so you get bold first-year blooms and a stand that returns and deepens season after season. These are quality, US-grown seeds, non-GMO and untreated.

🌸 Expect a tapestry that runs 36 to 48 inches tall: scarlet flax and red corn poppy set against blue cornflower, blue flax, and Texas bluebonnet, with golden coreopsis, black-eyed Susan, and Indian blanket carrying the warm tones. Because the mix includes hard and dormant seed, germination is staggered, which stretches the color from spring well into the warm months. New to sowing a meadow? Our How to Grow Wildflowers from Seed guide walks you through it step by step.

🌻 Backyard beds
Scatter for a natural, meadow-style border that shrugs off heat once established.
🐝 Pollinator habitat
Nectar-rich annuals and perennials draw bees, butterflies, and other pollinators all season.
☀️ Low-water meadows
Built for drought-prone, sun-baked sites that challenge most seed blends.
🍂 Dormant fall seeding
Sow in fall in mild-winter regions and let the seed wake up with spring.

Gardening at higher elevation or back East? Reach for our Mountain Wildflower Mix or our Northeast Wildflower Mix, each tuned to its own region.

🌱 From the Sacred Plant Co Farm. Sacred Plant Co is a soil-first farm. Our own farm in Colorado earned a groundbreaking Haney Soil Health Score of 25.4, a number that surpasses the soil biology measured in pristine forest land. That score is the heart of who we are. We believe healthier soil grows more complex, more resilient plants, and that philosophy is the standard behind everything we grow and everything we carry.

Product Specifications

Detail Specification
Common Name Southwest Wildflower Mix
Botanical Composition Multi-species blend (23 wildflower species)
Format Wildflower seed mix (annuals and perennials)
Available Weights 1/2 oz, 1 oz, 2 oz, 4 oz, 1/2 lb, 1 lb
Mature Height 36 to 48 inches
Recommended Region Low elevations below 7,000 ft in AZ, NM, UT, Southern CA, Southern NV
Grade Non-GMO, untreated
Seed Purity 95 to 99 percent
Germination / Viability 70 to 95 percent
Testing Status Seed purity and germination tested, per lot
Country of Origin USA

Full Seed Mix Composition

  • 15% Baby's Breath, Annual (Gypsophila elegans)
  • 13% Candytuft, Annual (Iberis umbellata)
  • 9% Scarlet Flax (Linum grandiflorum)
  • 9% Texas Bluebonnet (Lupinus texensis)
  • 8% Blue Cornflower (Centaurea cyanus)
  • 8% Blue Flax (Linum perenne)
  • 6% Lance-Leaved Coreopsis (Coreopsis lanceolata)
  • 6% Purple Coneflower (Echinacea purpurea)
  • 6% Indian Blanket (Gaillardia pulchella)
  • 3% Dwarf Evening Primrose (Oenothera caespitosa)
  • 2% Annual Phlox (Phlox drummondii)
  • 2% Red Corn Poppy (Papaver rhoeas)
  • 2% Scarlet Sage (Salvia coccinea)
  • 1.5% Spurred Snapdragon (Linaria maroccana)
  • 1.5% Clasping Coneflower (Rudbeckia amplexicaulis)
  • 1.5% Prairie Coneflower (Ratibida columnifera)
  • 1.5% Catchfly (Silene armeria)
  • 1% Plains Coreopsis (Coreopsis tinctoria)
  • 1% Sweet Alyssum, Tall White (Lobularia maritima)
  • 1% Lemon Mint (Monarda citriodora)
  • 1% Blue Sage (Salvia farinacea)
  • 0.5% Showy Evening Primrose (Oenothera speciosa)
  • 0.5% Black-eyed Susan (Rudbeckia hirta)

🌱 How to Plant

Prepare your site by removing weeds and loosening the soil so seed makes good contact with bare ground. Broadcast the seed evenly, then rake lightly. Cover the seed to about two to three times its thickness, or drill no more than 1/4 inch deep. Keep the soil moist until germination.

Seeding rate

1/4 lb covers 500 to 1,000 sq ft, or 5 lbs covers 10,000 to 20,000 sq ft. For a meadow look with scattered wildflowers, use the lower end. For an average display with good coverage, use the middle of the range. For a lush, almost solid stand, choose the upper end.

Best time to plant: early to late spring once soil reaches 55°F, or as a dormant fall seeding in mild-winter regions.

Safety & Responsible Use

This is a horticultural seed mix for planting and ornamental use, not for human or animal consumption. A few species in the blend, including Texas Bluebonnet (a lupine), can be harmful if eaten, so we suggest keeping the seeds and growing plants out of reach of children, pets, and grazing animals. Wash your hands after sowing, and store unused seed in a cool, dry place away from food.

These statements have not been evaluated by the Food and Drug Administration. This product is not intended to diagnose, treat, cure, or prevent any disease. For guidance specific to your situation, consult a qualified professional.

🌼 Our 100% Money-Back Guarantee

Our policy is simple: if you aren't happy, send it back and receive a full refund. Anytime, for any reason.

Frequently Asked Questions

Which regions and elevations is this seed mix made for?

We formulated this blend for hot, dry, low-elevation landscapes below 7,000 feet, including Arizona, New Mexico, Utah, Southern California, and Southern Nevada. It is built for the long, hot, dry summers those areas are known for, so the annuals and perennials in the mix settle in and thrive where many other seed blends struggle.

Will these wildflowers bloom the first year?

Yes. We balanced this mix with fast annuals that bring bold color in the first season and hardy perennials that return and fill in over the years that follow. The hard and dormant seeds in the blend germinate on a staggered schedule, which stretches the bloom window and keeps the color coming.

How much seed do I need, and why is the seeding rate such a wide range?

Our general guideline is 1/4 lb per 500 to 1,000 square feet, or 5 lbs per 10,000 to 20,000 square feet. The range is wide because planting goals vary so much, from a small backyard bed to a five-acre meadow. For a natural meadow look with scattered wildflowers, use the lower end of the rate. For an average display with good coverage, use the middle of the range. For a lush, almost solid stand of wildflowers, choose the upper end.

Are these seeds treated or GMO, and what if I am not happy with them?

Every batch is non-GMO and untreated, selected for seed purity of 95 to 99 percent and tested for germination at 70 to 95 percent, so you know exactly what is going in the ground. That same transparency runs through our 100% money-back guarantee. Our policy is simple: if you aren't happy, send it back and receive a full refund. Anytime, for any reason.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 62370309238

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Matthew
Cuba, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
San Leandro, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Whiting, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Fort Morgan, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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Verified Purchase
Matt M
Dallas, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012

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