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Description
britax willow brook vs willow brook s+ Britax Willow Brook Travel SystemFind your own pace as a parent with the Britax Willow Brook Baby Travel System. This infant car seat and stroller combo include the Britax Willow car seat, Aspen car seat base, and Brook baby stroller. The Willow is the only rear facing car seat with ClickTight technology, so you know it can be installed securely on the first ride and beyond. The RightSize system provides adjustment points at the hips, shoulders, and between the legs to help you find
Find your own pace as a parent with the Britax Willow Brook Baby Travel System. This infant car seat and stroller combo include the Britax Willow car seat, Aspen car seat base, and Brook baby stroller. The Willow is the only rear-facing car seat with ClickTight technology, so you know it can be installed securely on the first ride and beyond. The RightSize system provides adjustment points at the hips, shoulders, and between the legs to help you find the perfect fit from the start.
Specifications
Brook™ Modular Stroller
- Lightweight, fully-loaded stroller.
- Stroller closes compactly in one simple step. Folds fast while saving time and trunk space! Stroller closes compactly in one simple step.
- Large Cargo Basket is easy to access while keeping your belongings secure & out-of-sight.
- Reclining toddler seat so your child can rest comfortably on-the-go or sit upright to see the world.
- Parent cup holder fits cups of all sizes. Keep your favorite drink within reach!
- Child snack tray swings out of the way for easy loading and locks into place when you’re ready to stroll.
- Easy-Adjust Harness grows along with your child.
- Water-Resistant, UPF 50+ Canopy with flip-down sun visor and peek-a-boo window.
- All-wheel suspension wheels and tough, no-flat tires.
- Lasts for the Long Haul - Fade-free canopy and no-scuff footrest stay looking like new, mile after mile.
- Compatible with many popular car seat brands, no adapters needed.
- Suitable for children up to 50 lbs.
Willow™ Infant Car Seat
- Install with Confidence, Every Time. Features ClickTight® technology for a secure installation without the struggle.
- RightSize™ system provides adjustment points at the hips, shoulders & between the legs; Create your baby’s perfect fit from the start!
- Side impact tested to protect your child’s head, neck and torso for total peace of mind.
- Washer and Dryer-Friendly. No more hand washing or waiting for the car seat cover to air-dry. Just quick and easy cleanup, so you can keep moving.
- Naturally flame-retardant fabrics with no added FR chemicals.
- Lightweight & easy to carry; Move from car to stroller in a snap!
- SafeCell Technology designed to help manage energy and minimize force transferred to the baby.
- ReboundReduce® Carry Handle acts as a stability bar when used in the upright position. Can be used when installed with or without the base.
- Quick-Push LATCH Connectors lock into place with a click and are easily released with the push of a button. Easily store within the base when not in use.
- Level indicators and spring-assist recline make finding the correct installation angle for your vehicle easy.
- Plush harness padding with an extra layer of cushioning helps prevent skin irritation & keep your child comfortable.
- Infant Insert Pillow is designed to provide a more customized and comfortable fit for newborns under 11 lbs.
- Extra belt path on the back of the seat for added security when installing without the base.
- Built-in harness holders and flip-forward belly pad clear the way for breezy boarding.
- SpaceSaver™ Design, Slim outside, spacious inside! Frees up backseat space while giving your child plenty of room for the ride
- Suitable for children 4 to 30 lbs.
Dimensions & Weight
Stroller
- Open: 34"L x 23.75"W x 42"H
- Folded: 35"L x 23.5"W x 15"H
- 22 lbs.
- Child Weight: 50 lbs.
Car Seat
-
Product Weight (Car Seat Only): 8.99 lbs.
-
Seat Back Compartment Height: 21"
-
Harness Slot Height: s5.5" / 7.5" / 9.5" / 11.5"
-
Buckle Strap Depths: 2.25" / 5.5"
- Child Weight: 4-30 lbs
What's Included
- Willow™ infant car seat
- Brook™ modular stroller
- Aspen™ infant car seat base
- Parent cup holder
- Child tray
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.6 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
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Reviewed in the United States on August 30, 2018
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful.
McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do.
However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies!
If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why.
McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism.
Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging.
With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else.
In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree.
But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
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Reviewed in the United States on October 14, 2016