SKU: 81026823363
monstera adansonii hanging plant

monstera adansonii hanging plant Monstera Monkey Leaf

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Description

monstera adansonii hanging plant Monstera Monkey LeafMonstera adansonii 'Monkey Leaf' Monstera adansonii 'Monkey Leaf' is a green Swiss cheese vine with slim climbing stems, naturally perforated leaves and quick indoor vine extension. The leaves are usually oval to softly heart shaped, with irregular holes that form while the plant is still young. As the vine extends, each node can produce aerial roots, so the plant can climb, trail or be cut back and rooted from stem sections. With fully green leaves,

Monstera adansonii 'Monkey Leaf'

Monstera adansonii 'Monkey Leaf' is a green Swiss cheese vine with slim climbing stems, naturally perforated leaves and quick indoor vine extension. The leaves are usually oval to softly heart-shaped, with irregular holes that form while the plant is still young. As the vine extends, each node can produce aerial roots, so the plant can climb, trail or be cut back and rooted from stem sections.

With fully green leaves, this plant usually extends quickly from its nodes and produces leaves regularly. It fills a pot well, climbs when given a pole or plank, and can be shaped into a climbing plant or a softer hanging vine depending on how the stems are guided.

Monstera adansonii 'Monkey Leaf' key features

  • Growth: Fast vining aroid with flexible stems, visible nodes and aerial roots.
  • Leaves: Green Swiss cheese foliage with natural oval fenestrations.
  • Shape: Can climb on a pole or trail from a shelf, hanger or high planter.
  • Pruning: Long stems can be shortened above a node and rooted as cuttings.

Green Swiss cheese vine growth and habitat

Monstera adansonii Schott belongs to Araceae and is native across tropical America, where it grows in warm, wet forest habitats. Its climbing habit, aerial roots and relatively thin leaf blades suit filtered light, steady warmth and a root zone that stays moist but aerated.

The leaf holes are normal fenestrations, not pest damage. Their size and placement vary with maturity, support, light, nutrition and root health. A supported vine often develops larger, more closely spaced leaves than a long unsupported stem, especially once the aerial roots can press against a textured surface.

Care for the green Monstera adansonii vine

  • Light: Place in bright indirect light. Gentle morning or late afternoon sun can work after acclimation, but hot midday sun can scorch the thinner leaves.
  • Watering: Water when the upper half of the pot has dried. Even moisture reduces drooping and crisping while air still moves through the root zone.
  • Substrate: Use an airy aroid mix with bark, coco fibre, perlite, pumice or similar mineral structure.
  • Temperature: Keep around 18–27 °C. Cold windowsills and wet winter substrate can quickly damage roots.
  • Humidity: Average indoor humidity is usually tolerated, while 50–70% helps new leaves expand smoothly.
  • Support: Add a pole, plank or trellis for larger leaves and a more vertical plant.
  • Feeding: Feed after pruning or during fast vine extension so new nodes have fresh nutrients; ease off when growth slows.
  • Propagation: Use stem cuttings with at least one node. A leaf alone cannot restart the vine.
  • Repotting: Move up when the pot dries quickly because roots have filled it, and refresh tired mix around the fast-running stems.

Common Monstera adansonii 'Monkey Leaf' problems

  • Yellow lower leaves: Check whether the pot is staying wet too long, especially in cool conditions. Let more of the mix dry and improve aeration if needed.
  • Long bare gaps: The vine may need brighter indirect light or a support. Stretching usually shows between the nodes first.
  • Crispy edges: Review watering gaps, dry indoor air, fertiliser build-up and direct sun exposure.
  • Dark soft patches: Inspect roots if the substrate smells sour or remains wet for many days. Cold, wet roots are a common cause.
  • Marked new leaves: Check fresh growth, nodes and leaf undersides for thrips, mites, scale or mealybugs.

Pet and child safety

Monstera adansonii 'Monkey Leaf' should not be chewed by pets or children. Its tissues contain insoluble calcium oxalate crystals, which can irritate the mouth, throat, skin and digestive tract. Keep cut stems and fallen leaves out of reach, and wash hands after heavy pruning.

Botanical name and meaning

Monstera adansonii Schott is an accepted species in Araceae and was first published in 1830. The genus name Monstera is linked with unusual leaf forms in the group, while adansonii honours French botanist Michel Adanson.

Monstera adansonii 'Monkey Leaf' stays close to the classic green Swiss cheese vine: fast nodes, natural leaf holes and stems that can climb or trail.

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SKU: 81026823363

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4.3 ★★★★★
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Parker
Grantham, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
C
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Clare Quilty
Chelsea, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
Lake Worth, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
Waukegan, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007
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Amazon Customer
Birmingham, US
★★★★★ 5
Whiter teeth with out the trays
Size: 3.8 Ounce (Pack of 1)
Love this toothpaste! My teeth are a lot whiter and brighter. Doesn’t leave a bad taste in my mouth. Highly recommend this product.
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Reviewed in the United States on May 24, 2026

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