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what is chlorophytum

what is chlorophytum Chlorophytum comosum 'Ocean' – Foliage Factory

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Description

what is chlorophytum Chlorophytum comosum 'Ocean' – Foliage FactoryChlorophytum comosum 'Ocean' Chlorophytum comosum 'Ocean' is a compact spider plant cultivar with short, broad green leaves edged in cream. The cultivar forms a dense rosette with a tidy rounded shape, then matures into the familiar spider plant habit with arching flower stems and small plantlets. The foliage has a clean green centre, pale margins, and a slightly sturdy texture that keeps the plant looking full even while young. Mature plants can send

Chlorophytum comosum 'Ocean'

Chlorophytum comosum 'Ocean' is a compact spider plant cultivar with short, broad green leaves edged in cream. The cultivar forms a dense rosette with a tidy rounded shape, then matures into the familiar spider plant habit with arching flower stems and small plantlets.

The foliage has a clean green centre, pale margins, and a slightly sturdy texture that keeps the plant looking full even while young. Mature plants can send out slender stems carrying tiny white flowers followed by young plantlets. The rosette stays compact, and older stems can hang beyond the pot as the plant matures.

Compact Ocean spider plant traits

  • Compact spider plant cultivar with shorter, broader leaves
  • Green leaf centres with cream margins
  • Dense rosette habit with a neat container shape
  • Can produce white flowers and plantlets on arching stems
  • ASPCA-listed non-toxic species for cats and dogs

Species background and cultivar growth

Chlorophytum comosum belongs to the Asparagaceae family and is native across parts of tropical Africa into southern Africa. In habitat, the species grows as a perennial with rosettes of strap-shaped leaves and fleshy roots that store water through changing moisture conditions.

'Ocean' is a cultivated variegated selection of Chlorophytum comosum. 'Ocean' has a compact rosette, broader leaves and a cream-edged pattern. The plantlets form from flowering stems, so a mature specimen can shift from a tight leafy centre into a softer cascading display over time.

Keeping 'Ocean' compact and leafy

  • Light: Keep in bright filtered light or a bright room position away from harsh midday sun. Strong direct sun can mark the pale margins.
  • Watering: Let the upper part of the substrate dry before watering again. The fleshy roots hold moisture, so the pot should drain freely after each soak.
  • Substrate: Choose a loose mix that holds some moisture while staying airy. Perlite, fine bark, coco fibre, or mineral particles give the thick roots airflow and drainage.
  • Temperature: Keep conditions stable and above 15 °C. Cool wet substrate slows growth and increases root problems.
  • Humidity: Typical indoor humidity is fine. A humidifier can reduce dry-tip stress during heated indoor months.
  • Feeding: Use a light fertiliser dose during active growth. Heavy feeding can increase salt build-up and may reduce plantlet formation.
  • Repotting: Repot when fleshy roots crowd the pot. Move up one size and keep the rosette base level with the substrate surface.
  • Pruning: Remove old flower stems after plantlets are taken or once the stems dry. Trim brown tips cleanly if needed.
  • Propagation: Root plantlets once they have visible root initials, or divide a mature clump during repotting.
  • Outdoor summer placement: Warm sheltered outdoor shade can suit it during summer. Acclimate first and bring indoors before nights cool below 15°C.

Brown tips, soft centres and plantlet issues

  • Brown leaf tips: Often linked to irregular watering, dry air, salt build-up, or minerals in tap water. Flush the substrate and use rainwater, filtered water, or low-mineral water where needed.
  • Soft, collapsing centre: Check for water sitting in the rosette or a cold wet root ball. Improve airflow and let the substrate dry more evenly.
  • Few plantlets: Young plants may need more maturity. Overfeeding can also keep growth focused on leaves.
  • Scorched pale patches: Usually caused by direct sun on tender leaves. Move to filtered light and remove only fully damaged foliage.

Offset and seasonal growth notes

The cream margins on 'Ocean' are part of the cultivar’s stable leaf pattern. New leaves may vary slightly in width and curve as the plant matures, especially after repotting or seasonal growth changes.

Pet-safe status and plantlets

ASPCA records Chlorophytum comosum as non-toxic to cats and dogs. Chewing may still cause mild digestive upset or damage the rosette, so place young plantlets away from pets attracted to stringy leaves.

Spider plant name background

The accepted species name is Chlorophytum comosum (Thunb.) Jacques, in the family Asparagaceae. Chlorophytum is derived from Greek roots meaning green or yellow-green plant. The species epithet comosum means furnished with a tuft, referring to the rosette-like arrangement of the leaves. 'Ocean' is a compact cream-edged spider plant selection.

Chlorophytum comosum 'Ocean' forms a compact green-and-cream rosette that can mature into an offsetting spider plant.

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Rocco Dormarunno
Lexington, US
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence. Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons: --the shifting finger-pointing at various groups; --the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and --Horsmanden's bizarre behavior toward Mary Burton. Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability. Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006
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Verified Purchase
Reckless Reader
Grantham, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
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Michael Pointer
Natrona Heights, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
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Verified Purchase
John Warren
Battle Creek, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
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Reviewed in the United States on May 20, 2008
K
Verified Purchase
Kim Burdick
Grantham, US
★★★★★ 3
New York Burning
Format: Paperback
. This is an important book that explores in depth what is usually only found in textbooks as a one-sentence summation: "In 1741 there was a slave uprising in New York City." Scholars will probably be happier starting with the Appendix and bibliography and then reading the book. The text is disorganized and uneven, and although this is non-fiction, the characters could have been more finely drawn. Peter Zenger's trail keeps popping up in unexpected places, often disconnected from the action the author is working on. Some sections are heavy on primary documents and period writings, others are more poetic. Yes, I do understand the parallels with the Salem Witch Trials. The Salem Witch Trials get more press today because of Arthur Miller's "Crucible." Color and religion of the participants aside, both events are stories of group think and mass hysteria, fear and anger. There is plenty of room here for a first-class film or play to be written. Read this book, learn from it. Expect to complain about it. Kim Burdick Stanton, DE
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Reviewed in the United States on November 7, 2014

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