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congo philodendron imperial red

congo philodendron imperial red Philodendron 'Imperial Red' – Foliage Factory

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Description

congo philodendron imperial red Philodendron 'Imperial Red' – Foliage FactoryPhilodendron 'Imperial Red' Philodendron 'Imperial Red' is a self heading Philodendron grown for glossy leaves that open red to bronze and deepen as they mature. The plant forms a central body, with new leaves rising from the centre and older leaves spreading outward to create a full, layered shape. New leaves provide the strongest red colour, often opening in red, coppery or burgundy tones before settling into darker green red foliage. Steady root

Philodendron 'Imperial Red'

Philodendron 'Imperial Red' is a self-heading Philodendron grown for glossy leaves that open red to bronze and deepen as they mature. The plant forms a central body, with new leaves rising from the centre and older leaves spreading outward to create a full, layered shape.

New leaves provide the strongest red colour, often opening in red, coppery or burgundy tones before settling into darker green-red foliage. Steady root health, warmth and bright filtered light help the plant keep producing new leaves.

Red new growth and rosette-form habit

  • Leaf colour: New foliage opens red to bronze, then matures into deeper red-green tones.
  • Growth habit: Self-heading Philodendron with a central stem and outward leaf spread.
  • Leaf finish: Smooth, glossy blades with a firm texture once mature.
  • Support needs: Grown as a freestanding plant with no pole support requirement.
  • Indoor behaviour: Best in bright indirect light, warm temperatures and well-drained substrate.

How the colour develops with each new leaf

Philodendron 'Imperial Red' develops colour through each new leaf cycle. Fresh growth is usually the brightest part of the plant, while older leaves become deeper and more subdued. This gives mature plants a layered look, with younger leaves standing out from the darker outer foliage.

The plant grows from a compact central stem with overlapping petiole bases. Good airflow around that centre helps keep the lower growth clean. Removing fully yellowed old leaves is fine, but cutting healthy lower leaves just to expose the stem can weaken the plant’s energy production and reduce the full shape.

As with other self-heading Philodendron cultivars, the roots need a breathable mix. A dense, wet substrate can cause lower leaf yellowing even when the top of the plant still looks firm. Bright indirect light supports active growth, while strong direct sun can scorch or bleach the glossy surface.

Care for active self-heading growth

  • Light: Provide bright indirect light for steady new growth. Avoid intense direct sun, especially through hot glass.
  • Watering: Water deeply once the top few centimetres of substrate have dried. Let excess water drain completely.
  • Substrate: Use a chunky aroid mix with bark, perlite, pumice and organic matter. The mix should hold light moisture while staying airy.
  • Temperature: Keep warm, ideally above 18°C. Cold roots and wet soil can quickly damage the lower stem.
  • Humidity: Moderate humidity supports smooth new leaves. Very dry air can contribute to brown edges during active growth.
  • Feeding: Feed lightly during the growing season. Reduce feeding when the plant slows down.
  • Cleaning: Wipe glossy leaves with a soft damp cloth so dust does not dull the surface or block light.
  • Repotting: Repot into a slightly larger pot once roots are crowded. Keep the central stem at its previous planting depth.

Leaf colour, stem and root warning signs

  • Weak colour on new leaves: Check overall growth quality first. Very low light can reduce leaf size and slow new leaf production.
  • Yellow lower leaves: A single older leaf can be normal, but several yellowing leaves suggest too much moisture, compacted substrate or low light.
  • Brown patches: Crispy patches can come from direct sun or drought stress. Soft dark patches suggest wet, cold conditions or tissue damage.
  • Soft base: Inspect the roots and lower stem immediately. This often develops when the plant is planted too deeply or kept too wet.
  • Pest damage: Look for fine stippling, sticky residue or distorted new leaves. Check petioles, leaf backs and the central growth area.

Philodendron 'Imperial Red' grows best with consistent watering, warmth and a breathable mix. Regular rotation keeps the central growth balanced, and a stable pot helps prevent the plant from leaning as the leaves become larger.

