SKU: 8486470748
white chiffon maxi dress

white chiffon maxi dress Long Sleeve Maxi Dress | White | Sustainable Clothing

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Description

white chiffon maxi dress Long Sleeve Maxi Dress | White | Sustainable ClothingOne of the most striking and flexible pieces in the collection is Intentions white French Chiffon long sleeve maxi dress. This show stopping choice, Made in the USA from 50% Recycled Polyester and 50% Polyester Recycled Polyester from PET Bottles, is a striking option for your eco friendly wardrobe. This maxi dress has been carefully designed to allow you a multitude of styling options. Whether you are headed to the beach and want the perfect bathing

 

 

One of the most striking and flexible pieces in the collection is Intention’s white French Chiffon long sleeve maxi dress. This show-stopping choice, Made in the USA from 50% Recycled Polyester and 50% Polyester Recycled Polyester from PET Bottles, is a striking option for your eco-friendly wardrobe. This maxi dress has been carefully designed to allow you a multitude of styling options. Whether you are headed to the beach and want the perfect bathing suit cover or you are headed to dinner and want to crank the vavoom factor up as the night goes on, this dress can be as sexy or serene as you want.

Our button-up maxi can be unbuttoned as high as you like to showcase your legs or worn more conservatively, such as Kurti-style over a top and jeans or trousers. The Intention jersey tank dress was designed to be worn with the maxi, so you have a ready option that lets you show as much or as little as you want to. We like the beige tank dress with this lightly shimmering white French Chiffon maxi dress. When you commit to an earth-friendly wardrobe, layering and styling are everything; that’s why this white French Chiffon maxi dress will be a favorite from your eco-closet. 

From the bishop sleeves with tailor-made stretch cuffs to the dramatic, lightly gathered skirt tiers that look picture perfect in the breeze. This is by far one of our most flexible pieces in the collection. Our button-up white maxi dress is free from harmful chemicals and is dye-free for a truly earth-friendly addition to your eco-friendly wardrobe.

DETAILS:

  • Lightly shimmering fabric
  • Long sleeve maxi dress 
  • Optional 72 inch white chiffon self-belt 
  • No distracting belt loops allow for freedom of styling 
  • Button-up  
  • Collarless 
  • Lightly gathered skirt tiers allow for tailoring length
  • Natural shell buttons 
  • No dye added to the fabric
  • No heavy metals 
  • Intention takes MCS - Multiple Chemical Sensitivity* seriously and is proud to offer a solution to the many suffering from this medically and environmentally damaging dye processes still in use today. 


    • FABRIC & CARE: 

      • Machine wash cold, gentle cycle or hand wash. Like colors only. Turn inside out. Only non-chlorine bleach when needed. Do not iron. Lay flat to dry.
      • 50% Recycled Polyester and 50% Polyester recycled from PET Bottles (Imported) 
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        Exchange/Return Notes
        • We offer a 30-day return/exchange service after receiving.
        • Final sale items are not eligible for returns or exchanges.
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        SKU: 8486470748

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        4.7 ★★★★★
        Based on 19 reviews
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        T
        Verified Purchase
        Tahoeman
        Birmingham, US
        ★★★★★ 5
        Much needed guide to narration in law practice
        Format: Paperback
        Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
        WAS THIS REVIEW HELPFUL?YesReportShare
        Reviewed in the United States on February 10, 2014
        D
        Verified Purchase
        David R. Papke
        Louisville, US
        ★★★★★ 5
        Recommended for All Lawyers
        Format: Paperback
        Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
        WAS THIS REVIEW HELPFUL?YesReportShare
        Reviewed in the United States on May 7, 2014
        D
        Verified Purchase
        DoubtfulReader
        Birmingham, US
        ★★★★★ 3
        Notes on Legal Style by a Law Professor and Experienced Lawyer.
        Format: Kindle
        BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
        WAS THIS REVIEW HELPFUL?YesReportShare
        Reviewed in the United States on June 27, 2017
        M
        Verified Purchase
        Matt M.
        Lowell, US
        ★★★★★ 5
        Great book and great professor
        Format: Paperback
        Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
        WAS THIS REVIEW HELPFUL?YesReportShare
        Reviewed in the United States on January 19, 2021
        J
        Verified Purchase
        J. Christian
        Phoenix, US
        ★★★★★ 4
        Interesting book
        Format: Paperback
        I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
        WAS THIS REVIEW HELPFUL?YesReportShare
        Reviewed in the United States on March 20, 2014

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