SKU: 64139401325
spider farmer sf 2000 distance from plants

spider farmer sf 2000 distance from plants Spider Farmer SF2000 EVO LED Grow Light – ledgrowstore.co.uk

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spider farmer sf 2000 distance from plants Spider Farmer SF2000 EVO LED Grow Light – ledgrowstore.co.ukSpider Farmer SF2000 EVO LED Grow Light. Now featuring the brand new Samsung EVO chip, the Spider Farmer SF2000 EVO is a powerful solution for indoor growers who demand the best for their plants. Brand New Samsung EVO Diodes Waterproof Board Free UK Delivery Full Spectrum Super Stealthy GGS System Compatible IR Diodes for Improved Flower Density Massively Reduced Electricity Costs Fully Dimmable Daisy Chain Ready Zero Noise New Improved Diode Layout

Spider Farmer SF2000 EVO LED Grow Light.

Now featuring the brand new Samsung EVO chip, the Spider Farmer SF2000 EVO is a powerful solution for indoor growers who demand the best for their plants.


  • Brand New Samsung EVO Diodes
  • Waterproof Board
  • Free UK Delivery
  • Full Spectrum
  • Super Stealthy
  • GGS System Compatible 
  • IR Diodes for Improved Flower Density 
  • Massively Reduced Electricity Costs
  • Fully Dimmable
  • Daisy Chain Ready
  • Zero Noise
  • New Improved Diode Layout
  • 200w Power Output
  • 50000 Hours Life
  • Pay As You Grow in 3 instalments with Klarna
  • Daily Electricity Cost of £0.44*


 

Compact, Powerful and Built for the Modern Grower.

When it comes to LED grow lights, the Spider Farmer SF2000 EVO isn’t just another model on the shelf. It’s a true innovation in the world of indoor cultivation - and it’s generating some serious buzz for good reason. With Samsung’s LM301H EVO diodes at its core, this 200w powerhouse is compact yet remarkably powerful, designed for growers who need both efficiency and top-tier performance in a small package. This is the latest iteration in Spider Farmer’s classic SF series, and it’s making waves in grow rooms around the world. Let’s look into why this light is one of the most exciting releases this year.



The Power Of Samsung Diodes

The heart of the SF2000 EVO is its Samsung LM301H EVO diodes. These are not your everyday LEDs - think of them as the “Formula 1” of horticultural lighting. Each EVO diode offers a peak efficiency of 3.14 umol/J, surpassing even the highly regarded LM301B and LM301H diodes. This means you get more light and less heat, allowing you to replace bulky, high-heat 500w HPS setups and heavily clustered cheaper LEDs with ease.

And let’s be clear: these diodes aren’t just about brightness. With a specialized spectrum that includes 3000K and 5000K whites, 660nm reds, and 760nm IR, your plants get the full spectrum of light they crave. From lush vegetative growth to potent, dense flowering, the SF2000 EVO provides your plants with everything they need for success. Whether you’re a beginner or a seasoned pro, the quality of light from these Samsung diodes will take your flowers to new levels of quality.



The Spectrum Of Success

The SF2000 EVO’s full-spectrum output is precisely calibrated to cover your plants’ entire life cycle. With 3000K warm whites for robust flowering, 5000K cool whites to encourage early growth and a blend of deep reds and IR to maximise flowering and resin production, this light is like a tailored suit for your plants. Each spectrum plays a crucial role, from speeding up vegetative growth to boosting yields and enhancing flavours in the final weeks.

And here’s the beauty: thanks to the SF2000 EVO’s efficient design, you’re getting all this power without the excess heat. The fixture’s robust aluminium heat sink ensures cool operation, even during long light cycles. Forget about noisy fans - this light is fanless and silent, ideal for discreet grow setups.



Ultra Efficient. Grow More. Pay Less

Now, let’s talk about one of the SF2000 EVO’s biggest selling points: its downright miserly electricity consumption. At an average daily running cost of around £0.55p*, this light is a godsend for growers looking to keep their energy bills in check. Over an 8-week flowering cycle, you’re looking at a total electricity cost of around £40 - peanuts compared to the returns you’ll get.

And what kind of returns are we talking about? With Spdier Farmer telling us that these little beauties can produce up to 2.5g of flowers per watt - even a novice grower can expect to pull in around 250g of high-quality harvest per cycle, making this light not just a hobby, but an investment. And even factoring in modern electricity costs, the SF2000 EVO practically pays for itself after just one harvest.



Samsung Quality. Built To Last

Spider Farmer doesn’t cut corners when it comes to build quality, and the SF2000 EVO is no exception. Constructed with durable materials and a sleek aluminium body, this light is as tough as it is effective. Each diode is IP65-rated, meaning it’s protected against dust and moisture - perfect for humid grow rooms where other lights might struggle. With a 50,000-hour lifespan - this is a light built to last, season after season, cycle after cycle.

