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Description
blue dress shoes ladies Dunmore 18th Century Shoes (Blue/White), 5Dunmore 18th century shoes trimmed in white are the ideal materials, silhouette, and heel to pair with your late 18th century gown, from the Revolutionary War to the French Revolution. Developed with input from Colonial Williamsburg, Dunmore is accurate for c. 1770 1790s, with a 2 inch 5. 08 cm Italian heel crafted after an extant shoe, a tapered toe and soft toe box, and latchet closure. Dunmore 18th century shoes are made of pebbled leather
Dunmore 18th century shoes trimmed in white are the ideal materials, silhouette, and heel to pair with your late 18th century gown, from the Revolutionary War to the French Revolution.
Developed with input from Colonial Williamsburg, Dunmore is accurate for c. 1770 - 1790s, with a 2 inch / 5.08 cm Italian heel crafted after an extant shoe, a tapered toe and soft toe box, and latchet closure.
Dunmore 18th century shoes are made of pebbled leather resembling original, historical Moroccan leather. We've trimmed the edges with white twill tape and covered our custom-made Italian heels in white leather, just like originals. Inside you'll find linen lining with our historic trades stamp. These are truly special, exquisite shoes available in this colorway for a limited time only.
Dunmores do not come with 18th century shoe buckles. You may find our complete selection of 18th century shoe buckles in the accessories section. Please see our page on how to fit your buckles, or watch our shoe buckle fitting video for more information.
Materials & Sizing
- French Blue pebbled leather with white twill tape edge binding.
- Leather-covered heel in white.
- 100% leather sole.
- White linen lining with historic trade stamp.
- Latchet closure sized for 1.25 inch 18th century shoe buckles
- Custom-made Italian heel crafted after original examples
- Heel Height - 2 inch / 5.08 cm
- Soft toe boxes create the correct historical silhouette
- Left and Right lasted for maximum comfort
- B width
- Runs true to size for most customers
[custom tab]
| Sizing | |
|---|---|
| Size Trends | Runs true to size for most customers. |
| Width | Regular (B) width |
| Size Chart | |
|---|---|
[/custom tab][custom tab]
| Materials | |
|---|---|
| Color | French Blue |
| Upper | 100% Calf Leather |
| Lining | Pigskin leather, textile |
| Sole | Leather |
| Heel | Leather Covered |
| Heel Height | 2 inch / 5 cm |
| Footbed | Lightly Padded |
| Closure | Latchets |
| Origins | |
|---|---|
| Design | Designed in Reno, Nevada, USA |
| Materials | People's Republic of China |
| Assembly | Made in China |
[/custom tab]
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
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4.2 ★★★★★
Based on 14 reviews
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Product Reviews
★★★★★ 5
The Best Gift Ever!
Denomination: 0, Design Name: You're the best. (Animated)
Easy Peasy! Who doesn't like to get an Amazon eGift Card!
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Reviewed in the United States on May 17, 2026
★★★★★ 5
Great gift idea!
Denomination: 0, Design Name: You're the best. (Animated)
Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding.
Serious. Hilarious.
Wise. Faux-wise.
Scholarly. Mock-scholarly.
Observant. Absurdly, obsessively observant.
Sharp characterizations. Ridiculous characters.
Devout. Bawdy.
Endearing. Frustrating.
Genius. Barking mad.
Narratively incoherent. Stream-of-consciousness associative.
Consistently provincial. Profoundly universal.
Mired in the 18th century. Harbinger of 20th century literary Modernism.
Baffling. Brilliant
Not for every taste. For my taste.
And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more.
And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters.
I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story.
Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict.
It's not trying to teach anything, really.
So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count.
I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up:
"No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations."
It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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