SKU: 72589535267
bob revolution se duallie double stroller

bob revolution se duallie double stroller BOB Revolution Flex 3.0 Duallie Jogging Stroller

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Description

bob revolution se duallie double stroller BOB Revolution Flex 3.0 Duallie Jogging StrollerWith the two seat BOB Revolution Flex 3. 0 Duallie jogging stroller, you can take both kids on any outingwhether prepping for a 10K or heading to the zoo. Mountain bike style suspension keeps you running smoothly from sidewalk to hiking trail, and ten storage pockets make room for more gear. Bring on the bumpy paths and rocky roads. Our signature mountain bike style suspension has shocks mounted by the seating area so your little adventurers will feel

With the two-seat  BOB Revolution Flex 3.0 Duallie jogging stroller, you can take both kids on any outing—whether prepping for a 10K or heading to the zoo. Mountain-bike style suspension keeps you running smoothly from sidewalk to hiking trail, and ten storage pockets make room for more gear. Bring on the bumpy paths and rocky roads. Our signature mountain-bike style suspension has shocks mounted by the seating area so your little adventurers will feel less bumps along the way and ride happier, longer.

  • Fully-upright seats allow your children to see the world on all your adventures and recline to near flat with the push of a button.
  • Ultra-padded compression seats with ventilation provide all-day comfort.
  • Peek & Chat windows with magnetic closures let you check on and chat with your children while on the go.
  • Extra-large UPF 50+ canopies shield your children from sun and rain.
  • Reflective accents on the canopies and cargo basket keep you visible and safe.
  • Swivel-locking front wheel swivels for easy maneuverability or locks for stability when jogging on- or off-road.
  • Two-seat “Duallie” design transports 2 children with a 50 lb weight capacity for each seat, yet is slim enough to fit through standard doorways.
  • Includes tracking adjustment knob to keep your stroller running straight when front wheel is in the locked position.
  • Travel system ready when paired with the BOB Duallie Infant Car Seat Adapters for most major brand car seats. (Requires the BOB Duallie Infant Car Seat Adapter - sold separately) Nuna, Clek, Cybex, Maxi-Cosi, Chicco, UppaBaby, Britax, Graco, Peg Perego
  • Five-point harnesses, with no-rethread design keep your children secure and allow for easy height adjustments.
  • Easy 2-step fold for convenient transportation and storage.
  • Easy-remove rear wheels allow you to store the stroller in tight trunk spaces.
  • Flip-flop-friendly parking brake secures both rear wheels in the stopped position with a single step.
  • Product Weight: 33.1 lbs
  • Folded Length Wheels Off (in): 33L x 31W x 12H
  • Pneumatic Tire Size: Rear 16" (all terrain), front 12" (all terrain)
  • Handlebar Height (in): 43
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    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
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    SKU: 72589535267

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    4.4 ★★★★★
    Based on 6 reviews
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    DoubtfulReader
    Boise, US
    ★★★★★ 3
    Notes on Legal Style by a Law Professor and Experienced Lawyer.
    Format: Kindle
    BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 27, 2017
    M
    Verified Purchase
    Matt M.
    Battle Creek, US
    ★★★★★ 5
    Great book and great professor
    Format: Paperback
    Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on January 19, 2021
    J
    Verified Purchase
    J. Christian
    Waukegan, US
    ★★★★★ 4
    Interesting book
    Format: Paperback
    I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 20, 2014
    C
    Verified Purchase
    Classics professor
    Waukegan, US
    ★★★★★ 5
    Highly recommended -- not just for lawyers!
    Format: Paperback
    I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 20, 2017
    D
    Verified Purchase
    Danley Wolfe
    Lowell, US
    ★★★★★ 5
    Super overview and commentary on the historiy and many iterations/amendments
    Format: Hardcover
    I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 16, 2023

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