SKU: 87658541885
monsters inc artwork

monsters inc artwork Disney Fine Art Closet Full of Monsters by Stephen Fishwick, Artwork

Sale price$18.95 Regular price$21.06
Save 10%

Pay in installments of $5.26 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 5 - Aug 10

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

monsters inc artwork Disney Fine Art Closet Full of Monsters by Stephen Fishwick, ArtworkStephen Fishwick MEDIUM: Hand Embellished Gicle on Canvas SIZE: 36" x 18" EDITION SIZE: 95 ARTIST: Stephen Fishwick SKU: DFA LE CLOSETFULLMONSTERS ABOUT THE IMAGE: Inspired by Walt Disneys Animated 2001 Film Monsters Inc and features Sully, Mike and Boo. ABOUT THE MEDIUM: Limited edition prints are reproductions of an original piece of art work. We offer gicle prints on canvas, which are museum quality prints that last the upwards of 100 years. Gicle

Stephen Fishwick

MEDIUM:  Hand-Embellished Giclée on Canvas
SIZE: 36" x 18"
EDITION SIZE: 95
ARTIST: Stephen Fishwick
SKU: DFA-LE-CLOSETFULLMONSTERS

ABOUT THE IMAGE: Inspired by Walt Disney’s Animated 2001 Film Monsters Inc and features Sully, Mike and Boo.

ABOUT THE MEDIUM: Limited edition prints are reproductions of an original piece of art work. We offer giclée prints on canvas, which are museum quality prints that last the upwards of 100 years. Giclée printing is a process that uses fade-resistant, archival inks and archival substrates to print on large format printers. The run of prints are capped at a specific number. Limited edition prints can be more valuable to art collectors than prints without a restricted number of copies because of the rarity of the prints.  Each piece is hand-numbered and embellished by the artist.  Each piece also includes a Certificate of Authenticity.

ABOUT THE ARTIST:  Stephen Fishwick’s photo may not be found in Webster’s under the listing for “art,” but it should be, because no other artist combines the elements they describe – sound, color, movement – that affect the aesthetic sense the way he does.

However, once his mother explained to him the perils of life as a starving artist, he simply declared, “Then I guess I’ll just be Spider-Man.” After the likelihood of that reality settled in, Stephen returned his heart to art and took his first formal painting class at age ten. It was in high school that his art first earned him accolades. With the persistence of his high school art teacher, he enrolled at the Art Institute of Pittsburg. Less than a year later, he started working as a professional artist, drawing portraits, caricatures and illustrations.

In 1996, Stephen began expanding his artistic education by studying traditional drawing and painting under Jeff Watts at the Watts Atelier of the Arts in Southern California. Influenced by a wide range of renowned painters, from Norman Rockwell to Salvador Dali, John Singer Sargent to J.C. Leyendecker, Stephen has created a style all his own. “Every day I fall in love with drawing the human face and form,” he says. “My sketchbooks are filled with drawings of life, from people to animals.”

In a career that has spanned over two decades, Stephen has earned widespread acclaim, but two achievements make him most proud: First, his philanthropic endeavors that have raised over $1 million for different charities just since 2004. Second, Stephen is excited to become an official artist of Disney Fine Art, an honor that will allow him to paint Disney characters and bring his artwork to leagues of Disney fans around the world.

ABOUT THE FILM: Monsters, Inc. is a 2001 American computer-animated comedy-drama film produced by Pixar Animation Studios and distributed by Walt Disney Pictures. Featuring the voices of John Goodman, Billy Crystal, Steve Buscemi, James Coburn, and Jennifer Tilly, the film was directed by Pete Docter in his directorial debut.  The film centers on two monsters — James P. "Sulley" Sullivan and his one-eyed partner and best friend Mike Wazowski – employed at the titular energy-producing factory Monsters, Inc, which generates power by scaring human children. However, the monster world believes that the children are toxic, and when one sneaks into the factory, Sulley and Mike must return her home before it’s too late.

Docter began developing the film in 1996, and wrote the story with Jill Culton, Jeff Pidgeon and Ralph Eggleston. Stanton wrote the screenplay with screenwriter Dan Gerson. The characters went through many incarnations over the film's five-year production process. The technical team and animators found new ways to render fur and cloth realistically for the film. Randy Newman, who composed the music for Pixar's three prior films, returned to compose its fourth.

Monsters, Inc was praised by critics and proved to be a major box office success from its release on November 2, 2001 and becoming the third highest-grossing film of 2001. The film won the Academy Award for Best Original Song for "If I Didn’t Have You" and was nominated for the first Best Animated Feature, for Best Original Score and Best Sound Editing.

