SKU: 75764233000
cybex coches

cybex coches Cochecito con asistencia electrónica CYBEX eGazelle S

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Description

cybex coches Cochecito con asistencia electrónica CYBEX eGazelle SEmbrcate en todas tus aventuras familiares con una carriola diseada para brindar versatilidad y comodidad. La carriola CYBEX e Gazelle S integra a la perfeccin tecnologa inteligente, proporcionando energa elctrica a demanda para conquistar cualquier terreno con facilidad. Ya sea que ests subiendo o bajando, esta carriola se adapta a las necesidades cambiantes de tu familia, con ms de 20 configuraciones y transformndose fcilmente de carriola individual

Embárcate en todas tus aventuras familiares con una carriola diseñada para brindar versatilidad y comodidad. La carriola CYBEX e-Gazelle S integra a la perfección tecnología inteligente, proporcionando energía eléctrica a demanda para conquistar cualquier terreno con facilidad. Ya sea que estés subiendo o bajando, esta carriola se adapta a las necesidades cambiantes de tu familia, con más de 20 configuraciones y transformándose fácilmente de carriola individual a doble.

Con una espaciosa cesta para la compra y una cesta inferior con capacidad para hasta 25 kg, podrás llevar todo lo esencial para el día. Para relajarse, el suave balanceo ofrece tres modos relajantes para ayudar a tu pequeño a calmarse después de un día ajetreado.

Características:

  • MODO DE ASISTENCIA INTELIGENTE: disfrute de la potencia hacia adelante y la asistencia de frenado en bajada con una cómoda palanca en el manillar, sin necesidad de aplicación.
  • FUNCIÓN DE BALANCEO: Tres configuraciones suaves para calmar a su hijo.
  • SEGURIDAD INTELIGENTE: Incluye un modo de inicio retardado de seguridad de dos pasos para mayor tranquilidad.
  • SIMPLE A DOBLE: Se convierte fácilmente sin adaptadores adicionales.
  • MÁS DE 20 CONFIGURACIONES: Compatible con una segunda unidad de asiento, cuna Gazelle S o cualquier asiento infantil para automóvil CYBEX (se vende por separado).
  • FÁCIL PLEGADO: Se pliega con dos unidades de asiento adjuntas.
  • ARNÉS DE UN SOLO TIRO: Sistema de arnés fácil de usar para asegurar rápidamente a su hijo.
  • RECLINACIÓN AJUSTABLE CON UNA MANO: Ajustes independientes para una comodidad personalizada.
  • CESTA DE COMPRAS: Extraíble y soporta hasta 25 libras.
  • CESTA INFERIOR: Extra grande para fácil acceso, con una carga máxima de 30 libras.
  • DISEÑO PREMIUM: Marco de aluminio robusto, manillar de cuero sintético y telas de alta calidad.
  • SUSPENSIÓN SUAVE EN TODAS LAS RUEDAS: Absorción de impactos integrada en el cuadro para una conducción suave.
  • CAPOTA XXL: Extensible con protección UPF 50+ y ventana de malla.
  • UNIDAD DE ASIENTO REVERSIBLE: Se reclina a una posición casi plana para mayor comodidad.
  • CAPACIDAD DE PESO: 50 libras para cada unidad de asiento (la segunda unidad de asiento se vende por separado).
  • MANILLAR AJUSTABLE EN ALTURA: Ajuste con una mano para una dirección cómoda.
  • SISTEMA DE VIAJE LISTO: Compatible con varios asientos de seguridad para bebés mediante los adaptadores incluidos.
  • ACCESORIOS: Artículos adicionales disponibles, incluido un segundo asiento y cuna.

Apto desde los 3 meses hasta los 50 lbs.

Ruedas:

  • Freno de estacionamiento con pedal.
  • Ruedas delanteras giratorias y traseras bloqueables.
  • Neumáticos rellenos de espuma para mayor durabilidad.
  • Diámetro de la rueda delantera: 7,9", Diámetro de la rueda trasera: 11".

Qué incluye:

  • Estructura de cochecito eGazelle, unidad de 1 asiento, barra de parachoques, canasta de compras, paquete de batería, cargador, cubierta para lluvia, adaptadores para asiento de automóvil, portavasos.

Dimensiones:

  • Ensamblado: 42,3" de largo x 26" de ancho x 43,3" de alto
  • Plegado: 32,3" de largo x 26" de ancho x 15,3" de alto

Material:

  • Exterior: 100% poliéster; Relleno: 100% poliéster.
  • Composición: 65% Aluminio; 15% Poliéster; 15% Plástico; 5% Caucho.

Cuidado de la tela:

Lavar a máquina por separado. Lavar con agua tibia en programa delicado. No usar lejía, secar en secadora, planchar ni lavar en seco.

Shipping Notes
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SKU: 75764233000

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DoubtfulReader
New York, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Lexington, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Port Orchard, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Classics professor
Bozeman, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
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Danley Wolfe
Waukegan, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
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Reviewed in the United States on March 16, 2023

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