SKU: 68629635656
dracaena lemon lime scientific name

dracaena lemon lime scientific name Lemon Lime Dracaena

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Description

dracaena lemon lime scientific name Lemon Lime DracaenaDracaena fragrans 'Lemon Lime' Dracaena fragrans 'Lemon Lime' is a striped cane form Dracaena with long, sword shaped leaves marked in lime green, cream, yellow green and deeper green. The colour sits in clean lengthwise bands, giving the plant a bright, graphic look on a naturally upright woody stem. As the plant matures, older lower leaves gradually shed and reveal a ringed cane with foliage held near the top. Mature stems may branch from active

Dracaena fragrans 'Lemon Lime'

Dracaena fragrans 'Lemon Lime' is a striped cane-form Dracaena with long, sword-shaped leaves marked in lime green, cream, yellow-green and deeper green. The colour sits in clean lengthwise bands, giving the plant a bright, graphic look on a naturally upright woody stem.

As the plant matures, older lower leaves gradually shed and reveal a ringed cane with foliage held near the top. Mature stems may branch from active nodes, creating several leafy heads while keeping the plant’s outline tall and tidy indoors.

Lime-striped foliage on woody canes

  • Foliage: Long, glossy leaves with cream, lime and deep green striping along the blade.
  • Growth habit: Cane-forming woody perennial with foliage clustered near the stem tips.
  • Mature shape: Slowly develops visible stems as older leaves age away from the lower cane.
  • Indoor effect: Brings fresh colour and vertical height in a relatively narrow footprint.

Stem growth and leaf renewal

Dracaena fragrans is a tropical African species in Asparagaceae, growing as a shrub or small tree in its native range. 'Lemon Lime' belongs to the striped Dracaena fragrans group; older references may still use Dracaena deremensis for these forms.

The cane is the plant’s structural centre. New leaves emerge from active tips, while older leaves gradually dry and drop as the stem lengthens. This slow reveal of the cane is part of normal growth when the newest leaves remain firm, upright and well coloured.

Care for bright cane growth

  • Light: Place in bright to moderate filtered light. Shield the pale bands from harsh midday sun, which can leave dry marks.
  • Watering: Let the upper half to two-thirds of the mix dry before watering thoroughly and emptying any standing water.
  • Root zone: Use a free-draining indoor mix with bark, pumice, perlite or similar mineral material for steady aeration.
  • Warmth: Keep around 18–27 °C and protect the pot from cold draughts, especially after watering.
  • Leaf care: Wipe dust from the long blades so the striped surface stays clean and well lit.
  • Feeding: Feed lightly during active growth. Salt build-up and heavy fertiliser can show quickly on pale leaf tissue.
  • Repotting: Move up only when roots have filled the pot, using a container that drains freely and holds the cane securely.
  • Pruning: Tall canes can be shortened in warm growing conditions; healthy nodes below the cut may push new shoots.

Symptoms to check on striped Dracaena

  • Brown tips: Review water quality, dry heat, fertiliser strength and irregular watering before trimming the damaged edges.
  • Fast yellowing: Check drainage and root moisture if several leaves yellow together, especially in lower light.
  • Soft cane base: Inspect the lower stem and roots after repeated wet conditions or a cold, damp spell.
  • Dry pale patches: Move the plant back from intense sun if the lightest bands become tan or papery.
  • Hidden pests: Look along leaf bases and cane joints for scale, mealybugs or fine webbing before damage spreads.

Pet and household safety

Dracaena fragrans 'Lemon Lime' contains saponins that can upset cats and dogs if the leaves are eaten. Place the plant away from chewing pets and clear away trimmed or fallen foliage.

Botanical name and etymology

The genus name Dracaena comes from Greek drakaina, meaning female dragon, a reference connected with dragon-tree resin in the wider genus. The species epithet fragrans means fragrant and refers to the scented flowers, which are uncommon on indoor plants. Older references may still use Dracaena deremensis for striped forms in this group.

Dracaena fragrans 'Lemon Lime' has bright lime-striped foliage, long leaves and upright cane growth.

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SKU: 68629635656

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Tahoeman
Cuba, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Los Angeles, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Louisville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
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J. Christian
Massapequa, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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