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Description
scooter attachment for nuna stroller Nuna MIXX Next StrollerThe next generation of Nunas most popular stroller features a smaller fold, a smoother ride and a new name: the Nuna MIXX Next. The MIXX Next builds on the MIXX by folding 6. 5 inches smaller than its predecessor and standing on its own when folded. It also offers better maneuverability, thanks to improved suspension and redesigned rubber wheels. The MIXX Next comes with Nuna's unique ring shaped car seat adapter and is compatible with all Nuna infant
The next generation of Nuna’s most popular stroller features a smaller fold, a smoother ride and a new name: the Nuna MIXX Next.
The MIXX Next builds on the MIXX by folding 6.5 inches smaller than its predecessor and standing on its own when folded. It also offers better maneuverability, thanks to improved suspension and redesigned rubber wheels.
The MIXX Next comes with Nuna's unique ring-shaped car seat adapter and is compatible with all Nuna infant car seats. The ring adapter allows parents to attach and detach the car seat with one hand, making it a snap to move baby from car to stroller. The stroller also pairs with the MIXX Series Bassinet, which is approved safe for overnight sleeping.
Rugged rubber tires with enhanced all-wheel suspension make for smooth strolling over any type of terrain, while premium fabrics with leatherette details create a stroller that's as stylish as it is practical.
The MIXX Next features an all-season seat that helps keep your child cool in warm weather. The reversible, two-piece bamboo seat insert helps wick moisture and can be removed to reveal an all-mesh seat back. A no-rethread harness makes for easy adjustments as your child grows.
The Nuna MIXX Next stands when folded, locks automatically and can be trolleyed for easy transport. The stroller features five comfortable positions: Reverse the seat to face you or face forward, or recline the seat completely so baby can nap in comfort.
Features:
- Folds to a length that's 6.5" shorter than the original MIXX and stands when folded
- Rubber wheels offer enhanced all-wheel suspension for superior maneuverability on rough terrain
- Can be used as a travel system with Nuna infant car seats (with included ring adapter)
- Pairs with Nuna MIXX Series Bassinet, which is safe for overnight sleeping
- Front wheels swivel for maneuverability or lock for stability
- Compact fold, no matter what position the seat is facing
- Front and rear-wheel progressive suspension absorbs shock for a smooth ride
- One-hand, five-position recline, including to true flat sleeping position
- Hand-sewn, leather-look handlebar and belly bar
- Stylish accents, including a dark matte frame and chrome-accented wheels
- Premium cotton fabric
- Adjustable handlebar and leg support
- Oversized, UPF 50+ canopy with extendable eyeshade, mesh ventilation panels and underside double-quilted stitch work
- Removable, rotating arm bar fits kids of various sizes
- Large storage basket includes compartment divider
- Trolley function makes stroller easy to carry when not in use
Specifications:
- Dimensions: 32.7"L x 23.6"W x 45.3"H
- Folded dimensions: 27.5"L x 23.6"W x 19"H
- Stroller weight: 28.3 pounds
- Weight limit: 50 pounds
- Warranty: 2 years
What's Included:
- Nuna MIXX Next stroller with frame and seat
- Ring car seat adapter for Nuna infant car seats
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4.5 ★★★★★
Based on 11 reviews
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Product Reviews
★★★★★ 1
A Total Sham-dy
What in the hell was this lunatic yammering about for all those 650 pages? What is the deal with his obession with noses, penises, and hobby-horses, hobby-horses, hobby-horses? Why does anyone consider it amusing when a writer keeps telling you he's going to get somewhere, but never does? Why is it entertaining at all to have blank chapters? Why is that cute? Why is that interesting? Who finds this funny? Who finds anything funny here at all? Why does this book of endless, mindless prattle, blabber, and piffle tickle anyone at all? Who finds digression to be enjoyable in literature? You? Why? Why? Tell me!
I checked the ratings on Goodreads. This is what it showed:
5 stars: 33%, 4901
4 stars: 28%, 4064
3 stars: 22%, 3268
2 stars: 9%, 1414
1 star: 5%, 848
Meaning: 95% of these readers are flock-following, digression-loving, hobby-horse riding loonies who have swallowed the Kool-aid. There is nothing here but vacuous thundergunk. Pure, putrid unenertaining garbage. If I would have laughed once - just once - during the reading of this book, I would have given it a whole extra star, but it couldn't even do that. I give him one star for spelling Tristram's name right, and even then, it's a made-up name anyway, so I may have been hoodwinked as well.
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Reviewed in the United States on September 19, 2016
★★★★★ 5
Laurence Stern is still one of the most creative writers ever
This review is not about the words and images inside the book. This is about the fact that, when I removed the book from its packaging, the book's cover had too many creases and bends in it, both front and back, for my taste. Although I do think that Laurence Sterne might have smiled at my response, I don't think the creases were a type of samizdat (think Alexander Solzhenitsyn) added by a disgruntled/creative employee at Amazon. If this doesn't make any sense to you, or seems to be a silly mountain out of a molehill compliant, you will love the book.
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Reviewed in the United States on February 21, 2025
★★★★★ 5
A Few Thoughts on Tristram Shandy by Laurence Sterne
Shandy is an amazing book. More than anything it made me think of a late 1990s vibe with Seinfeld and David Foster Wallace. I can imagine the discourse that must have grown up around it. It I about memory and storytelling but also about nothing but also childbirth and siege warfare. I’m glad I read it; it was worth it even if it took a while.
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Reviewed in the United States on May 14, 2023
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding.
Serious. Hilarious.
Wise. Faux-wise.
Scholarly. Mock-scholarly.
Observant. Absurdly, obsessively observant.
Sharp characterizations. Ridiculous characters.
Devout. Bawdy.
Endearing. Frustrating.
Genius. Barking mad.
Narratively incoherent. Stream-of-consciousness associative.
Consistently provincial. Profoundly universal.
Mired in the 18th century. Harbinger of 20th century literary Modernism.
Baffling. Brilliant
Not for every taste. For my taste.
And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more.
And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters.
I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story.
Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict.
It's not trying to teach anything, really.
So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count.
I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up:
"No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations."
It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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