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Description
britax 2nd seat Britax One2 Stroller and Second Seat PackagePackage Inclusions Britax One2 Stroller One2 Seat Meet the Britax One2 Stroller now available in a range of new colors that adds a pop of personality to every outing. Designed for growing families, this lightweight stroller easily converts from single to tandem mode and features a lie flat bassinet option for newborns. Its travel system compatible, so you can move your little one from car to stroller without interruption. Blending everyday
Package Inclusions
- Britax One2 Stroller
- One2 Seat
Meet the Britax One2 Stroller-now available in a range of new colors that adds a pop of personality to every outing.
Designed for growing families, this lightweight stroller easily converts from single to tandem mode and features a lie-flat bassinet option for newborns. It’s travel system compatible, so you can move your little one from car to stroller without interruption.
Blending everyday functionality with standout style, the One2 offers an ultra-spacious 12kg storage basket, smooth all-wheel suspension, a quick one-hand fold, and a height-adjustable handlebar for your comfort. Wherever you're headed, the Britax One2 delivers dependable performance and modern design in every detail.
Visit our store to see this product on display.
Light Weight Single Stroller
The Britax Mini makes life easier with its lightweight design, perfect for navigating busy streets or tight spaces while keeping your baby comfortable and secure.
The Britax Mini makes life easier with its lightweight design, perfect for navigating busy streets or tight spaces while keeping your baby comfortable and secure.
Newborn Ready Options
From the first day out of the hospital, the Mini’s bassinet and travel system compatibility ensures your newborn travels in comfort and style, making every moment together special.
Travel System Compatible
Effortlessly transition from car to stroller without waking your little one. Compatible with Britax Safe-n-Sound B-Pod and most major capsule brands, it’s a game-changer for parents on the go.
Telescopic Handle Bar
No more back strain! The telescopic handlebar adjusts to four positions, making it easy to stroll comfortably, no matter your height.
Full Size Comfort Seat
Designed for growing toddlers, the Mini’s spacious seat features a tall backrest and curved design, offering superior comfort whether your child is awake or napping.
Reversible Seat
Switch between parent-facing and world-facing positions with ease, giving your baby the best view—or keeping them close for those bonding moments.
One Hand Seat Recline
Adjust the seat with one hand, offering five recline positions to ensure your baby is comfortable, whether they’re napping or enjoying the view.
XL UPF50+ Extenable Canopy
Keep your baby safe from the sun with a water-repellent, extendable canopy and breathable mesh window for airflow on sunny days.
Easy Adjust Harness
Adjust the no-rethread harness as your baby grows with a simple slide, ensuring a snug, safe fit at every stage.
Arm Bar
The arm bar pivots out of the way, making it easy to lift your little one in and out of the stroller without any hassle.
Zip Storage Pockets
Store your essentials like phone and keys securely in the easy-access zip pockets, so you’re always prepared on the go.
Adjustable Leg Rest
Customize your baby’s comfort with a three-position adjustable leg rest for those moments when they need extra support or rest.
XL Easy Acess Basket
With a 10kg capacity and convenient pockets, the XL basket gives you plenty of room for essentials, making shopping trips or outings easier.
All Wheel Suspension
Enjoy a smooth ride over any terrain with the all-wheel suspension system, ensuring comfort for your baby no matter where you go.
Reflective All Terrain Wheels
Stay safe with reflective wheels that ensure visibility during evening walks, and tackle all surfaces with durable, maintenance-free design.
Store your essentials like phone and keys securely in the easy-access zip pockets, so you’re always prepared on the go.
Adjustable Leg Rest
Customize your baby’s comfort with a three-position adjustable leg rest for those moments when they need extra support or rest.
XL Easy Acess Basket
With a 10kg capacity and convenient pockets, the XL basket gives you plenty of room for essentials, making shopping trips or outings easier.
All Wheel Suspension
Enjoy a smooth ride over any terrain with the all-wheel suspension system, ensuring comfort for your baby no matter where you go.
Reflective All Terrain Wheels
Stay safe with reflective wheels that ensure visibility during evening walks, and tackle all surfaces with durable, maintenance-free design.
Buggy Board for VeeBee SK8 – Seamless Compatibility and Fun!
Available at most retailers, this accessory ensures a smoother, more stable ride for all riders. Upgrade your VeeBee SK8 experience today.
Available at most retailers, this accessory ensures a smoother, more stable ride for all riders. Upgrade your VeeBee SK8 experience today.
Self Standing Fold
When it’s time to pack up, the Mini folds easily and stands on its own, saving you space and making storage a breeze.
When it’s time to pack up, the Mini folds easily and stands on its own, saving you space and making storage a breeze.
Compatibility
The Britax Mini Stroller is compatible with the following baby capsule ranges for seamless transitions:
- Britax B-Pod Baby Capsule range
- Bugaboo Turtle Baby Capsule
- Maxi Cosi Mico 12 & Mico 6 Baby Capsules
- Mother’s Choice Baby Capsule
- Nuna KLIK Plus Baby Capsule
This compatibility ensures you can easily switch between car and stroller without disturbing your little one, making travel a breeze.
Britax Mini Stroller_Compatibility Chart.pdf
SpecificationsGeneral
Suitability:
From birth to 22 Kgs (approx)
From birth to 04 years (approx)
Handle Height:
1010 - 1070 mm
Basket Capacity:
10 Kgs
Dimensions
Stroller Unfolded:
H: 1190mm
D: 880mm
W: 600mm
Stroller Folded With Seat:
H: 810mm
D: 450mm
W: 600mm
Stroller Folded Without Seat:
H: 770mm
D: 290mm
W: 600mm
Carton Dimensions:
H: 800mm
D: 335mm
W: 485mm
Product Weight
Weight Stroller:
10.5 Kgs
Weight Carton:
13.4 Kgs
Specifications
Suitability:
From birth to 20 Kgs (approx)
From birth to 04 years (approx)
Handle Height:
Up to 1030mm
Basket Capacity:
12 Kgs
Dimensions
Stroller Unfolded:
H: 1200mm
D: 950mm
W: 660mm
Stroller Folded With Seat:
H: 460mm
D: 850mm
W: 660mm
Stroller Folded Without Seat:
H: 400mm
D: 740mm
W: 660mm
Product Weight
Weight Stroller:
11.6 Kgs
Weight Carton:
14.5 Kgs
Carton Dimensions:
H: 780mm
D: 300mm
W: 560mm
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.3 ★★★★★
Based on 9 reviews
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Product Reviews
★★★★★ 5
Hydrating
New fav. My teenager loves it
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Reviewed in the United States on January 10, 2026
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
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Reviewed in the United States on March 19, 2026
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000."
On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there.
From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link.
Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name.
The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin.
In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair.
Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited.
Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter.
The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank.
He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
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Reviewed in the United States on September 25, 2007