Safety with Philodendron 'Imperial Red'

Philodendron 'Imperial Red' is not pet-safe. Leaves and stems contain insoluble calcium oxalate crystals that can irritate the mouth, tongue and throat if ingested. Sap may irritate skin, so wash hands after pruning and keep removed leaves away from pets and children.

DeCoster origin and cultivar background

Philodendron belongs to the Araceae family and is native across tropical America as a genus. The name comes from Greek elements meaning “loving” and “tree”, linked to the tree-associated growth of many Philodendron species. Philodendron 'Imperial Red' was selected by Paul DeCoster in Melle, Belgium, from Bamboo Nursery seedlings of unknown parentage.

Philodendron 'Imperial Red' forms a full freestanding plant with red-toned new growth and darker mature foliage around the central crown.

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Jav M
Belleville, US
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
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Reviewed in the United States on August 1, 2024
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anonymous name
Waukegan, US
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
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Reviewed in the United States on July 27, 2001
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L. D. Weimer
San Leandro, US
★★★★★ 5
One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of lif
Format: Paperback
The book has a lovely, reasonably long, introduction to Hafiz, his time, and fellow poets which helps to create an open and curious mind for the poems that follow. Although I was familiar with several Hafiz poems before, most of this book was new to me. It is a fairly thick book, with the poems spread lightly on the pages. Plenty of white space surrounds and set off the poems so that although there are many, many poems in the book, they are not crowded. Hafiz celebrates god in a way that is rich and exuberant. One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of life. In fact, as a Buddhist, I find it is exactly that sensitivity to life, to joy, to the world around, and to other beings around us that offers the greatest illumination. This poetry is wonderful to read just before sleep, or any time, and is a fine addition to any library.
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Reviewed in the United States on April 4, 2015
C
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charles d barber
Charlottesville, US
★★★★★ 4
Absolutely beautiful poetic translation occasionally marred by silly attempts at contemporary relevance
Format: Paperback
Poetry is something I seldom read, but the range of philosophical and religious reflection in Hafiz' writing is amazing, delightful, and life-affirming. Not every poem is equally rewarding, but how could they be? The translations make these ancient short poems speak to the present day, but sometimes too much so--using terms that have only come into our language in the 20th or 21st centuries at times borders on "cutsie", which distracts from the true meaning. When Ladinsky sticks to standard and time-tested language and grammar, his translations have much deeper impact, for me anyway. I have not read other translations of Hafiz, but I imagine previous ones are full of "thee's" and "thou's", and less erudite perspectives. I highly recommend this book--for me is has more understanding and depth concerning daily living than Rumi, for instance. Just beware that there are some shockingly off-the-mark, if sincere, attempts to make this ancient poetry relevant to us now. Ladinsky apparently spent years working on this book, so my hat is off to his scholarship.
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Reviewed in the United States on April 16, 2017
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Farinaz Parsay
Fort Morgan, US
★★★★★ 5
I love The Gift of Hafiz by Daniel Landinsky I am ...
Format: Paperback
I love The Gift of Hafiz by Daniel Landinsky I am Persian and I love the poetry of Hafiz but the book Gift is the first book I read in English language translated by Daniel Ladinsky. As a Persian who is born and raised knowing the poetry of Hafiz by heart and in their original tongue, I really enjoyed reading the book and appreciated the interpretations and translation. Daniel Ladinsky is an American poet known as interpreter of mystical poetry born and raised in Saint Louise. He has said “the poet who I have worked most with is the 14th century Persian poet Hafiz. And Goethe has said, Hafiz has no peer. And I think Goethe knew what he was talking about”. Daniel Ladinsky has written many other books about Hafiz which are unique and many have come to know about this great Persian Master more glorious in the English language. In a rare interview on October 2013 with the Sun Magazine, Daniel Ladinsky shares about his spiritual longing, his encounter with a living saint in India who inspired him to work on Hafiz. In his preface of “The Gift” he invites us to join him in his fantastic applause of life and says “I vote to inscribe these words of Hafiz on every flag, church bell, temple, mosque, and politician’s brain: Dear ones, let’s anoint this earth with dance! I recommend the book "Gift" to everyone who enjoys poetry.
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Reviewed in the United States on June 11, 2016

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