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Description
papyrus plant pot Little Tut Papyrus – Plant DetectivesLittle Tut Papyrus (Cyperus papyrus 'Little Tut') Little Tut Papyrus (Cyperus papyrus 'Little Tut'), also known as Dwarf Papyrus, is a compact, easy to grow aquatic plant that brings a striking architectural element to gardens and water features. With its fine textured, umbrella like foliage and graceful, fountain like growth habit, this variety is perfect for pond margins, rain gardens, and containers. Unlike the larger King Tut variety, Little Tut
Little Tut Papyrus (Cyperus papyrus 'Little Tut')
Little Tut Papyrus (Cyperus papyrus 'Little Tut'), also known as Dwarf Papyrus, is a compact, easy-to-grow aquatic plant that brings a striking architectural element to gardens and water features. With its fine-textured, umbrella-like foliage and graceful, fountain-like growth habit, this variety is perfect for pond margins, rain gardens, and containers. Unlike the larger King Tut variety, Little Tut remains smaller and more manageable, making it an excellent choice for smaller garden spaces.
Distinctive Features
Little Tut Papyrus features slender, upright stems topped with feathery, radiating filaments that create a soft, airy texture. This dwarf variety reaches a mature height of 18-24 inches, making it ideal for adding movement and dimension without overwhelming the landscape. Its rich green foliage remains lush throughout the growing season, thriving in consistently moist conditions and adding a unique, tropical feel to any space.
Growing Conditions
- Sun Exposure: Prefers full sun but tolerates partial shade.
- Soil: Thrives in rich, consistently moist soil; adapts well to boggy and wetland conditions.
- Water: Requires ample moisture; can be grown in shallow water or damp soil.
- USDA Hardiness Zones: 8-11; commonly grown as an annual in cooler climates.
Ideal Uses
- Water Gardens: Thrives in shallow water and along pond edges.
- Containers: Perfect for patio planters and decorative pots with consistently moist soil.
- Rain Gardens: An excellent choice for low-lying, moisture-retentive areas.
- Mixed Borders: Adds vertical interest and a soft texture to garden beds.
Low Maintenance Care
Little Tut Papyrus is an easy-care plant that thrives in wet environments and requires minimal maintenance, making it a favorite for both beginner and experienced gardeners.
- Watering: Keep soil constantly moist; does not tolerate prolonged drought.
- Pruning: Trim back older or damaged stems to encourage fresh growth.
- Fertilizing: Apply a balanced, slow-release fertilizer every 4-6 weeks during the growing season.
- Winter Care: In colder climates, overwinter indoors or treat as an annual.
- Propagation: Easily propagated by division or by placing cuttings in water.
Why Choose Little Tut Papyrus?
With its compact size, graceful foliage, and adaptability to wet environments, Little Tut Papyrus is an excellent choice for adding a unique and elegant touch to any landscape.
- Compact Growth: Smaller size makes it ideal for containers and smaller garden spaces.
- Water-Loving: Perfect for pond edges, rain gardens, and consistently moist soils.
- Low Maintenance: Requires minimal care and thrives in wet conditions.
- Focal Point: A beautiful addition to water gardens, mixed borders, and container displays.
For those looking to introduce a unique, low-maintenance aquatic plant, Little Tut Papyrus (Cyperus papyrus 'Little Tut') is a fantastic choice.
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4.8 ★★★★★
Based on 30 reviews
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Product Reviews
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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