SKU: 87808060186
dieffenbachia plant for sale

dieffenbachia plant for sale Dieffenbachia Green Magic Houseplant - Lush Indoor Plant

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dieffenbachia plant for sale Dieffenbachia Green Magic Houseplant - Lush Indoor PlantDescription Light Soil Water Hardiness Dieffenbachia 'Green Magic' is a tropical houseplant with deep green foliage and a striking, singular white midrib. A member of the Araceae family, this cultivar traces its origins to Central and South American rainforests, where Dieffenbachia species thrive in humid, shaded understories. Unlike variegated varieties that display multiple patterns or speckling, 'Green Magic' is celebrated for its solid, glossy

  • Dieffenbachia 'Green Magic' is a tropical houseplant with deep green foliage and a striking, singular white midrib. A member of the Araceae family, this cultivar traces its origins to Central and South American rainforests, where Dieffenbachia species thrive in humid, shaded understories. Unlike variegated varieties that display multiple patterns or speckling, 'Green Magic' is celebrated for its solid, glossy green leaves that create a rich, uniform canopy. The sharp contrast of the white central vein against the dark green leaf surface gives it a bold, graphic look that stands out among indoor plants.

    Mature Dieffenbachia 'Green Magic' plants typically grow to a height of 2 to 3 feet indoors, with broad leaves held upright on thick, cane-like stems. Its natural growth habit is compact and dense, allowing it to serve beautifully as a tabletop plant in its younger stages and later as a floor accent as it matures. The leaves can reach up to 10–12 inches long, providing a lush, full appearance without needing constant maintenance. This structural quality makes it a popular choice for modern, minimalist interiors seeking clean foliage lines.

    Compared to other Dieffenbachia varieties, 'Green Magic' is distinctive for its simplicity and elegance. While many Dumb Cane cultivars are prized for bold variegation, the solid dark green of 'Green Magic' adds sophistication and depth, especially when displayed against lighter walls or alongside more colorful plants. The plant’s consistent, symmetrical appearance brings a calming, organized feel to any indoor setting.

    Though it is not officially recognized on major air-purifying plant lists, like many Dieffenbachias, Green Magic can contribute to better indoor air quality through natural gas exchange. Its adaptability to lower light conditions and moderate care needs makes it a resilient choice for beginners and busy plant owners alike. However, it’s essential to remember that all parts of the plant are toxic if ingested, so it should be kept away from pets and children.

  •  Thrives in bright, indirect light, which keeps the foliage vivid and lush. It can tolerate medium to low light but may experience slower growth.

     Water when the top 1–2 inches of soil feel dry, maintaining even soil moisture without letting it become soggy. Good drainage is key to preventing root rot.

     Prefers moderate to high humidity levels, around 50–60%. Occasional misting or placing it near a humidifier can support healthier leaf growth.

     Grows well between 65–80°F. Keep it away from cold drafts and temperatures below 55°F (13°C) to avoid damage.

     Thrives in a rich, well-draining potting mix composed of peat moss, perlite, and compost. The soil should retain some moisture but never stay soggy.

     Feed once a month during the growing season with a balanced, diluted liquid fertilizer. Reduce feeding in fall and winter when growth naturally slows.

     Dieffenbachia 'Green Magic' is toxic if ingested by pets or humans. Take precautions to place it where children and animals cannot access it.

  • Zone 10-12
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SKU: 87808060186

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David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Battle Creek, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
West Palm Beach, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Alexandria, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
New York, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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