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
    1. Standard Shipping : 3-10 business days
    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
    • Please click here for more details>>> Return & Exchange Policy
    SKU: 87658541885

    Discover Niche Categories That Outsell monsters inc artwork

    Top-Converting Item to Boost Your Average Order

    4.5 ★★★★★
    Based on 25 reviews
    Sort
    Highest Rating
    Newest First
    Oldest First
    Product Reviews
    T
    Verified Purchase
    Tiffany haynes
    Belleville, US
    ★★★★★ 5
    Beautiful Cover
    Format: Hardcover
    love the cover of this book. It's gorgeous
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 27, 2025
    A
    Verified Purchase
    aariann ibatuan
    Bozeman, US
    ★★★★★ 5
    Beautiful Book
    Format: Hardcover
    I love this book and it’s so pretty!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 13, 2023
    M
    Verified Purchase
    Miscellaneous Notes
    Los Angeles, US
    ★★★★★ 5
    Beautiful Book!
    Format: Hardcover
    A beautiful edition of one of my childhood favorites!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 22, 2023
    S
    Verified Purchase
    Shava Nerad
    Belleville, US
    ★★★★★ 5
    You can get this online free, but I bought it. Let Fanon turn your brain inside out.
    I actually like the idea of supporting a press that is publishing Fanon. When I was growing up with my dad working with the SCLC and Dr. Martin Luther King, Jr., as part of the night security crew for the summer marches, I was probably more aware than most Americans -- certainly most Americans outside of the black community -- of how much permeability there was between the nonviolent SCLC, and the Black Panther movement, for which Fanon was a seed influence. Youth in the SNCC organization, the youth group associated with the SCLC, often went back and forth between SNCC and the Panthers as they developed their activist identity and their ideas of how justice might be achieved. The phrase "by any means necessary" used by the Panthers often scared the bejeezus out of the white community. But when I sat down with my father -- who was an adherent of formal nonviolence -- he handed me Fanon to read, and told me that it was a valid investigation as to whether violence should be considered if nonviolent means were not entertained by the state. To my dad, who was a peaceful but fiercely justice-oriented man (for those of you who know the idiom "fire of Amos" he had it), he considered that without the counterpoint of the Panthers, MLK would never have gotten a hearing in Washington DC. Just the idea that there were revolutionaries in American society looking at American "apartheid" and saying, "We are willing to take care of our own if you separate us. We see our situation as that of a post-colonial slavery society and use the model of African liberation as our model. We are willing to be peaceful if we are given justice in peace, but we do not believe that you are acting in good faith and will use whatever means necessary to see you follow your own promises of justice and see justice for our own people if you will not see that done." That was actually a step down from Fanon. That was actually optimism. But all white Americans heard out of any of that was: "...by any means necessary." They didn't think of how they were creating the circumstances that might precipitate violence. That whites had created a system that instituted violence to keep slaves, and later free blacks, contained and preserve power and privilege for the white majority. It is hard for most Americans to even realize that America -- although we became independent from England -- continued as a colonial nation and economy on our own continent and territory. That all the institutions of the repression and destruction of indigenous and imported-slave cultures that happened "over there" in countries that Europeans colonized far from home, we did at home as a break-away colony, and the Europeans who conquered America never relented, compromised, or acknowledged that colonial reality in the way that the Spanish, Dutch, Portuguese, Italian, French, and British Empires did in their colonial domains. So Fanon is someone worth reading, not only for Africans, or for African-Americans, but for any American or anyone else in the world who wants to better ponder white privilege in America and how it became so very different from colonial privilege as that faded in Africa, through the lens of this Algerian revolutionary philosopher, who so influenced our Panthers. I remain committed to nonviolence personally, but I understand intensely how MLK and Malcolm balance each other. And how that can actually lead to better peaceful solutions, in a social justice conflict where the status quo has been preserved by judicial and extrajudicial violence by a superior force. This is still relevant in puppet regimes all over the world. In client states of capitalist powers and of Russia and China. In the conflicts surrounding Israel, and the conflicts throughout the Middle East and Central Asia that are often couched in sectarian terms or sectarian vs secular terms. It is vital to understanding countries like Zimbabwe or South Africa, where the dynamics of early black leadership as colonial-wannabes are creating environments of corruption and scandal, and robbing their own people. Everyone should read Fanon. If you can't afford the book here, you can find it online free. This book, and Black Skin, White Masks, both highly recommended. If you don't like Marxist/Socialist politics, try to suspend disbelief a bit. The philosophy, sociology, and psychology is amazing.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 28, 2019
    T
    Verified Purchase
    TH
    Omaha, US
    ★★★★★ 5
    The destruction of racism
    Format: Paperback
    This is a very open and candid view of racism in the early 19th century
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 22, 2026

    recommand products