SKU: 67094524340
carrinho maxi-cosi anna 2

carrinho maxi-cosi anna 2 Carrinho Travel System Maxi-Cosi Anna³ Trio Essential Black – Babytunes

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Description

carrinho maxi-cosi anna 2 Carrinho Travel System Maxi-Cosi Anna³ Trio Essential Black – BabytunesCarrinho Travel System Maxi Cosi Anna Trio Essential Black Contedo da embalagem: 1 carrinho, 1 mosquiteiro, 1 cobre pernas, 2 adaptadores (Citi Pebble Coral Marble), 1 beb conforto, 1 base. 0 meses at 15 kg Carrinho 2 em 1, prtico, com aconchegante moiss que se transforma em um assento confortvel de passeio, ideal para todas as fases do beb. Acompanha adaptadores para bebs conforto Maxi Cosi. O Maxi Cosi Anna um carrinho 2 em 1, com um assento que

Carrinho Travel System Maxi-Cosi Anna³ Trio Essential Black

Conteúdo da embalagem: 1 carrinho, 1 mosquiteiro, 1 cobre pernas, 2 adaptadores (Citi / Pebble|Coral|Marble), 1 bebê conforto, 1 base.

- 0 meses até 15 kg

Carrinho 2 em 1, prático, com aconchegante moisés que se transforma em um assento confortável de passeio, ideal para todas as fases do bebê. Acompanha adaptadores para bebês conforto Maxi-Cosi.

O Maxi-Cosi Anna³ é um carrinho 2 em 1, com um assento que pode ser usado como moisés ou assento de passeio, isso significa que você não precisa trocar de carrinho e pode continuar com seu uso por muito mais tempo.

Fácil de usar:

- O Anna³ é um carrinho super fácil de manobrar pela cidade e rápido de fechar - usando apenas uma mão - perfeito para pais ocupados que estão sempre em movimento!

- O assento é facilmente reclinável com apenas uma mão e permite que você o reposicione tranquilamente para uma posição de dormir mais confortável, quando seu filho estiver tirando uma soneca fora de casa.

- Seu enorme cesto facilita a vida e permite que você leve tudo o que precisa nas aventuras pela cidade.

Maior tempo de uso:

O Anna³ é um carrinho projetado para manter seu bebê confortável desde o nascimento até os quatro anos de idade! Assim que seu bebê estiver pronto para se sentar e ver mais do mundo, o assento facilmente reversível se adapta para uma posição superconfortável.

Confortável:

Ele proporciona ao seu bebê um conforto magnificente, em qualquer idade. Para recém-nascidos, o moisés espaçoso acompanha um colchonete super macio, para oferecer conforto extra.

- Quando seu bebê é um pouco maior e usa o assento reversível, você pode facilmente reclinar o assento para uma posição deitada, para que ele possa desfrutar de uma soneca confortável à tarde, enquanto passeia pela cidade.

- Se o dia estiver muito ensolarado, basta estender a ampla capota com proteção solar UV50+ para proteger seu pequeno.

- Conta com um visor transparente para espiar o bebê ou deixar mais arejado o interior.

Robusto e flexível:

O Anna³ foi planejado para a cidade. Fácil de manobrar, com suspensão nas quatro rodas, absorção de impacto e rodas à prova de furos, ele pode enfrentar qualquer rua ou obstáculo da cidade ao mesmo tempo em que proporciona um passeio suave para o bebê.

O design do assento reversível torna super-rápido e fácil mudar seu filho de virado para os pais para virado para a rua, assim, eles têm sempre um assento confortável.

É certificado pelo INMETRO conforme a norma ABNT NBR 14.389 para crianças do nascimento aos 15kg. De acordo com as normas européias, suporta até 22kg de peso.

Características:

- Barra frontal com abertura
- 2 tipos de fechamento: com ou sem o assento
- Assento dobrável para um modo mais compacto de fechamento
- Mantém-se em pé após fechado
- Manopla com ajuste de altura para os pais
- Fácil de manobrar com apenas uma mão
- Trava para impedir giros de 360° na roda dianteira
- Cinto de segurança de 5 pontos
- Cesto XXL espaçoso (>10kg) com bolso discreto para pequenos objetos
- Capa lavável
Reclinável em 4 posições
- Rodas: Dianteiras com 27 cm e traseiras com 19 cm de diâmetro
- Freio com acionamento em um único ponto
- O mosquiteiro barra a luz excessiva

Peso: 10,7KG
Dimensões externas do produto: 99 x 62 x 103 cm
Dimensões do produto fechado: 81 x 62 x 53 cm

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Material: Aço, Alumínio, PA (Poliamida), POM (Poliacetal), EVA, PP (Polipropileno), Algodão, PES (Poliestileno)

- Compatível com os modelos: Citi, Coral 360, Pebble 360 e Marble (vendidos separadamente)

Aviso: Imagens meramente ilustrativas. As cores podem variar entre as imagens mostradas e o produto.

Anna³ 

---//---

Bebê Conforto Citi Maxi Cosi Essential Graphite + Base

- Cinto de segurança de 3 pontos com protetores de ombros e regulável em 2 alturas.
- Redutor de assento/cabeça macios e acolchoados para maior conforto.
- Capota removível em tecido esportivo que não amassa.
- Tudo é lavável na máquina.
- Estrutura leve e resistente, pesa apenas 3,1kg. 
- A alça ergonômica facilita carregar o bebê
- A base curva permite usa-lo na função balanço fora do carro.
- A instalação utiliza os cintos do veículo e é instalável com ou sem a base.
- A base facilita o dia a dia dos pais, ela permanece fixa no banco do automóvel e o bebê conforto é instalado e retirado com poucos movimentos.

Proteção safe side de impactos laterais torna este bebê conforto um dos mais seguros do mundo.

Aprovado pelo INMETRO conforme a norma ABNT NBR 14.400 para crianças do nascimento aos 13kg (Grupo 0+) e pelos mais rígidos testes internacionais de segurança. Certificado também para uso em aviões.

- Este é um dispositivo de retenção para crianças "universal", ele é aprovado para uso geral em veículos e se adapta na maioria, mas não em todos os assentos de carro.

- A correta adaptação é apropriada se o fabricante do veículo declarar no manual que o veículo aceita um dispositivo de retenção para crianças "universal" para este grupo de massa.

Compatibilidade: travel system | com os carrinhos Quinny, Maxi-Cosi (para outras marcas, verifique sempre com o fabricante do carrinho)

- Almofada redutora acolchoada para conforto dos recém-nascidos
- Capa facilmente removível e lavável na máquina
- Cinto de segurança com 2 alturas e ajuste centralizado
- Aprovado pelo INMETRO e testes internacionais de segurança

Citi Maxi Cosi

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SKU: 67094524340

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4.0 ★★★★★
Based on 11 reviews
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E
Verified Purchase
Eileen O Malley Callahan
Port Orchard, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Omaha, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Boise, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Birmingham, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
Phoenix, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015

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