The SF2000 EVO also includes protective covers for the cables and a thick, sturdy heat sink ensuring it can handle the demands of a busy grow room without missing a beat. When you invest in this light, you’re getting a tool that will be a reliable part of your setup for years to come.



Rugged Build. Stealth Operation 

For those of you who value discretion, the SF2000 EVO is as stealthy as they come. Its fanless design ensures it operates in near silence, perfect for those who need to keep their growing activities under wraps. And with its slim profile, it’s easy to tuck away in even the smallest of grow tents without drawing attention.

But don’t mistake its compact size for fragility. This light is solidly built, weighing just under 5 kilos and featuring a well-balanced aluminium body that provides stability without taking up precious space. It’s the ideal light for the grower who needs power but can’t afford to sacrifice stealth.



Precision Dimming & Daisy Chain Ready

The SF2000 EVO comes equipped with Spider Farmer’s new digital dimmer, giving you precise control over light intensity at every stage of growth. Dial it down for seedlings, crank it up for flowering - the choice is yours. This flexibility lets you tailor light levels to your plants’ specific needs, ensuring optimal growth while keeping energy consumption low.

For growers looking to expand their setup, the SF2000 EVO’s daisy chain capability allows you to link up to 30 units from a single control panel. Whether you’re running a single tent or a full grow room, this feature simplifies management, saving you time and minimising clutter in your grow area.



Plug, Play & Prosper 

Setting up the SF2000 EVO is as easy as it gets. Straight out of the box, you’ll be up and running in minutes. With two rope ratchets, steel hangers, and a 2-meter power cord, everything you need is right in the box. Plug it in, set your dimming level, and watch your plants thrive. And if you ever need support, Spider Farmer’s customer service team is known for its responsiveness, ensuring you’re never left in the dark.



GGS Compatible. Smarter Than You. 

Spider Farmer’s SF2000 is fully compatible with the brand’s GGS smart controller system. In practice, that means you can upgrade your SF2000 to “smart” status: use the smartphone app to set timers, dimming schedules and even sunrise/sunset simulations.

Simply connect the GGS controller to the SF2000’s dimmer box and you unlock Manual/Timer/PPFD light control with automated schedules and extra features. In short, pairing the SF2000 with GGS turns it from a manual grow light into a fully automated, app-controlled system – less babysitting, more growing.

Check it out in closer detail here.



The Perfect Blend Of Power and Affordability  

The Spider Farmer SF2000 EVO isn’t just another LED grow light; it’s a carefully engineered piece of horticultural equipment designed for serious results. With Samsung LM301H EVO diodes and an optimised spectrum that caters to every stage of growth, this light offers pro-level performance in a compact, stealthy package. And with its energy efficiency, rugged build, and silent operation, it’s perfectly suited for both new and experienced growers alike.

If you’re after a reliable, powerful, and cost-effective LED grow light that will bring out the best in your plants, the SF2000 EVO is a clear winner. Compact, powerful, and efficient - this light is the ultimate tool for growers who want top-tier results without compromise.

 




Spider Farmer SF2000 EVO LED Grow Light Technical Specifications

Power

200w

Input Voltage

AC 220-240V

Weight

4.65 kg
HPS Equivalent 400w

Veg Footprint

0.9m x 1.2m 
Flower Footprint 1.0m x 1.2m

Diodes

Samsung EVO, Osram Reds & IR 
Diode Count 490

Size

65cm x 27cm x 7cm

Spectrum

660nm, 3000K, 5000K &

IR 760nm

Efficiency

2.7 umols/j
PAR Value 553 umol/s
Daily Electricity Cost £0.44*


    Product includes:

    • Spider Farmer SF2000 EVO LED Grow light
    • Power Cord
    • User Manual
    • Wire Hangers
    • Ratchet Hangers



      *Approximate costs of use based on 75% power for a 12 / 12 flowering cycle. 

      *Calculated using the UK: Energy Price Guarantee (April 2026) electricity rate of 25.00 pence per kWh.


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      SKU: 64139401325

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      4.1 ★★★★★
      Based on 13 reviews
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      J
      Verified Purchase
      J. H. Haley
      Boise, US
      ★★★★★ 4
      Lee Marvin's best
      Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on September 25, 2007
      M
      Verified Purchase
      mojo_navigator
      Natrona Heights, US
      ★★★★★ 5
      Excellent Blu-Ray Transfer - Big Improvement to the DVD
      I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on September 26, 2014
      K
      Verified Purchase
      KEITH
      Lake Worth, US
      ★★★★★ 5
      Displeasure And Distance
      The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on July 17, 2025
      P
      Verified Purchase
      Parker
      Alexandria, US
      ★★★★★ 3
      Dated, but....
      Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on July 1, 2011
      C
      Verified Purchase
      Clare Quilty
      Los Angeles, US
      ★★★★★ 5
      A stark, brutish "Petulia" with a pistol in its pocket
      It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on August 1, 2005

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