SKU: 87978607412
dress 1930s party

dress 1930s party Gorgeous 1930s Bias Cut Black Silk Velvet Dress w Incredible 3D Star B – Shrimpton Couture

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Description

dress 1930s party Gorgeous 1930s Bias Cut Black Silk Velvet Dress w Incredible 3D Star B – Shrimpton CoutureI am so excited to bring you the second part of our 1930s capsule. This is one of a dozen dresses from a single owner collection of beautiful 1930s dresses. Her collection was lovingly sourced over decades and she has decided that it is time let them back out into the world for others to enjoy. Outstanding designs from this era are increasingly hard to find. Her collection represents some of the best of the era that I have seen in a very long time.

I am so excited to bring you the second part of our 1930s capsule. This is one of a dozen dresses from a single owner collection of beautiful 1930s dresses. Her collection was lovingly sourced over decades and she has decided that it is time let them back out into the world for others to enjoy. Outstanding designs from this era are increasingly hard to find. Her collection represents some of the best of the era that I have seen in a very long time. Most are in excellent condition and the few included in the capsule that do have some flaws are such outstanding designs that I feel there is still room for someone to love them and wear them as they are, or perhaps to put in the additional work to repair them. This is just a tiny sampling of her overall collection and I hope to have more of these capsules for you in the future.

This is a stunningly beautiful silk velvet dress. It is really just incredible and it is now so rare and hard to find these in such amazing condition. This is a dress that is meant to be on an actual body and my dress form is not doing it anywhere near the justice it deserves. The dress is cut in that loose and easy way that pieces from this time period were done in. It is meant to skim over the bust, waist and hips and then the skirt falls to the floor from there. When you are standing still the skirt falls in a smooth column but when you move you see just how much volume is there. The upper bodice is incredibly beautiful. The collar is high and the points on each side of it are exaggerated in length and size. The bodice is cut loose and easy. It gathers in slightly to the curved seam that sits just above the natural waist line. A little velvet bow sets at the base of the collar and then between that and the waist seam are two of the most incredible early buttons that I've ever seen. Each is a three dimensional burst to represent a star, or perhaps a snowflake, or even a flower. They are made of individual early frosted acrylic plastic beads that wire into place. The base of each looks to perhaps be an early dress clip that has been sewn into place. They are so pretty. The sleeves are the final perfect touch. Each is cut wider at their tops and then narrow down to the wrist. Once on an actual body this dress truly comes to life and it is magnificent. If you are a fan of these pieces from the thirties you know just how exceptional and rare it is. Excellent condition.

Unlined and closes with a series of snaps at the side and with a button that sits above a keyhole at the back of the neck. A snap at each cuff. Hand finished throughout. For a garment 100 years old it is in amazing condition. The bias cut should allow it to fit a range of sizes

Sleeves: 26"
Slightly inset shoulders: 14"
Bust: 16-18" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 14-20" flat across from side seam to side seam
Bodice: 14" from neck to waist
Skirt: 47" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DDPC021

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

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SKU: 87978607412

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4.2 ★★★★★
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Raquel Wilbon
Alexandria, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020
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amber a
Whiting, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
R
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Ruth Franklin
Grantham, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017
K
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K. Hamil
Omaha, US
★★★★★ 5
Wonderful story, great for book club though written by a young adult author.
Format: Kindle
Such a “cliffhanger” for me, a just could not put it down. I read this Wild West historical novel three times, that is how good it was. Such great fun for me, while got the ladies in our book club talking about growing up, being brave.
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Reviewed in the United States on November 18, 2024
M
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Mainer
San Leandro, US
★★★★★ 5
My pick for Best YA from 2015
Format: Kindle
I don't usually like Westerns, but this historical novel reads like a racially diverse Little House on the Prairie. There's a touch of romance, but the most important relationship is the friendship between these two resourceful girls. The writing is superb with well developed characters, a fast pace and a fine sense of place and period (1849). Despite dealing with tough issues like murder, slavery and racism, it still manages to be a feel good story, appropriate for tweens as well as teens. The girl protagonists are 15 and 16 and the boys are a bit older. This debut tops my list of best YA from 2015 that I've read to date: http://blog.sarahlaurence.com/2015/12/best-ya-books-of-2015.html
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Reviewed in the United States on December 18, 2015

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