SKU: 81501884696
dracaena variegated

dracaena variegated Dracaena Warneckii 'White Jewel' 4" Pot

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Description

dracaena variegated Dracaena Warneckii 'White Jewel' 4" PotDracaena Warneckii White Jewel (Dragon Tree) Elegant Variegated Indoor Plant Description The Dracaena Warneckii White Jewel is a striking, easy care houseplant with bold green leaves accented by crisp white stripes. Its upright, cane like growth habit and elegant variegation make it a statement piece in any home, office, or commercial space. As a member of the Dracaena family, this variety is not only beautiful but also an excellent natural air

 

  • 🌿 Dracaena Warneckii ‘White Jewel’ (Dragon Tree) – Elegant Variegated Indoor Plant

    Description

    The Dracaena Warneckii ‘White Jewel’ is a striking, easy-care houseplant with bold green leaves accented by crisp white stripes. Its upright, cane-like growth habit and elegant variegation make it a statement piece in any home, office, or commercial space. As a member of the Dracaena family, this variety is not only beautiful but also an excellent natural air purifier, helping to remove indoor toxins while adding tropical charm.

    This durable foliage plant thrives with minimal attention, making it ideal for beginners, busy plant owners, and plant gift-giving. Whether used as a floor plant in a bright living room or as a focal point in an office lobby, the White Jewel brings both style and function to your space.


    USDA Growing Zones

    • Zones: 10–12 outdoors (frost-free climates)

    • All zones indoors as a houseplant


    Growing Tips

    • Light: Prefers medium to bright indirect light for best leaf color. Can tolerate lower light, but variegation may fade.

    • Water: Allow the top 1–2 inches of soil to dry between waterings. Overwatering can lead to root rot.

    • Humidity: Average indoor humidity is fine; occasional misting keeps foliage fresh.

    • Temperature: Maintain 65–80°F; avoid cold drafts and temps below 60°F.

    • Soil: Use a well-draining potting mix.

    • Fertilizer: Feed monthly in spring and summer with a balanced liquid fertilizer diluted to half strength.

    • Maintenance: Remove any yellowing leaves and wipe dust from foliage to keep it looking vibrant.

    • Toxicity: Mildly toxic to pets and humans if ingested—keep out of reach of children and animals.


    Why You’ll Love Dracaena ‘White Jewel’

    • Elegant striped foliage brightens any space

    • Hardy and low-maintenance—great for all plant skill levels

    • Natural air purifier for a healthier home or office

    • Slow-growing and long-lived indoors


    What to Expect When Ordering Live Plants

    • Your plant will be securely packaged to protect leaves and stems in transit.

    • Minor leaf bending or blemishes during shipping is normal and will not affect plant health.

    • Each plant is unique—leaf size, variegation, and cane height may vary naturally.

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SKU: 81501884696

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4.7 ★★★★★
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David R. Papke
Alexandria, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Grantham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Dallas, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
West Palm Beach, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Belleville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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