SKU: 7573265328
beaded sequin dress

beaded sequin dress Dalia Long Sleeve Beaded Sequin Modest Tassel Gown

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Description

beaded sequin dress Dalia Long Sleeve Beaded Sequin Modest Tassel GownIndulge in the timeless allure of the Dalia Long Sleeve Beaded Sequin Modest Tassel Gown by Iyza Belaar. The scoop neckline version of the beloved Zarah Gown. This gown exudes elegance with a modest high scoop neckline, fully lined long sleeves for a refined look, and a fitted silhouette that flatters your figure. The distinctive feature of this dress lies in its cascading tiers of tassels and fringes, creating a mesmerizing sparkle that sets it apart

Indulge in the timeless allure of the Dalia Long Sleeve Beaded Sequin Modest Tassel Gown by Iyza Belaar. The scoop neckline version of the beloved Zarah Gown. This gown exudes elegance with a modest high scoop neckline, fully lined long sleeves for a refined look, and a fitted silhouette that flatters your figure. The distinctive feature of this dress lies in its cascading tiers of tassels and fringes, creating a mesmerizing sparkle that sets it apart at any formal occasion.

Modest Elegance with a High Scoop Neckline: The Dalia Gown embraces modesty with a high scoop neckline that exudes sophistication. This neckline complements the overall design, offering a graceful and refined look. The modest long sleeves add an extra layer of elegance, ensuring you feel both stylish and comfortable throughout your special event.

Fitted Silhouette for Flattering Glamour: Designed with a fitted silhouette, the Dalia Gown highlights your curves with grace and glamour. The seamless blend of modesty and allure is achieved through the expert tailoring that ensures the dress accentuates your figure without compromising on comfort. Step into any formal event with confidence, knowing you'll make a lasting impression.

Tassel and Fringe Magic: The showstopper of the Dalia Gown is the exquisite detailing of tassels and fringes cascading down the dress in tiers. This unique feature adds a touch of sparkle and movement, creating a mesmerizing visual effect. The delicate interplay of sequins and metallic fringe trims embellish the nude silver gown, making it a captivating choice for those who seek to stand out with unparalleled glamour.

Hand-Embellished Luxury: Immerse yourself in the opulence of hand-embellished detailing with the Dalia Gown. The mesh overlay is adorned with sequins and fringe, ensuring a luxurious and radiant look. The allover crystal fringe embellishments further elevate the gown's appeal, making it a true masterpiece of craftsmanship.

Nude Silver Sophistication: Available in the sophisticated Nude Silver hue, the Dalia Gown radiates timeless charm. The slim fit and exquisite details make it a perfect choice for those who appreciate both style and subtlety.

Elevate your formalwear collection with the Dalia Long Sleeve Beaded Sequin Modest Tassel Gown, exclusively at B Chic Fashions. Shop now for FREE shipping over $250 and enjoy easy 7-day returns & exchanges.

    *Depending on your height dress may fit ankle or to the floor. For your desired fit, please take to tailor.* If your size is not listed, please contact us at [email protected] to customize your size.*

    Special Care: If the dress is too long please make sure the dress is hemmed by a professional and not dragging on the floor as this may cause the sequin to unravel. 

    Please note: 2-3 weeks + delivery

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
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    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
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    SKU: 7573265328

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    4.7 ★★★★★
    Based on 10 reviews
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    T
    Verified Purchase
    Tahoeman
    Chelsea, US
    ★★★★★ 5
    Much needed guide to narration in law practice
    Format: Paperback
    Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 10, 2014
    D
    Verified Purchase
    David R. Papke
    Phoenix, US
    ★★★★★ 5
    Recommended for All Lawyers
    Format: Paperback
    Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 7, 2014
    D
    Verified Purchase
    DoubtfulReader
    Cuba, US
    ★★★★★ 3
    Notes on Legal Style by a Law Professor and Experienced Lawyer.
    Format: Kindle
    BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 27, 2017
    M
    Verified Purchase
    Matt M.
    Chelsea, US
    ★★★★★ 5
    Great book and great professor
    Format: Paperback
    Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on January 19, 2021
    J
    Verified Purchase
    J. Christian
    Port Orchard, US
    ★★★★★ 4
    Interesting book
    Format: Paperback
    I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 20, 2014

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