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Description
tiny leaves succulent #12 Crassula Mini JadeCrassula ovata "Mini Jade" gets its name from the Latin "ova", meaning egg, which describes the shape of the leaves of this succulent. "Mini Jade" is also called the friendship plant or the money plant, and is very common in landscaping as ornamental decoration or functional hedging. This plant can grow large into 6 foot tree like shrubs, or stay as a small succulent with pruning. This is also a great starter bonsai for those looking to learn. "Mini
Crassula ovata "Mini Jade" gets its name from the Latin "ova", meaning egg, which describes the shape of the leaves of this succulent. "Mini Jade" is also called the friendship plant or the money plant, and is very common in landscaping as ornamental decoration or functional hedging. This plant can grow large into 6 foot tree-like shrubs, or stay as a small succulent with pruning. This is also a great starter bonsai for those looking to learn. "Mini Jade" has clusters of small white flowers with pink centers.
The name Crassula comes from the Latin "crassus" meaning thick, which refers to the fleshy leaves and stems of the plants in this genus. Crassula contains over 200 species of succulent type plants, the majority of which come from the southern tip of Africa. This genus has a wide variety of sizes, ranging from 1" miniature succulents to 6' dense shrubs. They can grow into erect shrubs or mini-trees, or remain prostrate as groundcovers or clumps of rosettes.
Crassula prefer full sun to partial shade, however intense afternoon sun can burn foliage. Most species can be grown indoors if given a large south facing window. Propagation is generally easy and can be done by leaf or stem cuttings, and even seed. Crassula are best planted in well draining soil, and are susceptible to root rot or fungus if overwatered. Many species go dormant when temperatures go too high or low. Some varieties of these succulents are hardy but most will not survive a hard frost.
Crassula prefer full sun to partial shade, however intense afternoon sun can burn foliage. Most species can be grown indoors if given a large south facing window. Propagation is generally easy and can be done by leaf or stem cuttings, and even seed. Crassula are best planted in well draining soil, and are susceptible to root rot or fungus if overwatered. Many species go dormant when temperatures go too high or low. Some varieties of these succulents are hardy but most will not survive a hard frost.
Here's your opportunity to order exact succulent species at an awesome price! We will continue to add new types as they become available, and we're pretty darn sure you won't find them cheaper anywhere!
We always do our best to ship the largest and healthiest succulents we have available. But size and color may vary based on multiple factors including time of year, growing temps, length of days, and their growing seasons. Succulents generally slow down and almost stop growing during the coldest months of the year, but come spring and summer you can often see growth in just days.
If looking for exact Haworthias, Gasterias and Aloes, please see those pages specifically.
Some containers may have 1,2,3, and even 4 smaller rooted plants, this can also vary based on the species and the way they grow, vertical vs horizontal being possible factors. Containers are basic plastic nursery stock with colors are usually orange or black, and approx. 2" tall and across the top.
Please remember these are juvenile specimens, they are nowhere near maturity, and any small imperfections will be outgrown in time. Please see our multiple blogs and care instruction on potential soil displacement during shipping, and propagating many types of succulent leaves etc.
Unfortunately we cannot delay shipping on these exact types as our stock is always changing and what we have available today, may not be available tomorrow or next week/month.
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4.8 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones.
That being said, this book was too detailed, making it slow reading.
Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021
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