SKU: 82136235151
prodiamine herbicide label

prodiamine herbicide label Prodiamine 65 WDG Pre-Emergent | 5 oz

$19.42 $21.58
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Description

prodiamine herbicide label Prodiamine 65 WDG Pre-Emergent | 5 ozThis product has been discontinued. Please see our 5lb option here OR our granular option here. Prodiamine 65 WDG Pre Emergent Herbicide (generic Barricade) is a pre emergent weed control designed to stop weeds in the lawn, such as crabgrass, annual bluegrass (poa annua), bittercress, chickweed, and henbit. This is a dry product you mix in water to make a liquid to apply via backpack battery sprayer. One 5 oz bottle covers 6,000 sq ft at max rate for

This product has been discontinued. 


Prodiamine 65 WDG - Pre-Emergent Herbicide (generic Barricade) is a pre-emergent weed control designed to stop weeds in the lawn, such as crabgrass, annual bluegrass (poa annua), bittercress, chickweed, and henbit. This is a dry product you mix in water to make a liquid to apply via backpack/battery sprayer.

  • One 5 oz bottle covers 6,000 sq ft at max rate for a full year
  • 65% Prodiamine is the active ingredient
  • Great for preventing crabgrass, poa annua (annual bluegrass), and more

Product Description:
Prodiamine 65 WDG is a professionally formulated pre-emergent to be mixed in water and sprayed out as a liquid. Yard Mastery is proud to bring this to market, specifically in a smaller bottle for DIYers.

Most DIYers use this product in spring to stop crabgrass. Crabgrass is an annual grassy weed that germinates in spring, grows lime green and large during summer, then, towards the later fall, drops seeds. The following spring, the process starts all over again. This is why crabgrass is called an “annual” grassy weed. The good news is that it can be stopped very effectively using this product.

The best time to apply Prodiamine is in the spring or fall, as soil temperatures are between 55F to 70F. This will give you approximately 3 months of pre-emergence protection.

FOR LARGER LAWNS, you can purchase a five-pound bottle here.

Application Information:

  • For cool and warm-season lawns, our recommendation is 2 applications in the spring if your target is crabgrass. Check out our FREE Pre-Emergent Guide for specific details.
  • The best time to apply Prodiamine is in the spring or fall, as soil temperatures are between 55F to 70F. This will give you approximately 3 months of pre-emergence protection. Download our FREE app it will tell you exactly when your soil temps cross these milestones.

DO NOT use Prodiamine if you are seeding or reseeding, as it will keep your seed from germinating.

Prodiamine 65 WDG should be applied via battery-powered sprayer. We do NOT recommend applying via a hose-end sprayer.

We recommend weighing this product on a scale to be accurate, and grams will be the easiest. See the following table for the application rates we recommend. The product must be watered in within 48 hours; the sooner the better. ½” of water from irrigation or rainfall.

  • 1 oz = 28.35 grams
  • 5oz bottle = 141.75 grams
Grass Type Application Rate
Kentucky Bluegrass, Perennial Ryegrass
  • 5.2g/1000 sq ft, Early Spring
  • 5.2g/1000 sq ft, Mid Spring
  • 5.2g/1000 sq ft, Early Fall (if not seeding)
  • Total 15.6g yearly
Fine Fescue
  • 11.9 g per calendar year
Bermudagrass, Bahiagrass, Centipedegrass, St Augustinegrass, Tall Fescue, Zoysia
  • 5.2g/1000 sq ft, Early Spring
  • 5.2g/1000 sq ft, Mid Spring
  • 13g/1000 sq ft, Early Fall

Prodiamine WDG can be used on established turfgrasses, golf courses (excluding putting greens), sod farms, and lawns.

 Coverage

SEE TABLE ABOVE 
Application  Details See the table above for specific application details and instructions
Water-In  Instructions

Water into the soil within 24 hours with 1/2" of rainfall or irrigation
Manufactured by

EPA Reg # 53883‐429, 66222‐89
  • Label: Prodiamine WDG 5 oz Info
  • Package Includes: (1) 5 oz bottle
  • Storage: Can be stored for up to 2 years in dry conditions away from moisture.

Shipping Information:

Shipping Costs

Included for most states within the U.S.
NO P.O. Boxes
State Restrictions
 Alaska (AK), Hawaii (HI), New York (NY), Maine (ME)
Stickers

Yes, free stickers with this item
Typical Delivery Time

4 - 7 business days
Product Type Water Dispersable Granular
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Shipping Notes
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SKU: 82136235151

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4.6 ★★★★★
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Product Reviews
T
Verified Purchase
Tahoeman
Fort Morgan, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Bozeman, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Battle Creek, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Los Angeles, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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