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Description
long off the shoulder dress with sleeves Ladivine Long Formal Dress CA109 Magenta / 6The long off shoulder fitted prom dress by LaDivine CA109 is a research on texture and strong color, which applies a heavy finish of sequin to produce an appearance that is lively even in low light areas. The design is characterized by a contemporary off shoulder neckline that cuts around the collarbone and shoulders in a straight horizontal line. This upper part is made structured and then changes to a fitted bodice that follows the natural lines of
The long off shoulder fitted prom dress by LaDivine CA109 is a research on texture and strong color, which applies a heavy finish of sequin to produce an appearance that is lively even in low-light areas. The design is characterized by a contemporary off-shoulder neckline that cuts around the collarbone and shoulders in a straight horizontal line. This upper part is made structured and then changes to a fitted bodice that follows the natural lines of the frame to keep the gown secure and also to give a sharp, cohesive profile. The fabric is entirely lined, which means that the inner part is soft against the skin, and the sequins can serve to offer the maximum amount of outer gloss without making the garment less comfortable.
The figure remains in contact with the body in the area of the hips and thighs, and falls into a full-length dress that is floor-length. This slim-fitted design focuses on the simplified form of the garment, which makes it seem to be grounded even though it is full of energy through its sparkle. The deep, saturated Magenta color gives a beautiful touch to the entire design, and it is one of the most outstanding decisions that one should make when it is time not to settle on conventional neutrals. The gown is completed with a secure back fastening and gives a consistent, fitted style that will move easily; therefore, the dress is a practical option in long events where the wearer needs to be present and active.
Key Features:
- All-Over Sequin Fabric: Provides a multidimensional shimmer that reflects light from every angle for a high-impact finish.
- Off-Shoulder Neckline: A structured, sleeveless cut that creates an open frame for the upper body and adds an architectural element to the bodice.
- Fitted Tailoring: Designed to skim the figure closely, maintaining a long and lean visual from the neckline to the hem.
- Full Interior Lining: A soft inner layer ensures the textured sequins never touch the skin, providing a smooth and comfortable fit.
- Striking Magenta Hue: A bold, saturated color choice that gives the classic sequin gown a contemporary and unique edge.
Available Colors:
Magenta
Perfect for Special Occasions!
A high-energy selection for prom, homecoming, and formal evening dances where a bold color and light-catching texture are the top priorities.
Details:
- Silhouette & Fit: Fitted / Sheath
- Length: Full Length
- Fabric: Sequin
- Sleeve Style: Off Shoulder
- Back: Zipper closure
- Sizes: 4, 6, 8, 10, 12, 14
- Designer: LaDivine
- Style: CDCA109
- Occasion: Formal, Prom, Homecoming, Red Carpet
Care Instructions:
- Professional Dry Clean Only: Recommended to protect the sequin attachment and the integrity of the off-shoulder seams.
- Store Inside Out: Turning the gown inside out before placing it in a garment bag prevents the sequins from snagging on other clothes.
- Steam with Caution: Only steam the inner lining to release wrinkles; never apply direct heat to the sequins, as it can cause them to warp or lose their color.
- Handle with Care: Keep the fabric away from rough accessories or sharp jewelry that could pull on the sequin threads.
Shipping & Delivery:
- Orders are packed and sent within 2–3 business days.
- Arrival is expected in 2–7 business days for most regions.
- You will receive a tracking number once your gown is on its way.
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4.9 ★★★★★
Based on 14 reviews
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Product Reviews
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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