SKU: 62711361190
britax sillas

britax sillas Silla de Auto Convertible One4life Slim Gris mineral - Britax

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Description

britax sillas Silla de Auto Convertible One4life Slim Gris mineral - BritaxDiseada para acompaar a tu pichintn desde su primer viaje hasta los 10 aos aprox (2,2 a 54,4 kg), la nueva One4Life Slim optimiza el espacio de tu auto sin transar ni un milmetro de seguridad. Su estructura de solo 44. 5 cm de ancho permite una configuracin ms cmoda en el asiento trasero, ideal para familias que crecen. 1. Las 3 Etapas de Crecimiento Contramarcha (Rear Facing): Para bebs y nios pequeos desde los 2. 26 kg hasta los 22. 7 kg. Permite

Diseñada para acompañar a tu pichintún desde su primer viaje hasta los 10 años aprox (2,2 a 54,4 kg), la nueva One4Life Slim optimiza el espacio de tu auto sin transar ni un milímetro de seguridad. Su estructura de solo 44.5 cm de ancho permite una configuración más cómoda en el asiento trasero, ideal para familias que crecen.

1. Las 3 Etapas de Crecimiento

Contramarcha (Rear-Facing): Para bebés y niños pequeños desde los 2.26 kg hasta los 22.7 kg. Permite mantener la posición más segura por más tiempo.

Hacia adelante con arnés (Forward-Facing): Una vez alcanzado el límite de contramarcha, se utiliza con arnés de 5 puntos para niños de hasta 29.5 kg.

Asiento Booster (High Back Booster): Se transforma en un elevador para peques de entre 18 kg y 54.4 kg, o hasta que alcancen una estatura de 1.60 metros.

2. Instalación ClickTight: Seguridad sin errores

Olvida las instalaciones complejas. Con la tecnología ClickTight, puedes instalar la silla de forma segura utilizando el cinturón de seguridad del vehículo en solo 3 pasos: Abrir, Pasar y Cerrar. El clic te indica que la silla ha quedado firmemente anclada, reduciendo drásticamente el riesgo de una mala instalación.

3. Ingeniería de Protección Superior

Marco de acero de alta resistencia: Proporciona una estructura sólida que estabiliza la silla ante un impacto.

SafeCell Technology: Una zona de deformación en la base diseñada para absorber la energía del choque y mantenerla alejada del niño.

Correa de absorción de energía (V-Tether): Reduce el movimiento hacia adelante en caso de colisión.

9 posiciones de reclinación: Permiten encontrar el ángulo ergonómico ideal, verificado por los indicadores de nivel integrados.

Características

TIPO CONVERTIBLE
MARCA BRITAX
MODELO ONE4LIFE SLIM
SENTIDO DE LA INSTALACIÓN A FAVOR Y CONTRA MARCHA
TEMPORADA DE USO APROX RN - 10 AÑOS APROX
PESO INFANTE CON ARNÉS ACM: HASTA 22,7 KG
CON ARNÉS AFM: HASTA 29,5 KG
COMO BUTACA: HASTA 54,4 KG (con cinturón)
ALTURA DE USO CON ARNÉS HASTA 124,5 CM
COMO BUTACA 112 - 160 CM
SISTEMA DE RETENCIÓN ARNÉS DE 5 PUNTAS O CINTURÓN DE 3 PUNTOS (cuando se usa como butaca)
BROCHE DE PECHO
SUJECIÓN AL VEHÍCULO ACM: CINTURÓN 2 O 3 PUNTAS O LATCH.
AFM: CINTURÓN 2 O 3 PUNTAS O LATCH + USO TOP TETHER SIEMPRE.
BOOSTER / BUTACA: USO DE LATCH + TOP TETHER OPCIONAL
LÍMITES DE PESO DE ANCLAJE LATCH:
ACM HASTA 13,6 KG.
AFM HASTA 15,9 KG
PROTECCIÓN LATERAL DOS CAPAS DE PROTECCIÓN CONTRA IMPACTOS LATERALES
RECLINACIÓN 9 POSICIONES
AJUSTE ALTURA RESPALDO  SÍ
AJUSTE ALTURA APOYA CABEZA  SÍ
MEDIDAS LARGO: 47 CM
ANCHO: 44,5 CM
ALTO: 62,2 CM
PESO SILLA 12,7 kg
USO EN AVIÓN SÍ, CUANDO SE USA CON ARNÉS
OTRAS CARACTERÍSTICAS O ACCESORIOS INCLUÍDOS DOS PORTAVASOS, TEJIDOS DE POLIÉSTER RECLICADO
NORMATIVA AMERICANA FVMSS 213
HOMOLOGACIÓN CHILENA 3CV-ASN-BR-O4S-2024-477


Video
Video referencial del uso y características de la Silla de auto convertible One4life Slim de Britax

Información Técnica

Edad de uso: RN hasta los 10 años aprox
Sistema de sujeción al vehículo: Latch + uso de Top Tether o cinturón de seguridad
Sistema de retención: Arnés de 5 puntas y cinturón de seguridad del vehículo cuando se usa como Booster
Medidas Silla: Largo 47 cm x Ancho 44,5 cm x Alto 62,2 cm
Peso Silla: 12,7 Kg
Descarga el manual de uso AQUÍ

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SKU: 62711361190

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4.7 ★★★★★
Based on 20 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Los Angeles, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Whiting, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Belleville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Omaha, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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