SKU: 72716062088
scary monsters david bowie

scary monsters david bowie David Bowie, Scary Monster Clown, London, 1980 – Musichead Gallery

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Description

scary monsters david bowie David Bowie, Scary Monster Clown, London, 1980 – Musichead GalleryAbout this photograph Taken by Duffy during the last of the Five Sessions with David Bowie in 1980 in a costume designed by Natasha Korniloff. Bowie asked Korniloff to make him The most beautiful clown in the circus. She described David as Always a lot of fun to work with. David's New Romantic Commedia dell'arte variant outfit was a throwback to his earliest costume experience, starring in Lindsay Kemp's Pierrot In Turquoise a costume also designed by

About this photograph

Taken by Duffy during the last of the Five Sessions with David Bowie in 1980 in a costume designed by Natasha Korniloff. Bowie asked Korniloff to make him ‘The most beautiful clown in the circus.’ She described David as ‘Always a lot of fun to work with.’ David's New Romantic/Commedia dell'arte variant outfit was a throwback to his earliest costume experience, starring in Lindsay Kemp's Pierrot In Turquoise - a costume also designed by the late Natasha Kornilof.

By 1980 Duffy was winding down his photographic career. His studio was no longer filled with cameras, lights and famous faces of the era. It was replaced with tools for his new venture - antique furniture restoration. Without a studio or assistant, Duffy turned to his son Chris for a venue to shoot David Bowie, the only person who could persuade him to get back behind the lens. Bowie began to pose as the perfect pierrot, throughout the session distressing his look until he was reduced to a disheveled, smeared, smoking clown. Much like the Lodger shoot little over a year before, Bowie had employed Duffy as the photographer in collaboration with a graphic artist, a position filled this time by Edward Bell who Duffy had previously introduced to Bowie. After the shoot, Duffy took his chosen image to Edward Bell to add his graphic contribution. Fully expecting Edward Bell to paint directly onto his print, Duffy's image was almost completely obscured by Bell's painting. Although David loved the cover, Duffy was deeply hurt that his photograph had been despoiled by Bell.

Print sizes, editions and mediums

20" x 20" Paper size, 15" x 15" Image size - Edition of 16 - Archival pigment print

22" x 22" Paper size, 18" x 18" Image size - Edition of 18 - Silver gelatin print

Print type

Archival pigment print or silver gelatin print depending on size

Paper type

Fuji Baryte paper

Signature

Hand signed in ink by photographer

About the photographer

Brian Duffy (1933-2010) was a pioneering British photographer renowned for his work during the "Swinging Sixties" in London. Alongside David Bailey and Terence Donovan, he helped redefine fashion and music photography with his avant-garde style and innovative use of the 35mm camera. Duffy's collaboration with David Bowie spanned five key sessions, including the Aladdin Sane album cover, which cemented his legacy as a visionary. His work remains highly collectible, influencing both fashion and music photography.

Photo Duffy © Duffy Archive. All rights reserved. Not to be reproduced without permission.

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SKU: 72716062088

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After my old Timex Ironman finally died after 21 years of reliable service (may it rest in peace after 4 replacement bands and 5 replacement batteries!!), I decided Timex deserved another sale from me! So I went surfing on the Timex website. So many Timex Ironman watches to choose from! But this one stood out for two reasons. 1) It has a nice simple design without a lot of "noise". 2) A nice large readable display. So I took the plunge! Indeed, Timex has definitely improved on their Ironman watches in the last 21 years. Most notably, the Indiglo light has greatly improved. It used to just light up the background. Now, it brightly lights up the actual digits which makes it undeniably readable without any eye strain. Another great improvement are in the set features. While the older models could only be set forward (in other words, if you went past your set point, you would need to go all the way around), this model lets you set forward and backward (so if you go too far, you can step back without going around). I don't understand one of the reviewers saying that the watch is too small. The face is quite large. The band may seem narrow in proportion to the watch face, but not excessively so. The band is 19mm wide and fits me just fine. Highly recommended!!
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